Lynne Trépanier

For generations, the sound of traditional Inuit drum dancing fell silent in Labrador due to colonization. In the early 21st century, the beat of the drum returned, and with it a renewed sense of pride in Inuit culture. Evan’s Drum tells the story of seven-year-old Evan Winters of Happy Valley-Goose Bay as he learns from his mother, Amy, how to drum dance. Amy hopes that her son will continue this newly reclaimed tradition and help to pass it on to future generations of Inuit. Labrador Inuk filmmaker Ossie Michelin brings us into the home of the Winters-Allen family for an intimate look as the revitalized tradition of drum dancing is once more passed down through the generations. Evan’s Drum provides a window into modern Inuit family life through the story of Evan and his family, who work alongside their community to keep the drumbeat alive.

After marrying a settler, Mary Two-Axe Earley lost her legal status as a First Nations woman. Dedicating her life to activism, she campaigned to have First Nations women's rights restored and coordinated a movement that continues to this day. Kahnawake filmmaker Courtney Montour honours this inspiring leader while drawing attention to contemporary injustices that remain in this era of truth and reconciliation.

The legacy of Billy Tipton, a 20th-century American jazz musician and trans icon, is brought to life by a diverse group of contemporary trans artists.

Toronto 1899. Mackenzie King sonha em se tornar primeiro-ministro do Canadá. Na sua busca pelo poder, ele enfrenta sua mãe e uma governadora-geral belicista. Quando a corrida à liderança provoca uma batalha entre o bem e o mal, King descobre que a decepção é a única forma de sobreviver ao século XX.

Toronto 1899. Mackenzie King sonha em se tornar primeiro-ministro do Canadá. Na sua busca pelo poder, ele enfrenta sua mãe e uma governadora-geral belicista. Quando a corrida à liderança provoca uma batalha entre o bem e o mal, King descobre que a decepção é a única forma de sobreviver ao século XX.

The story of a young boy forced to spend all five years of his short life in hospital while the federal and provincial governments argued over which was responsible for his care, as well as the long struggle of Indigenous activists to force the Canadian government to enforce “Jordan’s Principle” — the promise that no First Nations children would experience inequitable access to government-funded services again.

Os mortos estão voltando à vida fora da reserva isolada Mi'gmaq de Corvo Vermelho, exceto por seus habitantes indígenas que são imunes à peste zumbi. Traylor, o xerife tribal, deve proteger a namorada grávida de seu filho, refugiados apocalípticos, e reservar riff raff das hordas de cadáveres brancos ambulantes.

“Those Who Come, Will Hear” proposes a unique meeting with the speakers of several indigenous and inuit languages of Quebec – all threatened with extinction. The film starts with the discovery of these unsung tongues through listening to the daily life of those who still speak them today. Buttressed by an exploration and creation of archives, the film allows us to better understand the musicality of these languages and reveals the cultural and human importance of these venerable oral traditions by nourishing a collective reflection on the consequences of their disappearance.

The origins and evolution of the Innu Nikamu Music and Aboriginal Arts Festival are intimately linked to the territorial roots of the Innu people and to the life of the Maliotenam Reserve community. For centuries past the Innu had followed a seasonal migration cycle, wintering in the northern territories for the caribou hunt and returning every summer to the north shore of the St-Lawrence. Festivities, meetings, traditional games and weddings marked the latter period, and the Festival has become the modern day reincarnation of the ancient summer celebration.

A quest across three continents driven by a simple yet original idea: to shine a spotlight on the Davids of this world.

An aging woman and her nurse develop a friendship that inspires her to unearth unacknowledged longing and thus help her make peace with her past.

Juanicas is an intimate portrait of a Mexican immigrant family in Quebec affected by mental illness. Using material shot over almost 10 years, the filmmaker documents her complex relationship with her mother and brother, both suffering from bipolar disorder.

Harry Okpik dreamed of becoming a dog musher. But when government agents shot his and thousands of other Inuit huskies across the Canadian Arctic, 11-year-old Harry saw the sky turn red and thought his dream forever destroyed. Now, fifty years later, Harry Okpik reflects on the tragedy of the Dog Slaughter and the accident that led to the loss of his leg. Follow Harry through the arctic seasons as he cares for his huskies and prepares for Ivakkak - a 600 km dog sled race across the Canadian Arctic. It is a race with the greater purpose: to bring back the nearly eradicated Inuit husky and a lost way of life.

With moving stories from a range of characters from her Kahnawake Reserve, Mohawk filmmaker, Tracey Deer, reveals the divisive legacy of more than a hundred years of discriminatory and sexist government policy to expose the lingering "blood quantum" ideals, snobby attitudes and outright racism that threaten to destroy the fabric of her community.

In the heart of the Boreal forest lives a family renowned as much for their gourmet forest pickings as for their life of self-sufficiency.