Director of Photography
Otro Sol is a group of real and invented characters trapped in a film. It is also a purgatory of retired thieves that takes place on the coast of the Atacama Desert. The film is circular and seeks to invent and verify the myth of Alberto Cándia, a Chilean international thief who stole the Cathedral of Cadiz in Andalucia in the late 1980s.
Director of Photography
A school boy who excels in math but loves art; a fetishistic businessman; and a compulsive car cleaner whose hobby is to write plays, are attracted, as a siren song, to a large house made into a cultural center. There, a woman, who seems to be a fortune-teller, urges them to look for a centennial tree planted over an ancient indigenous ceremonials site.
Director of Photography
In mid November, the dead ones appeared floating on the Strait of Magellan tied together to life vests, cellular phones, computers and passports. Two of them were found malnourished, another with scurvy and typhus and Yin Xinji’s body was never found. In June, Carmen’s cousin told her that on the lighthouse close to his ranch, a starving Asian man, hid there for three days before disappearing. Apparently, he headed towards La Pampa.
Camera Operator
Bruno, um arquiteto, começa a questionar-se sobre sua vida em meio a tantos sonhos. Durante essa crise, ele resolve viajar para Santiago sem retorno prévio. Lá conhece Fer, um professor de história com quem inicia um inesperado romance.
Director of Photography
Bruno, um arquiteto, começa a questionar-se sobre sua vida em meio a tantos sonhos. Durante essa crise, ele resolve viajar para Santiago sem retorno prévio. Lá conhece Fer, um professor de história com quem inicia um inesperado romance.
Director of Photography
Samanta, a girl from the streets, lives with Profeto, a Peruvian immigrant who adopted her as his own daughter. One night, Profeto tells Samanta that his wife and daughter have arrived to Chile to live with him. Their presence threatens Samanta’s permanence so she starts to despair and act self-destructively, trying to call Profeto’s attention and not lose her recently found home.
Colorist
GLEISDREIECK is a story about love, its different forms and the lies that are told in its name. In an austere audiovisual style, where the story unfolds supported by the performance of its three characters. Two very different departments located in opposite parts of Berlin, which Hedda visits to Petra and Zazie.
Director of Photography
The man, the hill, the shack.