Producer
Self
réalisateur
A gifted student, Annie Girardot thought for a while of becoming a nurse, before passing the entrance exam to the Conservatory. She leaves with two first prizes in comedy. In the theater she triumphed in "The Typewriter" by Jean Cocteau. It was Cocteau who made her cut her hair to adopt his famous short cut. The cinema opened its doors and she turned with Pierre Fresnay, then with Jean Gabin, in "Le rouge est mis" by Gilles Grangier. The Comédie-Française then asked her to make a choice. It would be the cinema.
Writer
Upon their release from prison twenty years earlier, Gérard, Ary and Philippe asked themselves if honesty was not the best racket of them all. Today, they are inseparable and scrupulously above board. But Gérard learns he is terminally ill. Their friend’s days being numbered, Ary and Philippe want to offer him one last love story… because, as Gérard likes to say : love is better than life.
Director
Upon their release from prison twenty years earlier, Gérard, Ary and Philippe asked themselves if honesty was not the best racket of them all. Today, they are inseparable and scrupulously above board. But Gérard learns he is terminally ill. Their friend’s days being numbered, Ary and Philippe want to offer him one last love story… because, as Gérard likes to say : love is better than life.
Self (archive footage)
A portrait of a man of rare elegance and enigmatic charm, versatile and successful: Jean-Louis Trintignant, one of the most critically acclaimed French actors of the last sixty years, known for his numerous roles on stage and screen.
Self
Self
The prodigious genesis of a monument of world literature, too often reduced to its popular success, also recounts the tormented conversion of its author, Victor Hugo, to the ideal of social progress.
Self
Reflection of the society and vector of the occidental culture, American cinema influences the entire world since its debuts.
Writer
Remake do famoso curta "C’etait un rendez-vous" (1976), onde Claude Lelouch nos mostra uma Mercedes 450SEL, ao som de uma Ferrari 275 GTB, motor V-12, que corre pelas ruas de Paris até o piloto encontrar e dar um beijo na mulher amada. Este primeiro feito sem autorização da prefeitura de Paris e rendeu até algumas horas na Delegacia de Polícia.
Desta vez tudo foi feito dentro da lei. Uma Ferrari SF90 Stradale, pilotada por Charles Leclerc, correndo pelo circuito do Grand Prix de Mônaco, fechado ao tráfego e pedestres de 06:45 a 09:00.
Director
Remake do famoso curta "C’etait un rendez-vous" (1976), onde Claude Lelouch nos mostra uma Mercedes 450SEL, ao som de uma Ferrari 275 GTB, motor V-12, que corre pelas ruas de Paris até o piloto encontrar e dar um beijo na mulher amada. Este primeiro feito sem autorização da prefeitura de Paris e rendeu até algumas horas na Delegacia de Polícia.
Desta vez tudo foi feito dentro da lei. Uma Ferrari SF90 Stradale, pilotada por Charles Leclerc, correndo pelo circuito do Grand Prix de Mônaco, fechado ao tráfego e pedestres de 06:45 a 09:00.
Director
That day, there’s tension in the air: Marianne has her car and dog stolen from a highway parking lot. Stéphane is constantly arguing with his wife. Noémie can no longer stand her husband Aldo’s infidelities. A little-known orchestra performs for the last time…
Screenplay
Mais de 50 anos depois de viverem uma arrebatadora história de amor, o destino faz com que os caminhos de Anne (Anouk Aimée) e Jean-Louis (Jean-Louis Trintignant) se cruzem novamente. Sinopse oficial ainda não divulgada.
Producer
Mais de 50 anos depois de viverem uma arrebatadora história de amor, o destino faz com que os caminhos de Anne (Anouk Aimée) e Jean-Louis (Jean-Louis Trintignant) se cruzem novamente. Sinopse oficial ainda não divulgada.
Director
Mais de 50 anos depois de viverem uma arrebatadora história de amor, o destino faz com que os caminhos de Anne (Anouk Aimée) e Jean-Louis (Jean-Louis Trintignant) se cruzem novamente. Sinopse oficial ainda não divulgada.
Self
Writer
Before being judges, attorneys, or jury members, they are first of all men and women at a crossroads in their lives, with their dreams and their secrets, their hopes and their limitations, all beneath the same sun, each with their own dark side. In a lovely provincial town, during a jazz festival, life will juggle with their destinies.
Director
Before being judges, attorneys, or jury members, they are first of all men and women at a crossroads in their lives, with their dreams and their secrets, their hopes and their limitations, all beneath the same sun, each with their own dark side. In a lovely provincial town, during a jazz festival, life will juggle with their destinies.
Self (uncredited)
Jean-Paul Belmondo returns to the settings of a fantastic career, accompanied by his son Paul. Over a career spanning 50 years, Jean-Paul Belmondo’s movies drew over 130 million people into cinemas. This logbook takes us back to sets and countries, from where we can revisit the films in reference and find out about his fruitful collaborations with various directors. Paul Belmondo will lead the investigation, meeting the stars and his father’s friends (eye-witnesses all) and questioning his father about his journey, sharing it with us so we can discover the man and his story like never before.
Producer
Charmoso e bem sucecido, Antoine poderia ser o herói de um dos filmes em que compôs suas músicas. Quando ele sai para um trabalho na Índia, ele conhece Anna, uma mulher que não é como ele em tudo, mas que lhe atrai mais do que qualquer coisa. Juntos, eles vão experimentar uma viagem incrível.
Writer
Charmoso e bem sucecido, Antoine poderia ser o herói de um dos filmes em que compôs suas músicas. Quando ele sai para um trabalho na Índia, ele conhece Anna, uma mulher que não é como ele em tudo, mas que lhe atrai mais do que qualquer coisa. Juntos, eles vão experimentar uma viagem incrível.
Director
Charmoso e bem sucecido, Antoine poderia ser o herói de um dos filmes em que compôs suas músicas. Quando ele sai para um trabalho na Índia, ele conhece Anna, uma mulher que não é como ele em tudo, mas que lhe atrai mais do que qualquer coisa. Juntos, eles vão experimentar uma viagem incrível.
Screenplay
A war photographer and absent father, who spends more time taking care of his camera than his four daughters, enjoys a happy life in the Alps with his new girlfriend. But his life is turned upside down the day that his best friend tries to reconcile him with his family by telling them a big lie.
Director
A war photographer and absent father, who spends more time taking care of his camera than his four daughters, enjoys a happy life in the Alps with his new girlfriend. But his life is turned upside down the day that his best friend tries to reconcile him with his family by telling them a big lie.
Self
Self
Self (archive footage)
Um perfil de Jean-Paul Belmondo por seus pares. Além de fazer mais de oitenta filmes, o ator também brindou seu público com as cenas perigosas em que dispensou o dublê, seu riso, as brincadeiras, uma desenvoltura e impertinência refrescantes. Cultivando a arte do contrapé, ele atravessou meio século de cinema francês.
Self
Narrator (voice)
On April 13, 2011, Les Films 13 production company turned 50. How can one celebrate an anniversary of this sort ? By simply making "another" film that would sum up all the earlier ones. D'un film à l'autre is hence a kind of anthology of the films produced Les Films 13 since the 1960s (short and feature films written and directed for the main part by Claude Lelouch), a best-of of half a century of cinema, going from Le Propre de l'homme to What Love May Bring. A biography in images of a filmmaker as admired as he is criticized. In reality, D'un film à l'autre is more than a series of film excerpts, interviews, and making-of documents (some of which possess an undeniable historical value, like that from A Man and A Woman, or the final performances of Patrick Dewaere).
Producer
On April 13, 2011, Les Films 13 production company turned 50. How can one celebrate an anniversary of this sort ? By simply making "another" film that would sum up all the earlier ones. D'un film à l'autre is hence a kind of anthology of the films produced Les Films 13 since the 1960s (short and feature films written and directed for the main part by Claude Lelouch), a best-of of half a century of cinema, going from Le Propre de l'homme to What Love May Bring. A biography in images of a filmmaker as admired as he is criticized. In reality, D'un film à l'autre is more than a series of film excerpts, interviews, and making-of documents (some of which possess an undeniable historical value, like that from A Man and A Woman, or the final performances of Patrick Dewaere).
Writer
On April 13, 2011, Les Films 13 production company turned 50. How can one celebrate an anniversary of this sort ? By simply making "another" film that would sum up all the earlier ones. D'un film à l'autre is hence a kind of anthology of the films produced Les Films 13 since the 1960s (short and feature films written and directed for the main part by Claude Lelouch), a best-of of half a century of cinema, going from Le Propre de l'homme to What Love May Bring. A biography in images of a filmmaker as admired as he is criticized. In reality, D'un film à l'autre is more than a series of film excerpts, interviews, and making-of documents (some of which possess an undeniable historical value, like that from A Man and A Woman, or the final performances of Patrick Dewaere).
Director
On April 13, 2011, Les Films 13 production company turned 50. How can one celebrate an anniversary of this sort ? By simply making "another" film that would sum up all the earlier ones. D'un film à l'autre is hence a kind of anthology of the films produced Les Films 13 since the 1960s (short and feature films written and directed for the main part by Claude Lelouch), a best-of of half a century of cinema, going from Le Propre de l'homme to What Love May Bring. A biography in images of a filmmaker as admired as he is criticized. In reality, D'un film à l'autre is more than a series of film excerpts, interviews, and making-of documents (some of which possess an undeniable historical value, like that from A Man and A Woman, or the final performances of Patrick Dewaere).
Writer
A theater projectionist's daughter is involved in the Resistance in WWII, but she doesn’t share his political involvement & only believes in passion. She follows the men she loves unconditionally, suffering betrayal and hardship.
Director
A theater projectionist's daughter is involved in the Resistance in WWII, but she doesn’t share his political involvement & only believes in passion. She follows the men she loves unconditionally, suffering betrayal and hardship.
Director
A collective film of 33 shorts directed by different directors about their feeling about cinema.
Producer
Judith Ralitzer (Fanny Ardant) é uma prestigiada escritora francesa; Pierre Laclos (Dominique Pinon) é um homem que, em viagem por uma estrada francesa, conhece a manicure histérica Huguette (Audrey Dana). Aos poucos, o filme revela suas relações e suas verdadeiras faces numa trama repleta de mistério e farsas.
Screenplay
Judith Ralitzer (Fanny Ardant) é uma prestigiada escritora francesa; Pierre Laclos (Dominique Pinon) é um homem que, em viagem por uma estrada francesa, conhece a manicure histérica Huguette (Audrey Dana). Aos poucos, o filme revela suas relações e suas verdadeiras faces numa trama repleta de mistério e farsas.
Director
Judith Ralitzer (Fanny Ardant) é uma prestigiada escritora francesa; Pierre Laclos (Dominique Pinon) é um homem que, em viagem por uma estrada francesa, conhece a manicure histérica Huguette (Audrey Dana). Aos poucos, o filme revela suas relações e suas verdadeiras faces numa trama repleta de mistério e farsas.
Director
A memoir of how the movie Top Hat impacted the director’s family throughout the years.
Producer
What on earth would extraterrestrials think if they could observe us? This is the movie they made.
Himself
The career of revered Russian filmmaker Mikhail Kalatozov is explored in this documentary film comprised of rare behind-the-scenes footage, interviews with French director Claude Lelouch, and conversations with some of the biggest names in contemporary Russian cinema. Kalatozov's grandson Mikhail Kalatozishvili pays tribute to the director of such timeless classics as I Am Cuba, Salt for Svanetia, and The Cranes are Flying as such notable fans as Andrei Konchalovsky, Sergei Solovyov, and Alexei Batalov discuss the remarkable influence Kalatozov had on their own film careers.
Screenplay
A picture of humankind in Paris: singers, shows, social gatherings, businessmen, nightclub barmen, bums, shoppers.
Director
A picture of humankind in Paris: singers, shows, social gatherings, businessmen, nightclub barmen, bums, shoppers.
Director
Paris, December 1999. A group of Parisians cross paths. A police commissioner madly in love with his colleague's wife, a director looking for a subject. A man who learns that he has lung cancer. A waitress in love with her boss. A wealthy owner of a pizza chain who falls in love with a former member of the Comédie Française when he wanted to buy her castle. Among them, there is also Shaa. She dreams of becoming a singer and starts a duet with Massimo, a street singer of Italian origin. They quickly fall in love with each other. But one day, a producer spots Shaa and offers her a solo career.
Writer
Filmmakers from all over the world provide short films – each of which is eleven minutes, nine seconds, and one frame of film in length – that offer differing perspectives on the 9/11 terrorist attacks.
Director
Filmmakers from all over the world provide short films – each of which is eleven minutes, nine seconds, and one frame of film in length – that offer differing perspectives on the 9/11 terrorist attacks.
Screenplay
Um mestre no roubo de jóias, Valentin (Jeremy Irons), ganhou muito dinheiro. Isto não lhe deu satisfação pessoal, assim na esperança de encontrar significado para a sua existência ele compra o Ladies and Gentlemen, um barco, esperando sozinho navegar ao redor do mundo. Paralelamente Jane Lester (Patricia Kaas), uma cantora que se apresenta em casas noturnas e que está tentando esquecer um fracassado caso de amor, aceita um contrato para cantar no Marrocos. Porém antes de partir ele estava tendo "brancos", o que faz com que Valentin pare sua nau no Marrocos para ver o que aconteceu com ele, pois "apagou" em alto mar.
Director
Um mestre no roubo de jóias, Valentin (Jeremy Irons), ganhou muito dinheiro. Isto não lhe deu satisfação pessoal, assim na esperança de encontrar significado para a sua existência ele compra o Ladies and Gentlemen, um barco, esperando sozinho navegar ao redor do mundo. Paralelamente Jane Lester (Patricia Kaas), uma cantora que se apresenta em casas noturnas e que está tentando esquecer um fracassado caso de amor, aceita um contrato para cantar no Marrocos. Porém antes de partir ele estava tendo "brancos", o que faz com que Valentin pare sua nau no Marrocos para ver o que aconteceu com ele, pois "apagou" em alto mar.
Self
This documentary tells two stories simultaneously: it's a profile of Bernard Tapie, a wealthy man who rises and falls spectacularly in French society and may be on the rise again; and, it's a look at Marina Zenovich's fascination with Tapie, behaving oddly in spite of her awareness that she's being irrational. Politicians, athletes, friends, companions, and journalists comment on Bernard's charm, his rise to prominence in sports and politics, and his subsequent trouble with the law. Zenovich becomes fixated on her need to interview Tapie, becoming virtually a stalker in her quest.
Self
Olivia, Irina and Masha are improving their acting skills. They no longer believe in Prince Charming, and their career is waning. Olivia works at the front desk at the airport and offers a wonderful plan: he would do so that friends will be aboard the Paris - New York plane and will sit next to wealthy men. Their task is to seduce the rich and pull them out of money. But the fraudsters do not suspect that Comissaire Bayard and his young assistant are closely watching them...
Writer
Olivia, Irina and Masha are improving their acting skills. They no longer believe in Prince Charming, and their career is waning. Olivia works at the front desk at the airport and offers a wonderful plan: he would do so that friends will be aboard the Paris - New York plane and will sit next to wealthy men. Their task is to seduce the rich and pull them out of money. But the fraudsters do not suspect that Comissaire Bayard and his young assistant are closely watching them...
Director
Olivia, Irina and Masha are improving their acting skills. They no longer believe in Prince Charming, and their career is waning. Olivia works at the front desk at the airport and offers a wonderful plan: he would do so that friends will be aboard the Paris - New York plane and will sit next to wealthy men. Their task is to seduce the rich and pull them out of money. But the fraudsters do not suspect that Comissaire Bayard and his young assistant are closely watching them...
Director
Once a successful dancer, Miriam has abandoned her career to bring up her son, Serge, after her boyfriend walked out of her.
Screenplay
Benoit Blanc loves living, he loves women, he loves daring. He is a famous businessman who suffers from stomach-ache. Fabiolini, a would-be actor, is a policeman and he too suffers from the same sickness. The two man face suffering in opposite ways: Benoit Blanc is optimistic while Fabiolini, always unsure of himself, is persuaded he is seriously ill. The two men meet by chance while doing a gastroscopy and become friends. After having known their real different conditions, they will change and will understand better their lives. Around them, other people, women and men, will see their lives changed, by chance, by love or solely by the life stream.
Director
Benoit Blanc loves living, he loves women, he loves daring. He is a famous businessman who suffers from stomach-ache. Fabiolini, a would-be actor, is a policeman and he too suffers from the same sickness. The two man face suffering in opposite ways: Benoit Blanc is optimistic while Fabiolini, always unsure of himself, is persuaded he is seriously ill. The two men meet by chance while doing a gastroscopy and become friends. After having known their real different conditions, they will change and will understand better their lives. Around them, other people, women and men, will see their lives changed, by chance, by love or solely by the life stream.
Director
40 international directors were asked to make a short film using the original Cinematographe invented by the Lumière Brothers, working under conditions similar to those of 1895. There were three rules: (1) The film could be no longer than 52 seconds, (2) no synchronized sound was permitted, and (3) no more than three takes.
Director of Photography
In France during World War II, a poor and illiterate man, Henri Fortin (Jean-Paul Belmondo), is introduced to Victor Hugo's classic novel Les Misérables and begins to see parallels between the book and his own life.
Producer
In France during World War II, a poor and illiterate man, Henri Fortin (Jean-Paul Belmondo), is introduced to Victor Hugo's classic novel Les Misérables and begins to see parallels between the book and his own life.
Writer
In France during World War II, a poor and illiterate man, Henri Fortin (Jean-Paul Belmondo), is introduced to Victor Hugo's classic novel Les Misérables and begins to see parallels between the book and his own life.
Director
In France during World War II, a poor and illiterate man, Henri Fortin (Jean-Paul Belmondo), is introduced to Victor Hugo's classic novel Les Misérables and begins to see parallels between the book and his own life.
Production Assistant
The thief: a gangster on the lam, is waiting for a boat which is to sail away from this harbor,a dead end. The liar: a young woman he meets in a restaurant tells him the story of her life based on the screenplay of a movie she was to make. They fall head over heels in love. The convict who has just escaped from jail wants to keep her out of his predicament, but after a night of desperate love, she refuses to leave him.And the police are tracking him down.
Writer
The plot is about a trial against three men who tried to earn loads of money by illegal methods to get to Canada and about the lawyers and the judge who get on with the trial and who are being unfaithful to their couples.
Director
The plot is about a trial against three men who tried to earn loads of money by illegal methods to get to Canada and about the lawyers and the judge who get on with the trial and who are being unfaithful to their couples.
Dialogue
A film with emphasis on visuals and music, the plot concerns characters who meet in present time, mainly the male gypsy Jesus, and the female thief and con-artist Odona, who share parallel experiences from lives 2000 years in the past. These stories are juxtaposed.
Writer
A film with emphasis on visuals and music, the plot concerns characters who meet in present time, mainly the male gypsy Jesus, and the female thief and con-artist Odona, who share parallel experiences from lives 2000 years in the past. These stories are juxtaposed.
Director
A film with emphasis on visuals and music, the plot concerns characters who meet in present time, mainly the male gypsy Jesus, and the female thief and con-artist Odona, who share parallel experiences from lives 2000 years in the past. These stories are juxtaposed.
Cinematography
Writer
Director
Director
A collection of European T.V. commercials directed by a variety of well-known directors from across Europe and the U.S. Compiled and produced by Jean-Marie Boursicot.
Writer
How can moon and time affect human mood and fate? In the manner of a Greek tragedy , this movie shows how the chaos of life ineluctably propels its characters towards violence and alienation.
Director
How can moon and time affect human mood and fate? In the manner of a Greek tragedy , this movie shows how the chaos of life ineluctably propels its characters towards violence and alienation.
Screenplay
A foundling, raised in the circus, Sam Lion becomes a businessman after a trapeze accident. However, when he reaches fifty and becomes tired of his responsibilities and of his son Jean-Philippe, he decides to disappear at sea. However, he runs into Albert Duvivier, one of his former employees. He comes to realise that he has ignored the important things in his life.
Director
A foundling, raised in the circus, Sam Lion becomes a businessman after a trapeze accident. However, when he reaches fifty and becomes tired of his responsibilities and of his son Jean-Philippe, he decides to disappear at sea. However, he runs into Albert Duvivier, one of his former employees. He comes to realise that he has ignored the important things in his life.
Man on Train
Small time crooksters Nick and Charlie have an elaborate plan to rob an exclusive jewelers store. Using a variety of disguises and posing as rich old men and women they begin the set-up, but then Nick falls for the owner of a neighboring antique store and things get a little complicated.
Producer
On the day Jean Gabin dies, a kidnaper who also takes a fortune in jewels heisted from Cartiers murders Simon Verini's wife. (Simon was fencing the jewels for a youthful gang who robbed Cartiers; he suspects them of the murder.) He's framed for the theft and spends ten years in prison, writing to his daughter, Marie-Sophie, who's 11 when he's sent away. Released, he reconnects to Marie-Sophie and to the young thieves, seeks revenge, and is quickly arrested again. She doesn't know what to make of her father, retreats to her Swiss fiancé, and is flummoxed when one of the young thieves falls for her. Is resolution possible when crime cuts across families and romance?
Writer
On the day Jean Gabin dies, a kidnaper who also takes a fortune in jewels heisted from Cartiers murders Simon Verini's wife. (Simon was fencing the jewels for a youthful gang who robbed Cartiers; he suspects them of the murder.) He's framed for the theft and spends ten years in prison, writing to his daughter, Marie-Sophie, who's 11 when he's sent away. Released, he reconnects to Marie-Sophie and to the young thieves, seeks revenge, and is quickly arrested again. She doesn't know what to make of her father, retreats to her Swiss fiancé, and is flummoxed when one of the young thieves falls for her. Is resolution possible when crime cuts across families and romance?
Director
On the day Jean Gabin dies, a kidnaper who also takes a fortune in jewels heisted from Cartiers murders Simon Verini's wife. (Simon was fencing the jewels for a youthful gang who robbed Cartiers; he suspects them of the murder.) He's framed for the theft and spends ten years in prison, writing to his daughter, Marie-Sophie, who's 11 when he's sent away. Released, he reconnects to Marie-Sophie and to the young thieves, seeks revenge, and is quickly arrested again. She doesn't know what to make of her father, retreats to her Swiss fiancé, and is flummoxed when one of the young thieves falls for her. Is resolution possible when crime cuts across families and romance?
Screenplay
Jean-Louis and Anne have had their fling and separated. Now 20 years have passed. He is still dating various women. She is now a big-time director whose most recent film was a very expensive bomb. She comes up with the idea of making a romance based upon her fling with Jean-Louis. She contacts him to gain his permission. Jean-Louis is still in racing and goes away for a desert rally while she begins filming. She finds the mood of their romance difficult to recapture in her film.
Director
Jean-Louis and Anne have had their fling and separated. Now 20 years have passed. He is still dating various women. She is now a big-time director whose most recent film was a very expensive bomb. She comes up with the idea of making a romance based upon her fling with Jean-Louis. She contacts him to gain his permission. Jean-Louis is still in racing and goes away for a desert rally while she begins filming. She finds the mood of their romance difficult to recapture in her film.
Director
Salomé Lerner just finished writing an autobiography. She goes to a TV show called "Apostrophes", hosted by French TV showman Bernard Pivot. Pivot then imagines a film that could be created from her gripping story. A film entirely made of music because after seeing the young pianist Erik Berchot, Salomé believes seeing her long lost brother, who was a musician as well. A brother she had lost along with her parents in 1943. However, the Lerners did in fact escape the gestapo and might have based themselves in Paris...
Writer
The movie starts with an interview with director Claude Lelouch. He pleads viewers not to disclose the plot of the movie after leaving the projection room. Even the movie's trailer shows only a long sequence of faces gazing speechlessly in space. "Like all my movies, this one is about a man and a woman", says Lelouch in the interview.
Story
The movie starts with an interview with director Claude Lelouch. He pleads viewers not to disclose the plot of the movie after leaving the projection room. Even the movie's trailer shows only a long sequence of faces gazing speechlessly in space. "Like all my movies, this one is about a man and a woman", says Lelouch in the interview.
Director
The movie starts with an interview with director Claude Lelouch. He pleads viewers not to disclose the plot of the movie after leaving the projection room. Even the movie's trailer shows only a long sequence of faces gazing speechlessly in space. "Like all my movies, this one is about a man and a woman", says Lelouch in the interview.
Writer
This tragic musical drama chronicles the star-crossed love between beloved French singer Edith Piaf and World Middleweight boxing champion Marcel Cerdan who died in a plane crash. The tumultuous affair is paralleled by the love affair of a French POW and his young pen pal who get engaged after writing to each other for four years and having never met. Their romances are framed by the sad, torchy songs of Piaf.
Director
This tragic musical drama chronicles the star-crossed love between beloved French singer Edith Piaf and World Middleweight boxing champion Marcel Cerdan who died in a plane crash. The tumultuous affair is paralleled by the love affair of a French POW and his young pen pal who get engaged after writing to each other for four years and having never met. Their romances are framed by the sad, torchy songs of Piaf.
Producer
O filme acompanha quatro famílias, de diferentes nacionalidades (francesa, alemã, russa e americana), mas com a mesma paixão pela música, das décadas de 1930 a 1960. As várias linhas da história se cruzam repetidamente em diferentes lugares e épocas, com suas próprias partituras temáticas que evoluem com o passar do tempo. O principal acontecimento do filme é a Segunda Guerra Mundial, que reúne as histórias das quatro famílias musicais e mistura seus destinos. Embora todos os personagens sejam fictícios, muitos deles são vagamente baseados em ícones musicais históricos (Édith Piaf, Josephine Baker, Herbert von Karajan, Glenn Miller, Rudolf Nureyev, etc.) A sequência de dança do Boléro no final reúne todos os fios.
Writer
O filme acompanha quatro famílias, de diferentes nacionalidades (francesa, alemã, russa e americana), mas com a mesma paixão pela música, das décadas de 1930 a 1960. As várias linhas da história se cruzam repetidamente em diferentes lugares e épocas, com suas próprias partituras temáticas que evoluem com o passar do tempo. O principal acontecimento do filme é a Segunda Guerra Mundial, que reúne as histórias das quatro famílias musicais e mistura seus destinos. Embora todos os personagens sejam fictícios, muitos deles são vagamente baseados em ícones musicais históricos (Édith Piaf, Josephine Baker, Herbert von Karajan, Glenn Miller, Rudolf Nureyev, etc.) A sequência de dança do Boléro no final reúne todos os fios.
Director
O filme acompanha quatro famílias, de diferentes nacionalidades (francesa, alemã, russa e americana), mas com a mesma paixão pela música, das décadas de 1930 a 1960. As várias linhas da história se cruzam repetidamente em diferentes lugares e épocas, com suas próprias partituras temáticas que evoluem com o passar do tempo. O principal acontecimento do filme é a Segunda Guerra Mundial, que reúne as histórias das quatro famílias musicais e mistura seus destinos. Embora todos os personagens sejam fictícios, muitos deles são vagamente baseados em ícones musicais históricos (Édith Piaf, Josephine Baker, Herbert von Karajan, Glenn Miller, Rudolf Nureyev, etc.) A sequência de dança do Boléro no final reúne todos os fios.
Producer
Screenplay
Françoise has gone into business seducing men whose wives want to divorce them, and who need incriminating evidence against them. In addition, she has a little blackmail operation going on on the side with politicians who can't afford a scandal. She got started on this business after she was raped, and hasn't looked back since. Now the police are on her trail, and she avails herself of the services of a couple who make a profession of hiding wanted criminals. At the hideout, she meets Simon, a second-generation mobster. As the police close in, Françoise and Simon go on the run together, pulling off occasional heists for operating money. Before long, they have also fallen in love.
Director
Françoise has gone into business seducing men whose wives want to divorce them, and who need incriminating evidence against them. In addition, she has a little blackmail operation going on on the side with politicians who can't afford a scandal. She got started on this business after she was raped, and hasn't looked back since. Now the police are on her trail, and she avails herself of the services of a couple who make a profession of hiding wanted criminals. At the hideout, she meets Simon, a second-generation mobster. As the police close in, Françoise and Simon go on the run together, pulling off occasional heists for operating money. Before long, they have also fallen in love.
Self
A documentary interview with the French actress while on the sets of films in production. Several of the directors for whom she has made films are also interviewed
Producer
Jean-Baptiste Poquelin is raised by his father and his grandfather because his mother dies when he's still very little. He works as a handyman, studies the law at a university and travels the country as an actor before he becomes the celebrated playwright Molière who impresses firstly the Duke of Orleans and then even King Louis XIV.
Producer
Robert #1 is played by Charles Denner, while Robert #2 is played by Jacques Villeret. Beyond their common name, the two Roberts are as different as night and day. Oh, there is one more resemblance: both Roberts are lonely, and both hope to meet suitable mates through a computer dating service. As they await the arrival of their new dates, Robert et Robert become fast friends. Of the three favorite film subjects of writer/director Claude Lelouch--romance, crime, and politics--Robert et Robert falls firmly into the first category.
Writer
Robert #1 is played by Charles Denner, while Robert #2 is played by Jacques Villeret. Beyond their common name, the two Roberts are as different as night and day. Oh, there is one more resemblance: both Roberts are lonely, and both hope to meet suitable mates through a computer dating service. As they await the arrival of their new dates, Robert et Robert become fast friends. Of the three favorite film subjects of writer/director Claude Lelouch--romance, crime, and politics--Robert et Robert falls firmly into the first category.
Director
Robert #1 is played by Charles Denner, while Robert #2 is played by Jacques Villeret. Beyond their common name, the two Roberts are as different as night and day. Oh, there is one more resemblance: both Roberts are lonely, and both hope to meet suitable mates through a computer dating service. As they await the arrival of their new dates, Robert et Robert become fast friends. Of the three favorite film subjects of writer/director Claude Lelouch--romance, crime, and politics--Robert et Robert falls firmly into the first category.
Writer
Claude Lelouch's Another Man, Another Chance begins in France in 1870. Napoleon III has just lost the war against Prussia and left the country in poverty. Young Jeanne (Genevieve Bujold) falls in love with photographer Francis (Francis Huster), who soon takes her with him when he emigrates to America. In a small town in the still wild west, they build up a small photo shop. Meanwhile animal doctor David (James Caan) lives on his lonesome farm together with his unlucky wife. It takes years and two tragic accidents until Jeanne and David meet. She has already decided to return to France as soon as possible, but love, and fate, have other plans.
Director
Claude Lelouch's Another Man, Another Chance begins in France in 1870. Napoleon III has just lost the war against Prussia and left the country in poverty. Young Jeanne (Genevieve Bujold) falls in love with photographer Francis (Francis Huster), who soon takes her with him when he emigrates to America. In a small town in the still wild west, they build up a small photo shop. Meanwhile animal doctor David (James Caan) lives on his lonesome farm together with his unlucky wife. It takes years and two tragic accidents until Jeanne and David meet. She has already decided to return to France as soon as possible, but love, and fate, have other plans.
Supervising Producer
An overview of Turkey in the Seventies, with some stunning images
Writer
Imprisoned as an accessory to murder, Catherine gives birth to a son she conceived in prison. Eighteen years later, her sentence served, she is reunited with the boy, Simon, who has remained in an orphanage the entire time. She is accompanied by toothsome prison buddy Sarah, and gradually these people whose lives have been frozen in time "thaw" and get on with the business of living.
Director
Imprisoned as an accessory to murder, Catherine gives birth to a son she conceived in prison. Eighteen years later, her sentence served, she is reunited with the boy, Simon, who has remained in an orphanage the entire time. She is accompanied by toothsome prison buddy Sarah, and gradually these people whose lives have been frozen in time "thaw" and get on with the business of living.
Producer
The film follows the exploits of Jacques, a car-mechanic turned pro-thief, and his Jewish co-conspirator Simon as their robberies, beginning well before the Second World War, take on a political coloration under the occupation.
Screenplay
The film follows the exploits of Jacques, a car-mechanic turned pro-thief, and his Jewish co-conspirator Simon as their robberies, beginning well before the Second World War, take on a political coloration under the occupation.
Director
The film follows the exploits of Jacques, a car-mechanic turned pro-thief, and his Jewish co-conspirator Simon as their robberies, beginning well before the Second World War, take on a political coloration under the occupation.
Writer
A high-speed drive through the streets of Paris.
The driver
A high-speed drive through the streets of Paris.
Director
A high-speed drive through the streets of Paris.
Producer
A jaded and charming police inspector is assigned along with his cheerful partner to a case involving the mysterious death and/or suicide of a wealthy entrepreneur. The chief suspect is his enchanting wife who was aware that her husband had a mistress. It is also possible that the dead man may be the victim of a radical terrorist group.
Screenplay
A jaded and charming police inspector is assigned along with his cheerful partner to a case involving the mysterious death and/or suicide of a wealthy entrepreneur. The chief suspect is his enchanting wife who was aware that her husband had a mistress. It is also possible that the dead man may be the victim of a radical terrorist group.
Director
A jaded and charming police inspector is assigned along with his cheerful partner to a case involving the mysterious death and/or suicide of a wealthy entrepreneur. The chief suspect is his enchanting wife who was aware that her husband had a mistress. It is also possible that the dead man may be the victim of a radical terrorist group.
Screenplay
Four wedding anniversaries serve to chronicle the beginning and end of a thirty-year marriage.
Director
Four wedding anniversaries serve to chronicle the beginning and end of a thirty-year marriage.
Screenplay
The movie follows the lives of a woman and a man starting from several generations earlier. The story spans a whole century and several continents.
Director
The movie follows the lives of a woman and a man starting from several generations earlier. The story spans a whole century and several continents.
Narrator
Oito cineastas aclamados trazem suas perspectivas únicas e diferentes para os Jogos Olímpicos de Verão de 1972, em Munique. Os segmentos incluem a visão de Lelouch sobre os perdedores olímpicos e sua luta para manter a dignidade mesmo diante de amargo desapontamento e derrota; A exploração dramática de Zetterling do mundo do levantamento de peso; e a peça de Pfleghar sobre a performance majestosa da jovem ginasta russa Ludmilla Tourischev nas barras irregulares. (e Livre - Estimado Livre)
Director
Oito cineastas aclamados trazem suas perspectivas únicas e diferentes para os Jogos Olímpicos de Verão de 1972, em Munique. Os segmentos incluem a visão de Lelouch sobre os perdedores olímpicos e sua luta para manter a dignidade mesmo diante de amargo desapontamento e derrota; A exploração dramática de Zetterling do mundo do levantamento de peso; e a peça de Pfleghar sobre a performance majestosa da jovem ginasta russa Ludmilla Tourischev nas barras irregulares. (e Livre - Estimado Livre)
This Belgian/French tale chronicles the efforts of Jacques (Jacques Brel) to find the Old West in modern America. Dressed as cowboy, he travels throughout western American cities and towns and finds others similarly dressed. These idealists gather together and build an old-western-style town in the middle of an abandoned factory, battling local bureaucracies in the process.
Producer
No final de 1972, o vigarista e ladrão Simon recebe uma permissão para celebrar o Ano Novo fora da Prisão La Santé. Quando estava indo para seu apartamento em Paris para encontrar sua amante Françoise, Simon percebe que um carro está perseguindo o seu táxi. No apartamento, Simon percebe que Françoise tem um amante e deixa o local sem ser notado. Simon lembra o Natal de 1966, quando ele viaja para para Cannes fora da temporada de verão com seu parceiro e amigo Charlot para assaltar a joalheria Van Cleef Arpels. Enquanto traça um esquema para roubar os joalheiros, Simon encontra a antiquária e intelectual Françoise cuja loja é vizinha de lado do alvo. Ele se apaixona por ela. Mas seu plano não funciona como previsto e Simon é preso.
Original Story
No final de 1972, o vigarista e ladrão Simon recebe uma permissão para celebrar o Ano Novo fora da Prisão La Santé. Quando estava indo para seu apartamento em Paris para encontrar sua amante Françoise, Simon percebe que um carro está perseguindo o seu táxi. No apartamento, Simon percebe que Françoise tem um amante e deixa o local sem ser notado. Simon lembra o Natal de 1966, quando ele viaja para para Cannes fora da temporada de verão com seu parceiro e amigo Charlot para assaltar a joalheria Van Cleef Arpels. Enquanto traça um esquema para roubar os joalheiros, Simon encontra a antiquária e intelectual Françoise cuja loja é vizinha de lado do alvo. Ele se apaixona por ela. Mas seu plano não funciona como previsto e Simon é preso.
Screenplay
No final de 1972, o vigarista e ladrão Simon recebe uma permissão para celebrar o Ano Novo fora da Prisão La Santé. Quando estava indo para seu apartamento em Paris para encontrar sua amante Françoise, Simon percebe que um carro está perseguindo o seu táxi. No apartamento, Simon percebe que Françoise tem um amante e deixa o local sem ser notado. Simon lembra o Natal de 1966, quando ele viaja para para Cannes fora da temporada de verão com seu parceiro e amigo Charlot para assaltar a joalheria Van Cleef Arpels. Enquanto traça um esquema para roubar os joalheiros, Simon encontra a antiquária e intelectual Françoise cuja loja é vizinha de lado do alvo. Ele se apaixona por ela. Mas seu plano não funciona como previsto e Simon é preso.
Director
No final de 1972, o vigarista e ladrão Simon recebe uma permissão para celebrar o Ano Novo fora da Prisão La Santé. Quando estava indo para seu apartamento em Paris para encontrar sua amante Françoise, Simon percebe que um carro está perseguindo o seu táxi. No apartamento, Simon percebe que Françoise tem um amante e deixa o local sem ser notado. Simon lembra o Natal de 1966, quando ele viaja para para Cannes fora da temporada de verão com seu parceiro e amigo Charlot para assaltar a joalheria Van Cleef Arpels. Enquanto traça um esquema para roubar os joalheiros, Simon encontra a antiquária e intelectual Françoise cuja loja é vizinha de lado do alvo. Ele se apaixona por ela. Mas seu plano não funciona como previsto e Simon é preso.
Screenplay
Quando eles percebem que os tempos estão mudando, cinco trapaceiros decidem trocar de roubos de bancos para sequestro de personalidade. Entre os reféns estão o cantor Johnny Hallyday e um embaixador na América Latina. Eles são pegos por um líder guerrilheiro, que havia sido sequestrado por eles antes, e ao serem julgados o governo francês decide deixá-los fugir para a África onde eles continuam com o mesmo ramo de atividade. (e 14 - Estimado 14 Anos)
Director
Quando eles percebem que os tempos estão mudando, cinco trapaceiros decidem trocar de roubos de bancos para sequestro de personalidade. Entre os reféns estão o cantor Johnny Hallyday e um embaixador na América Latina. Eles são pegos por um líder guerrilheiro, que havia sido sequestrado por eles antes, e ao serem julgados o governo francês decide deixá-los fugir para a África onde eles continuam com o mesmo ramo de atividade. (e 14 - Estimado 14 Anos)
Producer
Catherine and Marcello are secluded in their house, living under the candlelight. Unable to accept the injustice behind the loss of their nine-month-old baby, they face a slow but definite self-destruction.
Hooligan
Charles, Jean and Amidou are workmen at the La Ciotat shipyards and live in the same construction facility. One day, Amidou leaves them to marry Catherine, a salesgirl. The trouble for Charles and Jean is that going to their friend's wedding means buying new clothes, which is problematic given their low income Moreover, they are determined to make this day an unforgettable one, despite their lack of money. Will they be able achieve their aim?
Writer
Charles, Jean and Amidou are workmen at the La Ciotat shipyards and live in the same construction facility. One day, Amidou leaves them to marry Catherine, a salesgirl. The trouble for Charles and Jean is that going to their friend's wedding means buying new clothes, which is problematic given their low income Moreover, they are determined to make this day an unforgettable one, despite their lack of money. Will they be able achieve their aim?
Director
Charles, Jean and Amidou are workmen at the La Ciotat shipyards and live in the same construction facility. One day, Amidou leaves them to marry Catherine, a salesgirl. The trouble for Charles and Jean is that going to their friend's wedding means buying new clothes, which is problematic given their low income Moreover, they are determined to make this day an unforgettable one, despite their lack of money. Will they be able achieve their aim?
Executive Producer
An apocalyptic vision of man after a cosmic catastrophe, this film is a terrifying metaphor of a dehumanized future. The Brazilian Cinema Novo, German expressionism of the twenties, and the ideologically motivated ‘cruelty’ of a Buñuel come together in this ferocious work of a French theatre collective – an ambitious, almost completely successful example of visual cinema at its best.
Director
This film is best understood after watching Albert Lamorisse's Baadeh Sabah, an ostentatious propaganda film of the same commission that was originally rejected for it's inadequate portrayal of Iran's nouveau-modernism (urban youth, industrial marvels) and it's overly-lyrical style. In LeLouche's rendition, there are no such inadequacies. The focus is on culture - heritage, modernity and (what soon would be named) Westernization. Past and present meet - veils and miniskirts, camels and helicopters, remains of ancient Persia, the highlights of Islamic art, caviar and the oil fields and gas pumps.
Cinematography
A thief known as Simon the Swiss faces up and downs in his criminal profession.
Writer
A thief known as Simon the Swiss faces up and downs in his criminal profession.
Director
A thief known as Simon the Swiss faces up and downs in his criminal profession.
Producer
Nascido na Tunísia, Pierre leva uma vida desorganizada e cheia de maus hábitos em Paris. Certo dia, ele decide ir voltar para a Tunísia para explorar o país que só conhece através de fotos de família e cartões postais.
Director
In America, two French expats, composer Henri and actress Françoise meet and fall in love with each other.
Producer
The harsh life of a troubled young man provides the basis of this grim French tragedy that begins when the fellow stops into a shop to buy a pack of the title cigarettes. There he meets a pretty shop girl with whom he falls in love and eventually marries. It was a foolish choice, for the two cannot get along and constantly fight. Things get worse when the husband resumes his criminal activities and gets caught. The two are about to divorce when the woman gets pregnant. The time comes for their baby to be born and while sitting in the waiting room, the husband reflects upon his past activities, which are revealed via flashback.
Author
François Toledo, married businessman and father, falls head-over-heels in love with Janine, a work colleague. However, he is soon found out: after three dates, he strangles some prostitutes, when, the victim of blackmail, he becomes dishonored. He is taken to court, and sentenced to be killed by a guillotine.
Director
François Toledo, married businessman and father, falls head-over-heels in love with Janine, a work colleague. However, he is soon found out: after three dates, he strangles some prostitutes, when, the victim of blackmail, he becomes dishonored. He is taken to court, and sentenced to be killed by a guillotine.
Director
This colorful documentary chronicles the events of the 1968 Winter Olympics in France. The events made international celebrities of skater Peggy Fleming and skier Jean-Claude Killy for their gold-medal performances. The camera accurately catches the speed of bobsleds and downhill racers and ski jumpers as they race for the gold. President Charles DeGaulle is shown observing the action over 13 days, which saw France earn the best performance to date in the winter games.
Director
In seven different parts, Godard, Ivens, Klein, Lelouch, Marker, Resnais, and Varda show their sympathy for the North-Vietnamese army during the Vietnam War.
Editor
Famous TV newscaster Robert Colomb is married to Catherine, but is continually unfaithful to her. Then he meets, and becomes fascinated with Candice.
Screenplay
Famous TV newscaster Robert Colomb is married to Catherine, but is continually unfaithful to her. Then he meets, and becomes fascinated with Candice.
Director
Famous TV newscaster Robert Colomb is married to Catherine, but is continually unfaithful to her. Then he meets, and becomes fascinated with Candice.
Director
An essay on what provokes the "object woman".
Director
Four prisoners are gathered in the same cell. Each tells the others how he got there.
Editor
O despertar do amor entre um solitário convicto e uma mulher precocemente viúva. Ele, piloto de corridas. Ela, roteirista de cinema. Os dois tentam conduzir um relacionamento sincero e bem humorado em meio às insistentes demandas familiares e profissionais.
Director of Photography
O despertar do amor entre um solitário convicto e uma mulher precocemente viúva. Ele, piloto de corridas. Ela, roteirista de cinema. Os dois tentam conduzir um relacionamento sincero e bem humorado em meio às insistentes demandas familiares e profissionais.
Producer
O despertar do amor entre um solitário convicto e uma mulher precocemente viúva. Ele, piloto de corridas. Ela, roteirista de cinema. Os dois tentam conduzir um relacionamento sincero e bem humorado em meio às insistentes demandas familiares e profissionais.
Screenplay
O despertar do amor entre um solitário convicto e uma mulher precocemente viúva. Ele, piloto de corridas. Ela, roteirista de cinema. Os dois tentam conduzir um relacionamento sincero e bem humorado em meio às insistentes demandas familiares e profissionais.
Director
O despertar do amor entre um solitário convicto e uma mulher precocemente viúva. Ele, piloto de corridas. Ela, roteirista de cinema. Os dois tentam conduzir um relacionamento sincero e bem humorado em meio às insistentes demandas familiares e profissionais.
Camera Operator
Four young people, tired of working life, decide that they can earn money from crime than they can from work. The film follows their training at the first "crime school", as well as their work.
Producer
Four young people, tired of working life, decide that they can earn money from crime than they can from work. The film follows their training at the first "crime school", as well as their work.
Editor
Four young people, tired of working life, decide that they can earn money from crime than they can from work. The film follows their training at the first "crime school", as well as their work.
Author
Four young people, tired of working life, decide that they can earn money from crime than they can from work. The film follows their training at the first "crime school", as well as their work.
Director
Four young people, tired of working life, decide that they can earn money from crime than they can from work. The film follows their training at the first "crime school", as well as their work.
Camera Operator
Tour de France 1965 in colour
Cinematography
Tour de France 1965 in colour
Director
Tour de France 1965 in colour
Director of Photography
The film is a road movie that follows a middle aged man who gives a young woman a lift. On the car radio, news bulletins warn the population against a recently escaped sadist who is known to prey on young women and children. Lelouch often cuts away from the main story, if only briefly, to parallel events that are not necessarily crucial to the story but illustrate what is suggested by the radio.
Editor
The film is a road movie that follows a middle aged man who gives a young woman a lift. On the car radio, news bulletins warn the population against a recently escaped sadist who is known to prey on young women and children. Lelouch often cuts away from the main story, if only briefly, to parallel events that are not necessarily crucial to the story but illustrate what is suggested by the radio.
Writer
The film is a road movie that follows a middle aged man who gives a young woman a lift. On the car radio, news bulletins warn the population against a recently escaped sadist who is known to prey on young women and children. Lelouch often cuts away from the main story, if only briefly, to parallel events that are not necessarily crucial to the story but illustrate what is suggested by the radio.
Director
The film is a road movie that follows a middle aged man who gives a young woman a lift. On the car radio, news bulletins warn the population against a recently escaped sadist who is known to prey on young women and children. Lelouch often cuts away from the main story, if only briefly, to parallel events that are not necessarily crucial to the story but illustrate what is suggested by the radio.
Dialogue
Claude
Director
Writer
Short film about the importance of silence in military matters.
Director
Short film about the importance of silence in military matters.
Camera Operator
A encenação de três "psicodrames" organizados pelo professor Jacob Moreno com sua assistente Anne Ancelin Schützenberger dá a Rossellini a oportunidade de refletir sobre o que pode se tornar uma técnica de interpretação particularmente adequada e, em particular, o potencial da televisão educacional
Executive Producer
Co-Producer
