Mike Shiflet

The film compiles videos of Argentine cult band Reynols, it shows a diversity of live concerts and various activities over a period of more than 25 years. It's a part of the boxset "Minecxio emanations 1993-2018". The film includes: Saludo Vincher Vinchas (Miguel Mitlag); Colegio Cristoforo Colombo (A. Ruiz and unknown); No Music Festival, The Tonic, New York, 2001 (Mike Shiflet); Flesh Sound Bs. As. (Reynols selected archives); Somewhere near Kingston (Mike Shiflet); Papagayos en la luz (Reynols selected archives); O’Hara Mansion (Dir. Reynols); Fusa (Reynols selected archives); Lo Pawe Recy Plays Norway (Tom Løberg); Camio Flatdas (Reynols); Lor Nindio Pepelacho in Brussels (Christophe Piette).

Part-thriller, part-nightmarish examination of the widening gap between originality and technology, The Removals imagines where we go from here. A secretive, nefarious agency seeks to control the culture. They do this by covertly staging reproductions of everyday events, and by so doing, undermining the moment’s originality and currency. Society is then left to puzzle over what might be real, and what is fake. The agency employs symbols—like the fascists, like imperial powers of the past—notably a red cone, to plant their flag upon the moment. Two agents, Kathryn and Mason, exhausted by the toll each removal has taken from them, quietly, and then overtly, set out to undermine the agency. Haunting, engaging, and with a ferocity of vision that calls to mind the cerebral thrillers of Shane Carruth, David Lynch, or Andrei Tarkovsky, Nicholas Rombes’s directorial debut is a spellbinding new work and apt analogy for the wormhole where modern social communication leads.