Wilhelm Hollender

Filmes

80 Hussars
Production Manager
The film tells the story of a regiment of Hungarian hussars stationed in Poland. The hussars, mostly ordinary men, have heard news of the uprising and wish to return to the homeland to defend the newly independent country. The Empire, on the other hand, is firmly resolved that all Hungarian troops in the imperial army should be kept as far away from the trouble spot as possible, knowing that most soldiers would be loyal to Budapest rather than Vienna.
Convicted
Production Manager
A man is tried in court for failing to help his brother to avoid suicide.
The Beard
Production Manager
Unconventional pedagogical methods of a new teacher raise concerns of the provincial school's principal.
Father
Production Manager
A young boy must go to school with his father.
Ping-pong
Production Manager
Pearls and Ducats
Production Manager
A famous Polish conductor meets a young Polish student in Czechoslovakia and pretends to be Czech to impress her.
Markiza de Pompadour
Production Manager
A daughter of a furniture seller helps her father’s business by promising a marriage to the customers.
Trzy kroki po ziemi
Production Manager
April
Production Manager
Set at the end of the war. A hot-headed colonel tries to force his men on to heroics although the war is almost over. A war-weary lieutenant tries to muffle his efforts but he keeps on with his men and is killed fighting in the front lines, all his men decide to get his body.
Bad Luck
Production Manager
To convince the prison warden against releasing him, a middle-aged Polish man recounts his life, one he considers to have been characterized by exceptionally bad luck.
Man on the Tracks
Production Manager
In 1950, at night, a passenger train kills a man on the tracks. He is Orzechowski, an engineer since 1914. An inquiry immediately follows. Testimony takes the form of flashbacks. Tuszka, the station master, believes Orzechowski was a saboteur; at least one on the inquiry panel agrees. Zapora, the young engineer on the train that hit Orzechowski, gives more complicated testimony about the dead man - stiff-necked, proud, imperious, critical of Zapora and other younger workers. The signalman at the crossing where Orzechowski died also testifies. Can the panel arrive at the truth in a world where workers unite, inferior coal is a badge of honor, and the old order is suspect?
The Last Stage
Director of Photography
Poland, during World War II. Martha Weiss, a Jewish woman, arrives at the Auschwitz extermination camp with her family. She is assigned the role of interpreter, but her loved ones are much less fortunate.