Yukiko Fuji

[Period covered: 1616] On May 8th, 1615 the summer campaign of Osaka has reached the climax. This film takes place immediately following 'Ninja 4: Mist Saizo, Last of The Ninja'. Staying one step ahead of the Shogun’s forces, “Mist” Saizo tries to save the Sanada Clan, and avenge the death of his lord by assassinating the first Tokugawa Shogun. Following the first four films in this remarkable series, more previously unknown Ninja skills are shown to the world for the first time. The action heats up as Saizo single-handedly attacks the Shogun’s Palace!

A man operates a small real estate business near Osaka. A man from Tokyo asks for help in buying a large tract of land in order, he says, to build an automobile factory. But by accident the realtor learns that the Tokaido Railway Line is going to be built directly across the land just acquired.

The second film in the "Suruga yukyoden" series, in which Shintaro Katsu plays Jirocho Shimizu. The film features Omasa, Komasa, Ocho, who will become Jirocho's wife, as well as other members of his future family. There is a particularly great swordfight near the end where Katsu and cronies attack the rival villainous yakuza clan to rescue their ailing, elderly boss. The action choreography, cinematography and editing of this sequence is quite brilliant, treading a difficult tightrope act between genuinely goofy antics and exhilirating, bloody violence.

Kokubu Jiro is the captain of his university's Kendo team. Often standoffish, mild, stoic and minimalist, Kokubu is a mystery to those who know him. Kagawa wants to understand Kokubu, but being arrogant and flashy, has a hard time connecting with Kokubu.

Takuya Tsuda is a cop who loves motorcycles. One day a speeding motorcycle seriously injures a child and his investigations lead Takuya to Akio Yazawa, the boss of the Sakamoto Motorcycle Club.

Industrial espionage in the pharmaceutical industry.

Yoso is truly a lost classic, set in the Nara Era (710-794), from Kinugasa Teinosuke the same writer/director who gave us the recognized classic Gate of Hell (Jigokumon, 1952) & the milestone silent surrealist masterpiece A Page of Madness (Kurutta Ippeji, 1926).

Ide of the Kokusai Rayon Company visits a supermarket and finds cheap shirts being passed off as his company's products. But a closer look reveals that the last letter of "Kokusai" has been changed to "n" and reads "Kokusan." The buyers, however, are all under the impression that they are buying Kokusai shirts. Ide begins an investigation to find out where the shirts are being made, but before he is able to uncover anything, he is killed on a train and his little black book, filled with secret data, is stolen. Sugino then starts a one-man search for both the killer and the factory turning out the cheap shirts.

A talent scout who had his eyes set on a star left-handed pitcher in the high school baseball world falls to his death at his hotel. Was it a homicide or suicide? His junior colleague pursues the mystery of his death.

The shogun's vassal Harima Aoyama and a chamber maid are in love with each other, but they cannot be together due to a difference of their status. Soon, an offer of marriage is brought to Harima. Trying to test his love, Okiku breaks one of the plates of the family treasure of the Aoyama family, but Harima doesn't notice. However, someone surrounding her witnesses the moment Okiku breaks the plate on purpose.

Ryokichi Ibuki is a clerk who learns company "top secrets" and becomes an industrial blackmailer. Kaoru Koizumi, a confidential secretary in love with Ibuki, reveals her firm's plans to him. She resigns when Ibuki blackmails her employer but Ibuki gains another spy in Ayuko Ichinoi...

The year is 1932, and a woman, whose tenant-farmer fiancé is fighting in China, is raped by the landowner's son, who has returned from the war with a crippling injury, and then forced into marriage with him. In four more chapters, presented over three decades, their children undertake their own searches for love, while the parents try to make each other as miserable as possible.