Ma Yiming graduated from university and worked as a photojournalist in a newspaper office, dreaming of creating his own film festival. Yiming wants to find beauty around him and wants to use nostalgia to explore the confusion of modern urban people. The old artist Xu Lao, who is engaged in root carving, suggested Yiming and him go to the mountains to observe the simplicity and rural spirit of the people in the mountains. Yiming fulfilled the old man's will and went to Dashan and opened his own film exhibition. Following the proposal of the newspaper director, the theme of the village was changed to change the theme of the film exhibition. The film festival really succeeded. Yiming finally got rid of the hustle and bustle of the city and walked on the land of China to pursue the true meaning of beauty. He finally became a promising young photographer.
Mr. Wang is a typical Shanghai husband, his wife plays Mahjong everyday, his daughter is busy in love with the boyfriend. A beautiful lady shows up in Mr. Wang's lonely life and it is going to become an affair.
After the victory of the Anti-Japanese War, Chiang Kai-shek stepped up efforts to eliminate dissidents, and first targeted Long Yun, who was in power in Yunnan and had progressive ideas.
This simple romance story does not mean much to westerners, and in fact, does not even mean anything to Chinese today, but it was a big thing when it was made, not long after the end of Cultural Revolution in which even the personal romance was restricted. This movie is one of the pioneers of personal liberalization in advocating people seeking out their love following their own hearts, not from other people.
A Japanese photojournalist revisits Vietnam after the liberation to document the nation, and begins following and documenting the young children from a poor Vietnamese family.
Num edifício de apartamentos em Xangai, Hou, um oficial corrupto do Kuomintang, o partido no poder na China em meio ao caos do fim da Segunda Guerra Mundial, ocupa o prédio, avisa que irá vendê-lo e manda todos os inquilinos saírem.
This tale of familial warfare and sacrifice takes place in hard-pressed Shanghai at the end of the 1940s. Hu Zhiqing can barely support his wife and children, and his situation is worsened by the unexpected arrival of his mother, brother and sister-in-law. When he is fired by his unscrupulous boss, the whole family becomes embroiled in one emotional/economic struggle after another.
