Thanya Wachirabunjong

On a set filled with tension, a nervous director tries to shoot a horror movie. Meanwhile, six strangers suddenly appear who tell their story, explaining that they are the characters of the script left by a dead author.

O jovem monge budista Arnont (Mario Maurer) tem dúvidas sobre sua fé desde que testemunhou o conhecido gângster Singh Kam (Dom Hetrakul) decapitado por um crime que ele pode não ter cometido. Diz-se que ele matou o rico senhor da guerra Larh-Fah (Ananda Everingham) por inveja e ciúme. Muitos também assumem que Kam estava tendo um caso com a esposa de Larh-Fah, Kham-Kaew (Cherrn Boonyasak). Arnont é citado como testemunha na audiência. E ele não é o único: um fazendeiro (Petchtai Wongkamlao) e um mendigo (Pongpat Wachirabunjong) também viram o crime com seus próprios olhos. Durante uma tempestade, os três se abrigam em uma caverna e contam uns aos outros como testemunharam o assassinato.

The story beginnings with a young man visiting a village in Burma. One night, a beautiful woman comes into his bedroom and attempts to seduce him. She suddenly leaves, frighten by the sounds of screams coming from outside. The next day, the young man asks Tip, Ni Han's right hand man, about the screams. Tip then tells him the story of Yupadee and Sangmong, Ni Han's former wife and nephew.

Thaen is hit by a car and loses his memories. He starts to live with the woman who hit him as she feels a bit responsible for hurting him other than the fact that she is afraid of getting into any trouble because of this accident. Thaen is trying to recollect his memories while living with the woman and her nephew.

Koburi the Japanese Army Officer portrayed in Sunset at Chaopraya's earlier films dies and the film then goes on to the future of his child and his life which leads to be a leader in the 1973 student riots in Thailand which turned into a massacre.

Filmed in documentary style, Daughter is the story of four girls who face family problems and turn to heavy drug use in order to cope with their sad realities.