1978, on his birthday, Stavros was set to get engaged to Matula. Instead, he was forced to embark on his first big journey. 2020, on his birthday, Stavros wanders around the city alone. It is the day that he doesn’t like to talk. It is the day that he reflects on his past considering how things would have been if he had made other decisions.
Savvas
outa is a pigeon breed that flies all the way up to the clouds, then dives at 230 km/h and slows down just before reaching the ground. Christos is a teenager who lives in a disadvantaged neighborhood of Athens. He has to find a way to avoid conflict with his father who just got home from prison, just like the pigeons he loves avoid collision.
Σταθμάρχης
Two people, alone in a desolate city. Costas and Anna in Athens. Costas is an engine driver. The trains he drives travel from one end of the city to the other, following the traces of the ancient rivers that were paved over and made into roads. Anna sells ferry boat tickets at Piraeus, the city’s main harbour, the place where the rivers once flowed into the sea. Costas knows Anna. He sees her every morning, waiting on the platform for his train to take her from Thiseion to Piraeus; and he sees her every afternoon, when his train takes her from Piraeus back to Thiseion. Anna doesn’t know Costas. From the window of the train car she looks out at the same desolate city every day, without knowing who’s driving the train. When something happens to turn Costas’s life upside down, he decides to reach out from inside his solitude and talk to Anna.
Police Interrogator (as Nikos Dalas)
Revenge is a recurrent theme in thrillers, usually dispensed by action heroes with a well-stocked arsenal. But in Yorgos Tsemberopoulos’s nuanced moral maze the protagonist is the bookish Kostas (Manolis Mavromatakis), a suburban florist well versed in social and political theory, which he discusses at length with a local publican. But when his home is invaded by masked hoodlums, who bind his family and rape his teenage daughter, our everyman hero finds his intellectual stance untenable. Encouraged by his paranoid, militarist neighbour, Kostas decides to take the law into his own hands, and in doing so begins to understand – for the first time – the world he has been living in. The vigilante movie is a well-explored genre too, but Tsemberopoulos gives it a whole new urgency, subverting the cliched right-wing fantasy structure and seeing it through the eyes of a man who comes to find his real self while trying to live up to the (imagined) expectations of others. (Source: LFF programme)
Assistant Sound Designer
The true story of a young couple (Babis and Eleni) fighting for love and freedom. An odyssey in and out of prisons during the dark period between the Greek civil war until the end of dictatorship in 1974
