César Pérez

Filmes

El beso de Dios
Director of Photography
A dazzling journey through the biblical meaning of sacrifice -from Creation to us- accompanied by luxury hosts: Eduardo Verástegui, best-selling author Scott Hahn, two-time Formula 1 champion Emerson Fittipaldi, the Barabbas of The Passion of Christ Pietro Sarubbi, Raniero Cantalamessa... and by young people 'kissed' by God. With incredible images of the nature of Brazil and Iceland; shot in Playa de las Catedrales (Lugo) and Matera (Italy).
The Old Soldiers
Cinematography
Based on an unpublished novel by Jorge Sanjinés
Wake Show
Color Grading
Leonardo Oviedo is an ambitious theatre director, whose plays haven’t accomplished the success he dreamt of. Seeking for some recognition, he decides to write a play for four characters; a one-performance only, where all actors have to die onstage. On that matter, he casts an old has-been actor, who is an alcoholic, a fat actress, an endearing and intellectually disabled boy and a black actor, who has only been cast for the color of his skin. The play brings on a media hype never seen before, is an instant success and everyone is eager for the opening night. Whit defenders and detractors, the whole country talks about Leonardo Oviedo, and he will be willing to get to the very end, to fulfill this sickening artistic ideal.
Fernando Torres: The Last Symbol
Director of Photography
A look at the life and career of Spanish football star Fernando Torres.
El niño que vió a Dios
Director of Photography
La Carnada
Camera Operator
Maria earns her living fishing in a northern Peruvian village, working alongside her husband. But when her husband is called away to work on larger industrial fishing boat, Maria, who is pregnant, finds ways to act out her anger.
You Only Live Once
Director of Photography
Peru in the early 1980s… a time of difficulties.
A Nação Clandestina
Director of Photography
Sebastián Mamani volta à sua comunidade aimará de origem, da qual foi expulso há algum tempo, por ter se deixado corromper enquanto líder da comunidade. Ele carrega a grande máscara da morte, para dançar até morrer, numa espécie de expiação pelos pecados que o motivaram e como forma de renascer na sua identidade cultural perdida. Durante sua viagem, ele relembra seu passado.
Los hermanos Cartagena
Director of Photography
The film portrays the 1952 revolution and 1980 coup in Bolivia through the lives of two brothers, Juan José and Martín. Juan José, the legitimate son of Luís, is transformed, by his experiences as a youth in 1950s, to become a boss of one of the groups of paramilitaries during the 1980 coup. Martín, the illegitimate son of Luís and an indigenous peasant, becomes a trade union leader during that period.