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Jarnow adapts an architectural grid catalogue of cubic rotations in order to explore a direct relationship between animation procedure and logical numerical operations. The film is as much the making of animation as it is a paper model of a computer. The cube sheet, upon which the film is based, is so constructed that a horizontal cubic rotation and a diagonal pan yields a diagonal rotation. Combinations of these primary moves result in more complex rotations throughout this awe inspiring film.
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Jarnow regularizes a child's primitive sketch of a house into increasingly firmer architecture, showing how the same place might by rendered by different hands. Objects twist and turn, a drawing resolving into a wall painting, as the perspective shifts, boxes within boxes, until the viewer is back outside
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In what would become a familiar theme throughout his carrer, Jarnow explores the earth from above, invoking Buckminster Fuller's Dymaxion and the Gnomic map to illustrate different geometric and compromise projections.
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Slated for inclusions on the Boston based Infinity Factory educational program alongside Map Projections, Digging to China explores a familiar childhood activity on a global scale.
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When Jill Jarnow won a blue Volkswagon in a design contest, and named the car Wart after the young king Arthur in T.H.White's The Sword and the Stone - it naturally wasn't long before the iconic vehicle turned up in a film. Autosong unfolds on an autobahn of the mind, a road between the formalism of highway driving and the looped flipbook experiments.
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Intended to be an "animation machine," Four Quadrant Exercise finds Jarnow adapting a perspective system, enabling him to render complex motions almost automatically. Created prior to the streamlined ease of computer software, this short is a commitment to the joy of making marks on paper.
