Anne McGuire

Filmes

Cinderella
Executive Producer
Domain of the Pixel Pixies
Herself
Sort of a portrait of the videomaker Anne McQuire, who surfaces midway from this waterlogged landscape of El Nino disasters to dispense charm and chocolate within the confines of her concrete office. There is also a flood of imagery that flows in and out of art museums, viewing facilities, and eateries that are perpetually haunted by yours truly along with the spirit of hoboism that feeds on apple pie America.
I Am Crazy and You’re Not Wrong
Director
Anne McGuire’s tortured evocation of psychic disarray
The Waltons
Producer
A deft and cunning re-examination of John-Boy’s near-death experience at the sawmill. A homespun midnight deconstruction of an entire era of television mannerisms. The handheld camera doesn’t stray far from the TV screen, dividing attention between the show’s action and the off-camera activity in the apartment. (Video Data Bank)
The Waltons
Director
A deft and cunning re-examination of John-Boy’s near-death experience at the sawmill. A homespun midnight deconstruction of an entire era of television mannerisms. The handheld camera doesn’t stray far from the TV screen, dividing attention between the show’s action and the off-camera activity in the apartment. (Video Data Bank)
Strain Andromeda The
Director
With Strain Andromeda The, video artist Anne McGuire has created an awesome and spellbinding film that throws everything from story structure to character motivation into question. Put simply, McGuire has taken Robert Wise's entire 1971 virus-from-outer-space classic The Andromeda Strain and re-edited it shot-by-shot precisely in reverse, so that the last shot appears first and the first last, though nothing is actually running backwards. As the film unfolds (or reverts?), more and more information about how the characters and their surroundings came about is revealed to us. While initially confusing, the film quickly takes on an ominous and mesmerising quality that defies description. The original film plot is one filled with tension in a 'race against time', which only adds to this effect.
Joe Dimaggio 1, 2, 3
Director
The artist stalks and serenades Joe Dimaggio in her car as he strolls the docks unaware that she is videotaping his every step.
All Smiles and Sadness
Director
An unfolding soap opera in which its black-and-white characters jabber on in airy cliché until George Kuchar arrives to superheat the atmosphere.
Oh Hi Anne
Director
An epic tale of love and loss featuring legendary underground filmmakers George and Mike Kuchar, as told to an answering machine.
Snatchers Body the of Invasion
Director
In San Francisco, a group of clones, devoid of emotion, are slowly being replaced one by one, by humans.