Screenplay
Two bodies are recovered in a reservoir. They are of a married couple who now leaves behind two orphaned young adult children. When Angela, the cop tasked to investigate the deaths, breaks the news to the couple’s daughter Connie, Angela is stunned. Not only does the cool and undeterred Connie already know about the deaths, she claims she’s responsible for them. So begins the mystery, but also the relationship between confessor, whose tragic backstory we learn about in flashbacks, and her investigator, who has parental troubles of her own.
Director
Two bodies are recovered in a reservoir. They are of a married couple who now leaves behind two orphaned young adult children. When Angela, the cop tasked to investigate the deaths, breaks the news to the couple’s daughter Connie, Angela is stunned. Not only does the cool and undeterred Connie already know about the deaths, she claims she’s responsible for them. So begins the mystery, but also the relationship between confessor, whose tragic backstory we learn about in flashbacks, and her investigator, who has parental troubles of her own.
Director
A sober exploration of this generation's hopes, dreams and fears for themselves and for post-Umbrella Movement Hong Kong.
Screenplay
Ann Hui's darkly realistic Night and Fog starts at the end of the story: a man murders his wife and, based on statements by unreliable witnesses, the film goes on to investigate how things could have got this far and what kind of man was able to kill his family.
Writer
KJ is a biography of a HK musical genius. At the age of 11, KJ won the Best Pianist price and went to Czech to perform with a professional orchestra. Touching on subjects such as the meaning of life, God and the artistic process, the director’s 6-year-conversations with KJ reveal how a young man inspires by his music teacher, Nancy Loo and how he conflicts with his peers and parents. KJ is not about the victory of a genius, but how he learns to be a "human being".
Director
KJ is a biography of a HK musical genius. At the age of 11, KJ won the Best Pianist price and went to Czech to perform with a professional orchestra. Touching on subjects such as the meaning of life, God and the artistic process, the director’s 6-year-conversations with KJ reveal how a young man inspires by his music teacher, Nancy Loo and how he conflicts with his peers and parents. KJ is not about the victory of a genius, but how he learns to be a "human being".
Director
The film explores the hidden face of poverty in one of the world's most affluent and capitalistic cities. Directed by CHEUNG King Wai (KJ: Music and Life), the film follows five Hong Kong families of different backgrounds that receive government subsidies. How do the poor get by in a glossy city that flaunts conspicuous consumption and hides poverty in cavernous public housing estates? All's Right With The World shares the different stories of these low-income families, their daily living conditions, and their ways of celebrating Chinese New Year.
