Manolis Logiadis

The wife of an alcoholic and mother of four (Toula Stathopoulou) is a factory worker in Corfu at the beginning of the 20th century. A fallen noble man who has fallen on hard times (Stratis Tsopanellis) wants to marry her eldest daughter (Anny Loulou) and take advantage of the family's meager earnings. He kidnaps the not-unwilling girl, and argues with her mother about the dowry. But the girl refuses to marry him when she wakes up to the fact that he is only looking out for his own interests. She then decides to start working in order to earn money to raise the child she is expecting. The film is an adaptation of the novel 'For Honor and Money' by Konstantinos Theotokis.

The wife of an alcoholic and mother of four (Toula Stathopoulou) is a factory worker in Corfu at the beginning of the 20th century. A fallen noble man who has fallen on hard times (Stratis Tsopanellis) wants to marry her eldest daughter (Anny Loulou) and take advantage of the family's meager earnings. He kidnaps the not-unwilling girl, and argues with her mother about the dowry. But the girl refuses to marry him when she wakes up to the fact that he is only looking out for his own interests. She then decides to start working in order to earn money to raise the child she is expecting. The film is an adaptation of the novel 'For Honor and Money' by Konstantinos Theotokis.

In order to buy a horse, a man wanders in the bazaars of Thessaly. His journey will take him further than he imagines, as old prophets, forgotten witches and vampire princes will find himself on his way.

The story of a young man who every day watches the inhabitants of the apartment across the street. They have a very beautiful daughter, but after a few days he finds himself in love with the mother...

Three marginals provoke the social establishment with their every act.

Euridice vive em um inferno chamado BA 2037, esperando Orfeu levá-la para o mundo de cima. Um homem deixa sua cama todas as manhãs. A relação entre eles é vaga e sentem-se ligados por alguma razão; pessoas vivem em volta da janela tentando entrar na casa-prisão; um estranho ao telefone insiste em dizer que foram amantes e que têm provas da morte de Vera, que ela imagina ter sido morta no parque de diversões; uma voz robótica fala por telefone que ela será transferida, mas ela acredita estar sendo enganada; o carteiro oferece um envelope com conteúdo desconhecido e ela se recusa a aceitar; o visitante noturno é um carrasco, pois ele pode andar livremente pela cidade. Esta é a realidade em fragmentos de Euridice em BA 2037, onde o tempo parece passar apenas para ela.

At midnight, on a deserted Athenian street, a beautiful woman named Eleni Chalkia is fatally stabbed by a stranger, who immediately disappears into the shadows. The murderer is Ioannis Zachos (Manos Logiadis), a young man lacking in both mental and sexual stability, who lives out his erotic fantasies through purifying violence. He often fantasizes about killing beautiful women, in this way compensating for his deficient manhood and satisfying his passion for power. When he is arrested, he immediately confesses his crimes, which is a relief to the police, who have been accused of gross ineptitude by the press. During the trial that follows, the relentless question, “who is ultimately guilty? Man or society?” is again raised.