Consuelo Holzapfel

The story of Ana and Diego, a couple who decide to go live on the coast in Chile. There, they meet Vicente, with whom Diego secretly begins a relationship. Ana, for her part, must decide if she wants to open up to a relationship that deconstructs the traditional ways of relating affectively.

Werner, a stubborn and secretly romantic widower, would die in solitude if it weren’t for Teresa. Although the two elders already have their everyday rituals for dealing with solitude, and the vicissitudes of old age, lately Teresa seems aloof, unhappy. To cheer her up, the old man prepares a celebration in their house, but he has a problem: almost all of their friends are dead. While Werner struggles to get everything ready, and Teresa gets dolled up, someone else is helping them with “the guests”.

Three friends seek a more entertaining and fiery sex-life with their partners.

The imminent death of a matriarch forces her whole family to reunite. From her dying confession, other hidden episodes will come to light. Each of the family members will face what they would prefer remained buried. Nobody is free of killing for love.

No Chile de 1988, o governo ditatorial convoca um plebiscito para perguntar se a população apoia os militares. Um publicitário, então, fica responsável pela Campanha do Não, com ideias ousadas para convencer o povo a acabar com o regime militar.

In the middle of a blackout, the night before his father's funeral, Felipe arrives at his mother's house after a nine-year absence. There he waits with his sister, his aunt and the maid, with a dinner made especially for him. Although Felipe only is coming for a short time, his mother and sister will draw him back to the house he once left.

Fransisca is a young girl who has just moved into an apartment with his boyfriend Andrés. While unpacking and building her new life as a couple, she faces little by little the deconstruction of her feelings.

The life story of Chilean poet Vicente Huidobro who leaves his wife and children in Chile and flees to Paris in order to devote himself to poetry.

A con man turns around the lives of a mother and her three children when a fake miracle becomes real.

A Chilean talent show in the mold of "American Idol," "Rojo" became a huge hit the moment it hit the airwaves. This comic series puts a fictional spin on all the backstage drama: the backstabbing, the ruthless competition and the passionate abandon. Further blurring the line between fantasy and reality, several of the show's big stars -- including Monserrat Bustamante, Mario Guerrero and Yamna Lobos -- appear as pseudo versions of themselves.

Lota, 1897. In the depths of the largest coal mine in the world, a great rebellion is brewing inside a man's heart.

Carmila is introduced by 'M' to a sinister role-playing game called "Eternal Blood". Once settled in an abandoned house, the group meets Dahmer, a young man who practices vampirism rites and who begins to influence young people, or perhaps... turn them into vampires.

The elderly heir of a formerly wealthy and respected Chilean family, Andres, suffers from decadence and solitude. He hires young Estela in order to look after his tiranic and almost crazy grandmother. The differences in class and age don't stop Andres from courting Estela, whose fiancé Mario tries to make some money with the passions of his well-off rival. The suffocating atmosphere of the run-down mansion in the outskirts of Santiago represents the deterioration of the bourgeoisie, and sets the scene for the total collapse of Andres.

In the late 1980s, a politically neutral photographer in Pinochet's Chile is still struggling to come to terms with the "disappearance" of his activist brother in the Villa Grimaldi torture centre back in 1975.