Jahangir Mirshekari

Barfa and Nader meet each other and get marry but little by little their life begin to reach it's crisis levels.

Hossein Moradi, a 60-year-old worker from Abadan, has many times been forced to fire his colleagues in the shipbuilding factory on the employer’s order. However, this time he decides to create a chance for the workers by drawing lots. He also volunteers to be fired so to save ones place. One of the workers protests and gets into a fight with Hossein. A few days later his children give him a ticket to India to visit with his wife. But after a coulpe days someone breaks into his house steals the compensation money and the tickets. Hossein suspects that angry worker.

Golrokh, an Iranian author, struggles to settle her husband's debts caused by a business partner who left him to bear the consequences.

A man contemplates life and compares it to a pear tree in his yard which stops producing fruit.

Badii é um homem de boa condição financeira que decide suicidar-se. Planeja tomar vários remédios e deitar num buraco que cavou na montanha. Preocupado com o que pode acontecer a seu corpo, e pensando na possibilidade de o suicídio falhar, Badii começa a procurar entre trabalhadores pobres alguém confiável para ajudá-lo.

Um homem engana uma família afirmando ser Mohsen Makhmalbaf, um famoso diretor iraniano, e que faria um novo filme em sua casa, estrelado por eles mesmos. Ao desconfiar da fraude, a família chama a polícia e o homem é preso por falsidade ideológica. Sensibilizado com o caso do rapaz, o diretor Abbas Kiarostami o procura e pergunta o que pode fazer por ele, que responde "estou sofrendo muito, faça um filme sobre meu sofrimento". Kiarostami então filma o julgamento do rapaz, e posteriormente reconta a história fazendo de atores os próprios envolvidos no caso.

A film about an anthropologist and his daughter during three periods: before, during, and after the Iranian Revolution. The daughter works in the accident & emergency department of a hospital, which is never empty of suicidal patients. The reason behind each suicide attempt is different, especially before and after the revolution. Looking for a reason to live, one of the suicide patients falls in love with the anthropologist’s daughter.

Famed actress Susan Taslimi plays three roles here: Kian, who doubts her identity; Vida, the twin sister, a self-assured artist; and their mother, who gives up one child out of fear of poverty, then deprives the other of affection because she deeply regrets the child whom she has abandoned.

Um menino de oito anos pegou por engano o caderno do amigo. Agora, precisa devolvê-lo para evitar que o amigo seja expulso da escola se não levar o dever de casa.

A satirical comedy about the oddball inhabitants of a Tehran apartment building and their landlord.