Lauretta Molitor

Filmes

Impresario
Director
With vintage footage, interviews, and Marc Huestis' own energy and humor at the center, Impresario is an homage to a San Francisco icon and one of the founders of Frameline.
Viagem a Saturno
Sound Recordist
After decades of amazing discoveries, spacecraft Cassini embarks on its final - and most daring - mission: a dive below Saturn's rings.
Zeitgeist 1977: The First Festival
Director
Participants in the very first "Gay Film Festival of Super-8 Films" (what ultimately became Frameline) share their recollections in these excerpts.
We Were Here
Sound
A reflective look at the arrival and impact of AIDS in San Francisco and how individuals rose to the occasion during the first years of the crisis.
Strange Culture
Sound
The film examines the case of artist and professor Steve Kurtz, a member of the Critical Art Ensemble (CAE). The work of Kurtz and other CAE members dealt with genetically modified food and other issues of science and public policy. After his wife, Hope, died of heart failure, paramedics arrived and became suspicious when they noticed petri dishes and other scientific equipment related to Kurtz's art in his home. They summoned the FBI, who detained Kurtz within hours on suspicion of bioterrorism.
Meep Meep!
Sound Editor
Dutch doors, warehouse windows, and empty streets provide the background for a short tale about past lust and lost love. This glimpse into the drama of a lesbian relationship is revealed through stark visuals and the measured pace of the voice-over, providing a clever contrast between how we see and what we hear.
Blue Diary
Sound Recordist
Through voiceover and static San Francisco landscapes this experimental narrative short tells the melancholy story of a butch dyke pining over a one night stand with a straight girl.
A Tale of Love
Sound Recordist
Portraying the Vietnamese immigrant experience through Kieu, A Tale of Love follows the quest of a woman in love with Love. Voyeurism runs through the history of narrative and is here one of the threads that structure the film. Playing with the fiction of love in love stories, the film invites a different experience of cinema with non-naturalistic acting and layered interaction of performed reality, memory and imagination.
We Gon' Be Alright
Production Sound Mixer
Jeff Chang visits East Palo Alto, a historically Black and Latino community in the heart of Silicon Valley, to hang out with rapper, dancer and performer Isaiah Phillips a.k.a. Randy McPhly, who appeared in Kendrick Lamar’s “Alright” video. They talk about the domino effects of gentrification.