Gerhard Auer

1866: The Prussian-Austrian war has left deep marks on Alois. In the snow-covered mountains, the Bavarian is robbed by a deserter, who does not turn out to be his worst enemy…

A woman meets a man in a bar late in the evening and goes to his apartment. A woman picks up a girl from school and runs with the child through the park. If we see such scenes in a movie, or are we watching such situations in life, we quickly believe we know who these women are: a woman looking for a fleeting adventure in the first scene, a caring mother in the second.

A diretora Zita Erffa pergunta ao irmão László sobre sua motivação para entrar em um mosteiro da Legião de Cristo. Oito anos após a partida, ela pode finalmente visitá-lo e perguntar por que ele a deixou sozinha em sua família. Para ambos, a câmera funciona como um catalisador para encontrar harmonia.

Hedi is the new neighbor of Iva, who raises her daughter Sofia by herself. The two women start a relationship and Iva is desperately in love with Hedi. Suddenly Iva's father appears. Hedi feels strongly attracted to him. It seems that only one world exists for Hedi. Her own.

Hedi is the new neighbor of Iva, who raises her daughter Sofia by herself. The two women start a relationship and Iva is desperately in love with Hedi. Suddenly Iva's father appears. Hedi feels strongly attracted to him. It seems that only one world exists for Hedi. Her own.

Dois caras em Viena que nunca se encontram, um é um jovem reprimido e desempregado que vive com seu pai homofóbico e o outro um estudante de Direito de 24 anos com uma nova namorada.

A young woman called Fiona shows up in a city in the Ruhr area to work for the Bauer family as a housekeeper. Father, mother, daughter and son all live their own lives, co-existing without communicating. Nobody realizes that Fiona has made a decision.