Galina Shadur

Having accidentally committed a crime, Victor tries to evade responsibility and flees. He meets Nika and falls in love with her. The young people are trying to arrange Victor's illegal escape abroad, but events take an unexpected turn.

The ruthless extremist Bazgaev responsible for terrorist attacks which lead to deaths of hundreds of civilians, among them school children, is planning new actions. A group of security officers is to track and destroy him. Based on a true story.

russian comedy

Durante a guerra russo-japonesa, em 1904, Sergey Karenin (Kirill Grebenshchikov), chefe de hospital, descobre que um dos oficiais feridos sob sua supervisão é o conde Vronsky (Max Matveev), a pessoa que arruinou sua mãe, Anna Karenina (Elizaveta Boyarskaya). Agora, ele procura maiores informações sobre o amante da mãe e que razão a levou a desistir da vida.

Simultaneously nihilistic and heartening, Ward No. 6 is based on a story by Chekov, in which a psychiatric doctor becomes a patient in his own asylum. Updated to contemporary Russia, the film is a cocktail of anxieties and riddles, showcasing how easy it is to become what we fear most.

Na década de 1970, jovem universitário que se proclama "dissidente" disputa com o amigo comunista o amor da doce Lyuda, enquanto o entusiasmo socialista na URSS vai sofrendo uma gradual, porém contínua, erosão.

In pre-Soviet Russia, Boris Savinkov leads a terrorist faction of Socialist-Revolutionary Party members responsible for the deaths of governors and ministers.

A story of an actor named Oleg whose wife has been seduced by his neighbor. As he is thoroughly convinced of her infidelity, he would like to poison her. An old man named Prokhorov helps him to get rid of his wife by lecturing about famous deaths caused by poisoning. It is from Prokhorov we learn that many famous and not so famous like Cesare Borgia and Caligula were killed as they were poisoned.

Day of the Full Moon, a series of vignettes from Russia past and present, summons the spirit of Ophuls’ La Ronde, Altman’s Nashville and Short Cuts, and the time-shifting strategies of Resnais (Mon Oncle d’Amérique) to tell provocative, connected stories illustrating the waltz of years and whim of memory. In 1948, a young man, a boy, and a waiter are captivated during the full moon by a mysterious woman in a lilac dress. The effects of this event ripple across the years, washing over more than 80 characters, including a disc jockey, a fairy princess, a gangster, Alexander Pushkin, and a nostalgic dog. But which of these are dreams, and which reality? Director Shakhnazarov continues his career-long focus on the intersection of past and present with this mysterious, exhilarating mosaic of humankind, which in the end both seduces and satisfies.

This movie deals with two friends, 13-14 year old boys. One comes from a more or less stable home (although he is growing up with single mom) and another comes from a broken up family. One day the kids break into a store to pretty much have fun and get something to eat, short time after they get caught and one kid is sent to juvenile prison (14 year old) and another one is released to his being too young to be tried (13 years old). The younger kid feels bad about such decision, feels guilty and tries to help his friend in any way possible. While trying to help he is meeting a guy, who is ex-cop and now down-on-his-luck drunk(played by Priyomykhov himself)... the two become friends. In the finale, the ex-cop has to go one of the PTA meeting at school (his mother could not get away from work and knows nothing about the ex-cop) where suddenly his mother appears and meets the "father"...