Hiroshi Nishimura

Akira is a lonely middle school boy, ignored by his classmates and bullied by his teacher. He falls in love with the image of a girl on a coffee advertising poster and names her Lunn. Through his "friendship" with Lunn, he gradually finds the strength to pursue his own dreams.

Akira is a lonely middle school boy, ignored by his classmates and bullied by his teacher. He falls in love with the image of a girl on a coffee advertising poster and names her Lunn. Through his "friendship" with Lunn, he gradually finds the strength to pursue his own dreams.

Akira is a lonely middle school boy, ignored by his classmates and bullied by his teacher. He falls in love with the image of a girl on a coffee advertising poster and names her Lunn. Through his "friendship" with Lunn, he gradually finds the strength to pursue his own dreams.

Akira is a lonely middle school boy, ignored by his classmates and bullied by his teacher. He falls in love with the image of a girl on a coffee advertising poster and names her Lunn. Through his "friendship" with Lunn, he gradually finds the strength to pursue his own dreams.

A cowboy seeks to rescue, then woo, a damsel in distress. But he is constantly thwarted by the scratches, breaks, and other imperfections present in the film print itself.

Some time ago, Shunsaku Ban witnessed his friend’s murder during a random robbery attempt, and decided to become a guardian for the man’s infant son, Yuno. The child instantly bonded with a mysterious green cat that was carried by the gang, but Shunsaku was convinced that there’s something nefarious about the feline. Now, in the present, his long lost child surfaces in the news as a rich and powerful man who’s having the best luck at the casinos - and somehow, the green cat is still alive and at his side. Determined to save Yuno from the clutches of this evil creature, Shunsaku begins to investigate the truth of what’s really going on...

Some time ago, Shunsaku Ban witnessed his friend’s murder during a random robbery attempt, and decided to become a guardian for the man’s infant son, Yuno. The child instantly bonded with a mysterious green cat that was carried by the gang, but Shunsaku was convinced that there’s something nefarious about the feline. Now, in the present, his long lost child surfaces in the news as a rich and powerful man who’s having the best luck at the casinos - and somehow, the green cat is still alive and at his side. Determined to save Yuno from the clutches of this evil creature, Shunsaku begins to investigate the truth of what’s really going on...

Some time ago, Shunsaku Ban witnessed his friend’s murder during a random robbery attempt, and decided to become a guardian for the man’s infant son, Yuno. The child instantly bonded with a mysterious green cat that was carried by the gang, but Shunsaku was convinced that there’s something nefarious about the feline. Now, in the present, his long lost child surfaces in the news as a rich and powerful man who’s having the best luck at the casinos - and somehow, the green cat is still alive and at his side. Determined to save Yuno from the clutches of this evil creature, Shunsaku begins to investigate the truth of what’s really going on...

The story concerns four animals fighting to expel war from the earth. Though based on the "Band of Bremen (Die Bremer Stadtmusikanten)", Tezuka Osamu's fans could easily associate the story with "The Amazing Three." The cat, dog, donkey, and chicken who transform into human beings with the power of spacemen and fight to save the earth are entirely reminiscent of the three characters in the "Amazing Three" who transform themselves into animals and devote all their energies to saving the earth.

Bander is a 17-year-old boy from Earth who lives on a distant planet, which is populated by human shape-shifters who feed off of vegetables and animal tails. Violence soon breaks out, as invaders launch an attack on Bander's new planet. This was Japan's first 2-hour animated film for television. The program received high ratings when broadcast as part of a set of 24-hour TV programs called "Ai wa Chikyu wo Sukuu" on Nippon Television. After a long gap since his last animated film for television, this work fully reflects Osamu Tezuka's desire to achieve theatrical quality with this production.