Salomé Jashi
Nascimento : 1981-01-01, Tbilisi, Georgia
História
Salomé Jashi is a Georgian documentary filmmaker. She holds a MA in journalism from Georgian Institute of Public Affairs and a MA in Documentary Filmmaking from Royal Holloway, University of London.
Director of Photography
O ex-primeiro-ministro da Geórgia tem um hobby peculiar: coleciona árvores centenárias de comunidades da costa georgiana, algumas com 50 metros de altura. Não sem grandes despesas e inconvenientes, estes gigantes são arrancados de suas terras para serem transplantados em seu jardim particular.
Screenplay
O ex-primeiro-ministro da Geórgia tem um hobby peculiar: coleciona árvores centenárias de comunidades da costa georgiana, algumas com 50 metros de altura. Não sem grandes despesas e inconvenientes, estes gigantes são arrancados de suas terras para serem transplantados em seu jardim particular.
Producer
O ex-primeiro-ministro da Geórgia tem um hobby peculiar: coleciona árvores centenárias de comunidades da costa georgiana, algumas com 50 metros de altura. Não sem grandes despesas e inconvenientes, estes gigantes são arrancados de suas terras para serem transplantados em seu jardim particular.
Director
O ex-primeiro-ministro da Geórgia tem um hobby peculiar: coleciona árvores centenárias de comunidades da costa georgiana, algumas com 50 metros de altura. Não sem grandes despesas e inconvenientes, estes gigantes são arrancados de suas terras para serem transplantados em seu jardim particular.
Producer
In the Georgian city of Kutaisi, a local women’s football team constitutes the heart of a group of female and non-binary queer people, who get together regularly to hang out, to party, to hug each other, and to discuss existential issues. Their gatherings provide a cozy, safe space for these young people in a society that’s not known for embracing its LGBTQ+ community. Discrimination, exclusion, and violence are part of the daily reality for these sports enthusiasts and their friends, whether on the streets or, in some cases, within the family. When they’re together, they find the love, warmth, and safety they need to fully be themselves.
Director
Flanked by her phlegmatic sidekick, Dariko is the only outside broadcast journalist at a local Georgian television channel. With derisory resources, she races from one report to another to give an honest, if not objective, image of the current events that shape her environment.
Director of Photography
This German documentary looks inside a nearly idle restaurant in a dowdy building in the country of Georgia, its listless workers waiting for business to pick up. The mournful atmosphere serves as a metaphor for the uncertain future of Georgia.
Director
This German documentary looks inside a nearly idle restaurant in a dowdy building in the country of Georgia, its listless workers waiting for business to pick up. The mournful atmosphere serves as a metaphor for the uncertain future of Georgia.
Director
The 2008 Georgian War resulted in the deaths of several hundred people and expulsion of tens of thousands from South Ossetia. Is there a way to show the tragedy of families that lost their loved ones, thousands of people forced to leave their homes, soldiers doing the fighting, and children who cannot comprehend the situation? Salomé Jashi answers this question in a way that leaves few apathetic, though the horrors of war are never visible on the screen. Her short film is based on an interesting formula of making the audience witness to a tragedy it never sees.
Director
This is a gentle and slightly absurdist documentary about the Ardoteli family in the mountains of Georgia who discovered that a Chechen helicopter carrying cheese had crashed by their house. Dropped into the life of this family, a helicopter is gradually enfolded into their daily rhythms, transformed into something utterly unexpected. In this land free of electric cables, cows find a shelter and children set up their private playground in it. Patient observations through the rusted “eyes” of this helicopter unfold a story of a remote place exposed to just one piece of civilization.
