In the song Neel Gagan Ki
After a failed conquest, Emperor Ajaatshatru pretends to be a soldier in the enemy's army to weaken them from the inside. However, he falls in love with Amrapali by faking his identity.
To capture the fort of Javal, Shivaji assigns the job to Bahiriji Naik. Manjula Mohite, a fearless girl who is desired by Kedarji of Javal, works along with Bahiriji to capture the fort.
Daulat Rai
Diwakar is a poet and loves his wife Jamuna on everything. But Jamuna does not agree that Diwakar lives out of sheer poetry in a fantasy world and the real world less and less responsible. Diwakar goes so far that he is a fantasy woman in his wife's body creates what he calls Mohini. Diwakar will soon become a recognized poet and Jamuna gives birth to a boy. Unfortunately, the happiness does not last long: Diwakar loses his job because of a critical songs against the British. Now he can no longer feed his sickly father nor his son, who is starving. All this makes Jamuna angry, but above all Diwakars growing obsession with Mohini. As Jamuna decides to live apart from Diwakar, it is destroyed internally and no longer capable of proof. Jamuna slowly realizes that she can not live without Diwakar and forgives him.
An incident from Mahabharata wherein the Pandavas were exiled.
The plot revolves around a boy called Shyam and his relationship with his mother. It shares the effect Shyam's mother has had on Shyam's life and upbringing, and how he is taught to stick to his ideals and principles, even in the face of poverty. The relationships of all the individuals in Shyam's family are explored.
Valmiki is a movie directed by Bhalji Pendharkar featuring Shanta Apte, Prithviraj Kapoor.
The story revolves around the king Vikramaditya, who promises to save the princess of Kashmir, appoints Kalidas as court-poet, and his fight against the Shakas (Scythians).
Based on the legend of Tanaji Malusare
Mahajan Ganganath
Ayodhyecha Raja, literally "The King of Ayodhya", was the first Marathi talkie. It is based on the mythological story of Raja Harishchandra of Ayodhya and his test by sage Vishwamitra, as recounted in Valmiki's epic, Ramayana. The film was also made as a double-version, Ayodhya Ka Raja (1932) in Hindi, making it the first double version talkie of Indian cinema.
