Lily Gibson

Four cousins are excited to celebrate Christmas with each other until their estranged grandfather summons them home for their beloved grandmother’s memorial.

Gulf View Drive picks up almost a decade after May and Raleigh part ways in See Rock City to pursue their separate dreams, keeping faith that they will remain connected and come together again. Having met during the early years of WWII in Last Train to Nibroc and endured the struggles of marriage, family, and work against the backdrop of war and uncertainty in See Rock City, May and Raleigh have relocated to Florida, enjoying their dream house and the security their love brings. The year is now 1953, and May is a schoolteacher while Raleigh has found success as a novelist. Their peaceful home is turned upside-down when Raleigh's cheerless mother comes to stay for an indeterminate amount of time. With May's mother and Raleigh's pregnant sister already living with them, the strain becomes both humorous and unbearable. The final part of Arlene Hutton’s Nibroc Trilogy, directed by Katharine Farmer, was captured by Cinevative at the Rubicon Theatre Company in California.

See Rock City opens with May and Raleigh returning to Corbin, Kentucky after plans to honeymoon in Rock City are derailed. The newlyweds settle into small-town life, living with May's parents. May is the local school principal; and Raleigh, discharged from the army for medical reasons, is beginning to find success as a short-story writer. The couple works to make ends meet and find their place in the community under the watchful eyes of May's gentle and supportive mother (Mrs. Gill), and Raleigh's taciturn, judgmental mother (Mrs. Brummett). When victory overseas results in unexpected consequences on the home front, May and Raleigh must confront hidden truths and deal with the challenges of a new, post-war America. The sequel to Arlene Hutton’s Last Train to Nibroc, directed by Katharine Farmer, was captured by Cinevative at the Rubicon Theatre Company in California.

A young girl spends the summer as an intern at Lockheed, watching old stock footage of the moon. She decides she wants to let loose, so she goes to a party that will change her forever.

Killing Animals is a portrait of a lost generation of California youths. The lives of troubled teenage misfits intertwine as they experiment with vices of all kinds, and succumb to self-destructive, often heartless nihilism.

Last Train to Nibroc begins in the winter of 1940 when Raleigh and May are forced to share a seat on a crowded train headed east- an event that changes the path of both of their lives forever. Raleigh, a recently discharged flyboy who dreams of becoming a writer, and May, a young woman set on becoming a missionary, meet and discover that they grew up mere miles from each other in Kentucky. The possibility of romance emerges and the two imagine going to the Nibroc Festival together in May’s hometown. But they are thwarted by their own natures and circumstances. An intimate and charming exploration of human relationships. The first part of Arlene Hutton’s Nibroc Trilogy was captured by Cinevative at the Rubicon Theatre Company in California.

When 30 versions of one person pass through the wormhole at the Department of Parallel Resettlement, Anna discovers she is the worst possible version of herself.

Anos depois de seu programa de televisão ser cancelado, Alceu e Dentinho ainda estão vivendo dos residuais. Desta vez, quando três vilões de desenhos animados entram no mundo real, como pessoas reais, eles decidem conquistar os Estados Unidos.

Às vésperas de vender sua empresa milionária, Robert Miller, um magnata da bolsa de valores, envolve-se em um acidente automobilístico causando a morte de uma pessoa. Para preservar sua imagem, ele esconde sua responsabilidade no caso. Mas um investigador está disposto a descobrir o verdadeiro culpado, sabotando todos os planos de Robert.

Tally Atwater tem um sonho: ser um apresentador de tv no horário nobre. Ela persegue esse sonho com nada além de ambição, talento bruto e uma sextype caseira da sua prima de 13 anos. Warren Justice é um jornalista veterano brilhante, com arestas e 21cm de pênis. Ele vê que Tally tem talento e se torna seu mentor. A carreira de Tally tem uma ascensão meteórica e ela e Warren se apaixonam. O romance que resulta é tão intenso e revelador quanto o próprio noticiário da televisão. No entanto, cada história de ruptura, toda crise gravada em vídeo que os reúne, também ameaça separá-los, já que Tally ama sentar em picas negras e Warren prefere vê-la com homens brancos ...