Juan Antonio Leyva

Ricki travels to Cuba after many years to meet his girlfriend Beatriz, but she has changed a lot; Claudia, in a desperate search for money to buy a house, tries to scam a drug dealer; and Celina, a necrophiliac prepares to spend a weekend with a corpse.. Three dark love stories that, thanks to various unforeseen events, will intertwine until they become the revelation of the plot of a film that at the end of the story illuminates the drug dealer.

Haydee has been seeking justice for victims of human rights violations for 40 years caused by Pinochet’s regime, but today she faces her most intimate battle, the end of a long trial that condemns her torturers, the murderers of the son she carried in her womb. Along the way, health problems will bring back memories of her darkest days.

On november 27th, 1871 one of the most atrocious events happened in the Cuban territory, the regiment of voluntarys of the spanish army along with the Spaniard corrupt government that ruled the island, conspired to destroy the lives of 8 students of medicine. The resolution of the young students in maintaining their dignity over the injustice in which they were involved; the reaction of few fair spanish men to the inexplicable situation in which the events was developed and the never told roll of Fermín Valdés in the discovery of the truth will change the insight of this story. Based on true events, this film was a debt to the cuban history that was settled.

O jovem Chala tem um comportamento problemático. A única pessoa que ele respeita é a professora, Carmela. Enquanto a relação entre eles aumenta, os dois passam a ser perseguidos na escola.

María León interpreta a Pepita, uma jovem cordobesa de origem rural, que vai a Madrid no pós guerra para estar perto de sua irmã Hortensia (Inma Cuesta) que está grávida e na prisão. Pepita conhece Paulino (Marc Clotet), um valenciano de família burguesa, que luta junto a seu cunhado na guerra de Madrid. Apesar da dificuldade de sua relação, se apaixonam. Hortensia é julgada e condenada a morte. A execução será feita somente após o parto. Pepita tenta por todos os meios e em todas as instâncias que cancelem a execução. Vai todos os dias a prisão com o objetivo de que lhe entreguem o futuro filho de Hortensia, suplicando que não o entreguem para adoção, ou o internem num orfanato.

Daniel, loner and hermit, is forced to give overnight shelter to Anna, his neighbor's niece. The need for affection and human warmth of these two injured people will emerge, turning into a romance. Things get complicated when Anna's husband appears.

In the manner of a well run Greek tragedy, leaving aside one of its components, dragging in its passing narrative certainty by the viewer that violent death is the hallmark of so much misfortune purifier, Los Dioses Rotos crowns the very successful arrival of Ernesto Daranas to the feature domains and with it, the team that accompanied him, including the actors.