Marie-Louise Bartholomew

Four women, who have been sterilized and are under constant toxic restraint and surveillance, are serving their term in a government-run brothel. The relations between them are at a critical point; food and water are scarce, their house is rotting and ready to collapse. Nothing on the outside exists any more. Nightmarish visions, simulated miscarriages, injections and nausea all make up their daily routine. Yet their dream – even though they have been sterilized by the State – is to have a child. One day, one of their customers disappears. The interrogation begins...

Four women, who have been sterilized and are under constant toxic restraint and surveillance, are serving their term in a government-run brothel. The relations between them are at a critical point; food and water are scarce, their house is rotting and ready to collapse. Nothing on the outside exists any more. Nightmarish visions, simulated miscarriages, injections and nausea all make up their daily routine. Yet their dream – even though they have been sterilized by the State – is to have a child. One day, one of their customers disappears. The interrogation begins...

Four women, who have been sterilized and are under constant toxic restraint and surveillance, are serving their term in a government-run brothel. The relations between them are at a critical point; food and water are scarce, their house is rotting and ready to collapse. Nothing on the outside exists any more. Nightmarish visions, simulated miscarriages, injections and nausea all make up their daily routine. Yet their dream – even though they have been sterilized by the State – is to have a child. One day, one of their customers disappears. The interrogation begins...

Four women, who have been sterilized and are under constant toxic restraint and surveillance, are serving their term in a government-run brothel. The relations between them are at a critical point; food and water are scarce, their house is rotting and ready to collapse. Nothing on the outside exists any more. Nightmarish visions, simulated miscarriages, injections and nausea all make up their daily routine. Yet their dream – even though they have been sterilized by the State – is to have a child. One day, one of their customers disappears. The interrogation begins...

Man (Gianis Aggelakas), a mysterious man of the underworld, small time grifter and big time hard-man, who has an anarchic tendency to mumble and comment on the system, society, police, the underworld itself and other things, along with his beloved bird, Bellafonte, meets up with an odd posse consisting of kid, who is a young songwriter, a prostitute who gathers money in order to open a bookstore, an alcoholic girl haunted by the relationship with her dead mother, and the grudgey bar-woman-ex-girlfriend. The five of them get caught up in a scheme involving the media, the mob, politicians and the police. And they definitely want to get the hell out of the city, probably to some Caribbean paradise.

Man (Gianis Aggelakas), a mysterious man of the underworld, small time grifter and big time hard-man, who has an anarchic tendency to mumble and comment on the system, society, police, the underworld itself and other things, along with his beloved bird, Bellafonte, meets up with an odd posse consisting of kid, who is a young songwriter, a prostitute who gathers money in order to open a bookstore, an alcoholic girl haunted by the relationship with her dead mother, and the grudgey bar-woman-ex-girlfriend. The five of them get caught up in a scheme involving the media, the mob, politicians and the police. And they definitely want to get the hell out of the city, probably to some Caribbean paradise.

What is Hell for others is home for us. This is the story of Vera, Elsa, a Man, and the great love that united them. They started out growing up together but they didn't get very far. Leaving behind a desolate world, full of traps, they will begin a hallucinogenic journey of tenderness and violence. The story of three lovers who in a devious and gruesome manner try to destroy each other, to gain a solitary entrance to Hell.

Michael falls in love with an American woman while borrowing his cousin's apartment, but the discovery of the contents of her suitcases gets them involved with the police, among other troubles.

Singapore Sling is chasing after Laura, a romantic memory from his past. One night he finds himself in a mysterious villa, watching two women bury a body. He falls into their trap and, in an atmosphere of isolation and decadence, the trio act out insane pleasure games and a ritual of blood and murder.

Singapore Sling is chasing after Laura, a romantic memory from his past. One night he finds himself in a mysterious villa, watching two women bury a body. He falls into their trap and, in an atmosphere of isolation and decadence, the trio act out insane pleasure games and a ritual of blood and murder.

Singapore Sling is chasing after Laura, a romantic memory from his past. One night he finds himself in a mysterious villa, watching two women bury a body. He falls into their trap and, in an atmosphere of isolation and decadence, the trio act out insane pleasure games and a ritual of blood and murder.

Singapore Sling is chasing after Laura, a romantic memory from his past. One night he finds himself in a mysterious villa, watching two women bury a body. He falls into their trap and, in an atmosphere of isolation and decadence, the trio act out insane pleasure games and a ritual of blood and murder.

A deserted city is the setting, where a woman walks alone trying to approach and enter the forbidden zone. Traps and the morning patrol lurk everywhere. Electronic voices summon the (non-existent) people to abandon the city. Can a love affair in this place survive?

A deserted city is the setting, where a woman walks alone trying to approach and enter the forbidden zone. Traps and the morning patrol lurk everywhere. Electronic voices summon the (non-existent) people to abandon the city. Can a love affair in this place survive?

A deserted city is the setting, where a woman walks alone trying to approach and enter the forbidden zone. Traps and the morning patrol lurk everywhere. Electronic voices summon the (non-existent) people to abandon the city. Can a love affair in this place survive?

The diary of the life and death of a group of "amoral" young people, who have reached the point of no return and seek something to believe in and to die for. Their behavior brings them to the attention of the State. A discreet surveillance begins. A vigilante group monitors their house, headed by a nameless blonde man.

The diary of the life and death of a group of "amoral" young people, who have reached the point of no return and seek something to believe in and to die for. Their behavior brings them to the attention of the State. A discreet surveillance begins. A vigilante group monitors their house, headed by a nameless blonde man.

The diary of the life and death of a group of "amoral" young people, who have reached the point of no return and seek something to believe in and to die for. Their behavior brings them to the attention of the State. A discreet surveillance begins. A vigilante group monitors their house, headed by a nameless blonde man.

Five friends (representatives of the Fifties generation) now in their forties, get together after many years of silence. One shows up from jail, where he has been entering and exiting for years, the other comes from a series of "accidental" murders, another leaves his wife and kids, the fourth one is a wonderer, and the last one, the girl of the gang, comes from a lunatic asylum where she has been hiding for years... All of them are outcasts, tortured from barren love affairs, wounded from the deaths of their beloved friends and betrayed by the politics of their times. They hopelessly try to reconstruct the gang of their puberty, but the revolution is lost... Now, each in his own way, will progress into a journey of death, thus opening a new chapter in the history of their generation.

Five friends (representatives of the Fifties generation) now in their forties, get together after many years of silence. One shows up from jail, where he has been entering and exiting for years, the other comes from a series of "accidental" murders, another leaves his wife and kids, the fourth one is a wonderer, and the last one, the girl of the gang, comes from a lunatic asylum where she has been hiding for years... All of them are outcasts, tortured from barren love affairs, wounded from the deaths of their beloved friends and betrayed by the politics of their times. They hopelessly try to reconstruct the gang of their puberty, but the revolution is lost... Now, each in his own way, will progress into a journey of death, thus opening a new chapter in the history of their generation.

Euridice vive em um inferno chamado BA 2037, esperando Orfeu levá-la para o mundo de cima. Um homem deixa sua cama todas as manhãs. A relação entre eles é vaga e sentem-se ligados por alguma razão; pessoas vivem em volta da janela tentando entrar na casa-prisão; um estranho ao telefone insiste em dizer que foram amantes e que têm provas da morte de Vera, que ela imagina ter sido morta no parque de diversões; uma voz robótica fala por telefone que ela será transferida, mas ela acredita estar sendo enganada; o carteiro oferece um envelope com conteúdo desconhecido e ela se recusa a aceitar; o visitante noturno é um carrasco, pois ele pode andar livremente pela cidade. Esta é a realidade em fragmentos de Euridice em BA 2037, onde o tempo parece passar apenas para ela.

Euridice vive em um inferno chamado BA 2037, esperando Orfeu levá-la para o mundo de cima. Um homem deixa sua cama todas as manhãs. A relação entre eles é vaga e sentem-se ligados por alguma razão; pessoas vivem em volta da janela tentando entrar na casa-prisão; um estranho ao telefone insiste em dizer que foram amantes e que têm provas da morte de Vera, que ela imagina ter sido morta no parque de diversões; uma voz robótica fala por telefone que ela será transferida, mas ela acredita estar sendo enganada; o carteiro oferece um envelope com conteúdo desconhecido e ela se recusa a aceitar; o visitante noturno é um carrasco, pois ele pode andar livremente pela cidade. Esta é a realidade em fragmentos de Euridice em BA 2037, onde o tempo parece passar apenas para ela.