Enrique Carrillo

The police plan to capture a killer by using a double that looks exactly as one of his victims.

Target of ridicule from fellow military academy, the cowardly Augustin did not want to return to their village for fear of confronting his grandfather, a revolutionary colonel. In love with the movie star Laura, Agustin flee to the capital but encounters the dangerous Humberto, another in love with the actress. Thanks to his "nine lives", he attains overcome perilous adventures and, incidentally, overcome their fears.

Cantinflas works as a model of tuxedos in a prestigious store, your job is to use the smoking in the street along with an advertising sign on his back. The use of smoking gives you access to exclusive places and meet important people. During this time, Cantinflas was the manager of an amateur boxer, it is an attractive nurse assistant and occasionally attending a priest in the church and the orphanage. However, a Cantinflas day while wearing tuxedo, is a rich man, who mistakenly believe that Cantinflas is a millionaire too.

A useless and bloody vendetta has been going on for ages between two families in this Mexican village. Men, sons, have killed each other for generations, for a so-called conception of honor in a revenge that never ends since it is also triggered by people of the village. Now, today, there are only two sons left, one in each family. One has become a doctor in the big city and his culture is modern. The other last one - of the other family - hasn't left the village and is waiting for the doctor to come "home" as he plans to kill him, to settle this war on this matter of honor once and for all. And the people of the village want blood.

Los dineros del diablo (The Devil's Money) is a Mexican drama film directed by Alejandro Galindo. It was released in 1953 and starring Amalia Aguilar and Roberto Cañedo.

Homeless/unemployed dude has a spiritual awakening and rehabilitates himself working at a circus.

A tough young man, who helps to kick poor people out of their houses, falls in love with a girl. She lives with her father in the building about to be demolished.

Alberto Robles, a young doctor, is faced with the decision to surrender to a life full of comforts and luxuries or to continue dedicating himself body and soul to serving those who need it most.

Cantinflas, um entregador de jornal, decide ser bombeiro para cobrir despesas, já que seu melhor amigo morreu e ele deve sustentar sua filha. mas o que ela não sabe é que a menina é a herdeira de uma grande fortuna e que os malfeitores querem sequestrá-la. Em um dos incêndios ele salva seu antigo chefe, que lhe pede para voltar ao seu antigo emprego e assumir um bairro muito perigoso.

A low-class baker accidentally gets to know an attractive but bitter fiancée. By getting her snobby, dead-pan family to spend some time with his scumbag friends, he changes their lives, while at the time stealing the girl's heart.

In the drama, a father, firmly believing that the baby daughter in his arms is not his own, abandons her upon the doorstep of the town drunk. Many years pass, and the man finds himself continually wracked with guilt about deserting her.

A nightclub performer decides to raise the baby boy she found abandoned in a trash can, putting her job and social life in jeopardy.

Cantinflas works as a porter, who writes letters and speeches in his old writing machine to earn an extra money, despite the fact that he still goes to school. The sentimental issues come when Cantinflas falls in love of his pretty neighborhood (Silvia Pinal), who is handicapped and unable to walk. The thing wont be easy, because a young military man also has feelings for the girl. But the porter wants to see her happy, and he will become a sort of Cyrano De Bergerac, writing love letters to her signed by the young soldier. His plan is simple: to win money in the horse races in order to pay the operation which will make her walk again.

Cantinflas captura uma gangue que havia assaltado um banco na noite anterior. Considerado um herói, torna-se membro da força de missões especiais por causa de sua capacidade de se disfarçar de muitas formas diferentes.

A 1941 film.

Cantinflas enjoys the bullfight show, and wants to crash in every of these spectacles. Also, there's a professional bullfighter, Manolete, who is identical to Cantinflas. Manolete has to give a bullfight show in a village, but Cantinflas arrives first as a stowaway in a train, and he'll be mistake by the real bullfighter. Cantinflas will give us a demonstration of courage.