Dominique Margot

Filmes

Mountain Ride
Writer
After years of mass tourism in the Alps, a rethinking is slowly taking place. Whether researchers, artists or philosophers, many are trying to approach the essence of the mountains in new ways.
Mountain Ride
Director
After years of mass tourism in the Alps, a rethinking is slowly taking place. Whether researchers, artists or philosophers, many are trying to approach the essence of the mountains in new ways.
Zoom sur le cirque
Director
Via Zoom (or Skype), circus artists from all over the world share their art and their daily life during the COVID-19 crisis.
Looking Like My Mother
Writer
LOOKING LIKE MY MOTHER is a film about family relationships and personal destiny, about realizing one's own potential and one's limitations. It traces the individual experience, showing the emptiness one can feel as well as the discovery of a sense of meaning in life. It is a very personal and courageous film that doesn’t search for scientific explanations but instead uses documentary and fictional material to weave an intimate biography. This combination of perception and memory suggests a deep reconciliation and allows tender feelings of a mother’s love to emerge.
Looking Like My Mother
Director
LOOKING LIKE MY MOTHER is a film about family relationships and personal destiny, about realizing one's own potential and one's limitations. It traces the individual experience, showing the emptiness one can feel as well as the discovery of a sense of meaning in life. It is a very personal and courageous film that doesn’t search for scientific explanations but instead uses documentary and fictional material to weave an intimate biography. This combination of perception and memory suggests a deep reconciliation and allows tender feelings of a mother’s love to emerge.
Toumast - Entre Guitare et Kalashnikov
Director of Photography
Toumast - Entre Guitare et Kalashnikov
Screenplay
Toumast - Entre Guitare et Kalashnikov
Director
A Largura e o Comprimento do Céu
Director
Jean-Claude Grenier nasceu em Orleans, França, com a condição conhecida como “ossos de vidro”. Por muitos anos, esteve envolvido em trabalhos sociais, até que foi descoberto por Geneiève de Kermabon e convidado para a versão teatral do clássico filme de Tod Browning, “Freak”. Grenier excursionou pela Europa com o ARCHAOS Circus, fez aulas de interpretação e aperfeiçoou suas habilidades dramáticas. Trabalhou com Joël Jouanneau, Karim Didri, Rollando Colla e Anne-Laure Rouxel, entre outros. O filme mostra Jean-Claude Grenier no trabalho e nas ruas, encontrando-se com a família e participando de uma festa com os amigos.