Sai Chand

Vennela has fallen for Aranya aka Ravanna’s poetry and the man both. What happens when she sets out on an arduous journey to be with him?

Jobless since four years despite being well-educated, a young man heads to Nallamala forest with his father to help him with konda polam. Will he come out a changed man?

Aditya is a death row prisoner facing charges of terrorism. His only hope for living lies in the game of chess.

Aasi has been in love with Bebamma since their childhood. But it is more than her father Rayanam that threatens to form a chasm between the lovers.

Gwalior Fort, durante a Rebelião Indiana de 1857. Num momento de desespero, Lakshmibai, Rani de Jhansi, encoraja seus homens contando-lhes a heróica história de Uyyalawada Narasimha Reddy, um corajoso chefe Telugu que pegou em armas em 1846 para protestar contra as inúmeras arbitrariedades e crimes perpetrados pelos líderes e forças militares da Companhia Britânica das Índias Orientais.

Two young people embark on a winding and rocky path to love after meeting at a wedding.

Siva is a new student in the community college. He is welcomed by a group of collegians, including the lovely Asha, to whom Shiva is instantly attracted. Shiva notices that there is violence within the college, perpetrated by people who are not even students. When he decides to find out their motives, he is met with violence, and threats. Now Shiva must decide to stand up for his college, or just carry on studying, finish college, and move on and get to on job.

Adavalle Aligithe (transl. If Ladies Show Sulk) is a 1983 Indian Telugu-language comedy film produced by Akkineni Srinivasa Rao and Yarramshetty Anjineeyulu under the Vijaya Chitra Pictures banner and directed by Vejella Satyanarayana. It stars Gummadi, Nutan Prasad, Rajendra Prasad, Ranganath, Sai Chand, Devika, Rajyalakshmi in the lead roles and music composed by Krishna-Chakra.

Narasinga Rao’s debut is an existential melodrama with the director playing a romantic painter, Ravi, whose friends include a trade union leader (Kakarala), an autorickshaw driver, a Marxist journalist (Narayana Rao) and a glib, successful painter (Saichand) whose success contrasts with Ravi’s inability to sell his own work. His neighbour Kankamma, who rejects an evil landlord’s advances, is evicted from her house; the trade unionist is killed in police custody; and Ravi starts exhibiting his work on the streets to indicate his growing politicisation to the satisfaction of his Marxist friend. The film is geared to the CPI(ML)-led political movements in Northern AP and included the compositions and songs of the region’s best-known radical poet and performer, Gaddar.

The story of 4 friends, and how their lives are forever changed by the entry of a newcomer into their neighbourhood.

Set during one of India’s main peasant risings, the Telangana insurrection between 1945 and 1951 in the pre-Independence state of Hyderabad, the Bengali director’s first feature tells the story of Chander’s best-known novel (Jab Khet Jaage (1948)) from the peasant’s point of view. A young peasant, Ramiah, rebels against the corrupt rule of the nizam, and when his girlfriend has to submit to the potentate’s sexual coercion, Ramiah leaves. He befriends a Marxist activist (the rising was CPI-inspired) and participates in the Independence struggle.