Director of Photography
Adolescentes aspirantes a ladrões aprendem com um mestre na arte da trapaça o que é preciso para ter sucesso como batedor de carteiras nas ruas de Bogotá.
Director of Photography
Anna is a young woman living in Paris, daily struggling with her emotional frailty. She tries to spend more time with her ten-year-old son, Nathan, but Philippe, her former husband, does not trust her anymore and threatens to take full custody of the child. Having no other choice, she convinces her boyfriend Bruno to help her, and the three of them fly away to Colombia. During this journey, Anna will strive to build a new family, and will face the difficulty of being a mother.
Director of Photography
Amparo, an enigmatic woman, arrives at a funeral home offering a large sum of money for the body of the beautiful Lucia to be cremated quickly and without formalities. Ancizar and Oviedo, owners of the place, decide to reject the tempting offer, however, when Amparo returns, the undertakers discover that the corpse has disappeared and are forced to give her the chest with the ashes of Ancizar's deceased father. She pays and they all call it a day. What the pair of morticians don't know is that it will be the worst business of their lives.
Cinematography
Invocando o mesmo estilo corajoso de Traffic e o realismo de Cidade de Deus, El Rey-O Rei do Tráfico mostra corajosamente a ascenção do comércio de drogas na Colômbia através de olhos do chefão mítico e barão das drogas. El Rey é baseado em fatos reais, o filme entrelaça com maestria fatos históricos com personagens desenvolvidos rica e habilidosamente acompanha ascenção dramática e frequentemente brutal de El Rey ao poder sobre a Máfia colombiana no decorrer de diversas décadas.
Director of Photography
Francisco Maldonado is sadly involved in a series of dreams that have tormented him, in which generally he, wielding multiple weapons (the machete, the shotgun, his own mother) attacks his father, with whom he has lost intense contact since the death of his mother. This December 31, the old man, Don Juan Cristo, his father, with whom he also adjoins his farm, appears again at his door, so that they finally agree, on this last day of the term after ten years of the death of his mother , the destruction of the fence that divides their lands, so that she stops being a soul in pain, and so that the municipality does not take these lands at its will.
Director of Photography
Three scripts, each one with independent storylines, have in common a vision of the Colombian capital in 2016.
