Aedy Moward

Rhoma is a successful musician, while his elder brother, Dendy, is a successful engineer. Then Rhoma starts a relationship with Rika, the daughter of Alwi, who is the best friend of Rhoma’s father, Hadi. One day, Hadi comes to ask Alwi for Rika’s hand in marriage. Rika mistakenly thinks that proposal comes from Rhoma, but it is Dendy who is proposing. Rhoma, who is currently having a show out of town, is very happy to hear about his brother’s engagement. He decides to rush home, even when his contract with the show has not yet completed. But Rhoma gets into an accident and loses his sight. So when he meets Rika, who has changed her name to Mira, he does not recognise her, not even from her voice. When Rhoma is recovering at the end of his treatment, Rika runs away. When she crosses the street, she is hit by a car and dies. Rhoma is there to witness it all.

Rojali, whose real name is Rajauli, is the son of a widow who owns a traditional food stall. He falls in love with Zuleha, the daughter of his rich neighbour. But their parents oppose their relationship.

Wulan is plagued by a recurring nightmare and is advised to get married to cure herself of it. Unfortunately, her husbands keep dying on their wedding night. Her misfortune becomes the gossip of her neighbors, who then start scheming to kill her. A young religious teacher comes to the village and ends up falling in love with her. But will he be the next to die?

Even though he has become successful with many fans, Rhoma remains modest, is still religious and listens to his parents. But Ida, a fan of his, has been sending more than 100 letters to him. Rhoma sympathises with her and falls in love. Meanwhile, Ida’s mother is a poor widow who sells gado-gado (traditional Indonesian salad). Rhoma’s mother wants him to marry another girl, Mira, who has a higher social standing. Rhoma rejects his mother’s choice and both mother and Mira, mock Ida and even tries to consult a shaman. Rhoma does not like Mira’s "modern" attitude. When Mira has an accident and Ida helps her, her attitude changes, and Ida and Rhoma end up marrying each other.

This is a sequel to the film Guna-guna Istri Muda ("A Young Wife's Witchcraft"). The husband, Arifin, realizes his bad behavior and divorces his second wife, Sandra, to go back and live with his first wife, Tati. Sandra is vengeful about the one-sided divorce. She asks for the shaman’s help, to use black magic to destroy Arifin’s family. Chaos ensues in the family, including during a wedding reception of the son. At a critical moment, a savior arrives.

A battle of black magic, revenge, death and assorted Indonesian weirdness occurs between Arifin, his first wife Tati, his second wife Sandra and playboy Anton, who is after Arifin's wealth (and Sandra). Two different shamans (one good and one evil) become involved in the jacked up love triangle.

Joki Tobing, a rebellious young man, arrives from Medan and works as a reporter. His reports cause him to be fired by his chief editor, and even his uncle, in whose house he is staying, throws him out. He reports on his uncle’s corruption, which also relates to his own father.

With the slogan "Tanpa Babu Negara Kacau" or "Without Servants The Country Will Be In Chaos", Inem organises a congress for servants, complete with ceremony and pomp. The idea to create the congress is based on the lives of servants, who are still treated unjustly and live in suffering. As an ex-servant who is now the wife of a multi-billionaire, she is moved to help her kind.

A middle aged man tries to find a cure for his impotency while his young and sexy wife has an affair. It's a comedy.

A dangdut singer, Oma, is dating Ani, the daughter of a plantation owner. But the girl's father tries to stop their relationship. Then Oma leaves for Jakarta and finally he becomes a major hit. Meanwhile, Ani runs away from home and her parents are worried but the story ends happily.

Karno and Dina, grow up in a large fisherman village, and have carried on an affair till she is pregnant. Embarrassed, they leave for the city. Karno works as a truck driver and Dina becomes a tailor.

A little boy is told the tale about the development of Jakarta, when a village was divided into two, and causing the people to oppose each other. On one side, there is Anton while the other side is lead by Mahmud. Maulana, the village boy whom Anton has adopted, falls in love with Laila, the sister of Mahmud. This love affair irritates Majid, Mahmud’s right-hand man, because he has loves Laila, long before her meeting with Maulana. Maulana and Laila refuse to take sides between the two opposing sides, and try to reconcile them. But a battle is inevitable. In the end, Mahmud kills Anton; but Mahmud dies at the hand of Maulana, his future brother-in-law. Then Maulana runs to Laila’s house and confesses. Laila forgives him, but Majid cannot. He orders a boy to steal the gun of Sabeni, an informant, and he shoots Maulana with it. While the intention was to make this film a musical, it didn’t work as the “realistic world” and the “musical world” could not blend fully.

Lestari stops teaching when she marries Rama who has returned from abroad. Lestari, who is an only child and an orphan, is infertile. One day she meets Shinta, her favorite student who cannot stand living with her stepmother, especially since her father, a drunken truck driver, died in an accident. Lestari invites Shanti to live with her. Then Rama’s parents bring Lestari to Tokyo for treatment as they still wish to have a grandchild. Rama and Shinta are left at home and begin to be intimate. Lestari is furious when she returns but she finally gives them her blessings as she cannot conceive. But due to a misunderstanding, Shinta runs away. Then Rama finds Shinta as a singer in a nightclub. Without Lestari’s knowledge, they consummate their love. Then Rama accuses Shinta of adultery and refuses to acknowledge the baby as theirs.

Ateng and Iskak are two labourers. They meet Eddy Sud, a scholar-impostor and two eccentric men who carry a treasure map. They agree to look for the treasure. On their journey, the group meets two young girls. Ateng and Iskak start to flirt with the girls. Meanwhile, there is a group of criminals who wants to loot the treasure once they dig it up. However, the two eccentric men are just patients from the mental institution who are being trailed by the police.

This time Ateng and friends are dressed in costumes recalling Baghdad’s sultanate. The story is similar to Ali Baba and the 40 Thieves. The poor Ali Baba becomes suddenly rich after finding a treasure in a cave that actually belongs to the King of Robbers. After hearing about the treasure, Ali’s brother goes into the cave to take some but forgets the magic password and is trapped inside. When the King of Robbers arrives, he learns that Ali Baba has found out their secret. So a duel ensues between Ali Baba and the King of Robbers, and in the end the police apprehends them. Ateng and friends are hilarious and the Baghdad set and costumes bring back the nostalgia of old stage performances.

Adapted from Achdiat Kartamihardja's novel of the same name. It follows a young Muslim man named Hasan who, through his interactions with others, loses his faith.

Love story in which the girl's parents disapprove of her boyfriend because he was accused of killing his former wife.

Office clerk Mamad breaks his ethics and steals a pack of paper from his office while preparing for his seventh child’s birth. Haunted by guilt, an opportunity to confess seems to always elude him.

Back when urbanization was a new phenomenon, this film captured the aspirations desired by three young men from North Sumatera of Batak ethnicity. As the case with other regional area, people from the rural realm were convinced that their way of live is inadequate, so that they "need" to make it in the city, or bust. So Sabar, Tigor and Sahat went up and down their luck in order to find their desired "gold" in a strange land.

Maria (Suzzanna) goes to prison for murdering her own father. Upon release, she becomes a prostitute and then has a difficult time maintaining a romantic relationship with a young painter once she decides to get out of the business.

Dulkafar, leaves his hometown for three and a half years after his parents are murdered, and has now returned for vengeance. With his whip of fire, he defeats criminals while searching for the murderer of his parents. He also disguises himself as a “buaya Keroncong” or an expert singer in Keroncong music. His efforts finally pay off when he finds a woman wearing his mother’s necklace.

Legendary directors Wim Umboh and Sjumandjaja, decided to experiment by producing a script being written at the same time of the shooting. Mama is a complex story with two seemingly unrelated narrative threads. The first story revolves around Sanca and Anani. The second is about Ulli and Pandji, and in between the two stories is a third narrative, about Ulla, a religious prostitute and Ulli’s sister, and Suwaka.

The colonial court sentenced Tohir harshly on 22 September 1938. The sentence is made harsher because the prosecutor, Hasan, discriminates more on Tohir’s lineage than his crime. But in fact, Tohir commits his crime out of necessity as his wife is pregnant and about to give birth. He is sentenced to hard labor in exile so when he finds out that his wife and child are dead, Tohir escapes and kidnaps Hasan’s son, Husin. He raises the son in a life of crime, but lives like a respectable man. Husin also lives a double life. He is loved by an innocent girl in the village, but in other places, he plays around with women. In his old age, Tohir becomes a drunk and then he finds out that the government has awarded Hasan for his services. He uses Husin, nicknamed Boy, to avenge himself by sending him to rob Hasan’s house. Husin fails and is sent to trial. There, while drunk, Tohir reveals who Husin really is. Hasan and his wife then welcome Husin back.

Two businessmen, Burhan and Benny, are rivals and Burhan hires Joko, an ex-convict who is trying to reform. Joko is asked to investigate Benny, through Leila, a hostess that Benny usually goes to. But then Joko and Leila fall in love and things do not go as planned. A accident happens and Leila is shot by Joko. Burhan dies in a car accident while Benny runs away out of the country. The reason of enmity between Burhan and Benny is unclear, nor that of Leila’s role, who knows so much about Benny’s secrets.

Suryani, helps Iskandar find a job and gives him love. But the happiness doesn't last long when Aminah, Iskandar's wife, and child come to see him. Then Suryani disappears while carrying Iskandar's baby in her womb. Six years later, Iskandar, assisted by his secretary Sri, finds Suryani and his daughter, Atik, in a village. Although she is reluctant in the beginning, she finally agrees to go with him to the city. Then Suryani avoids Iskandar and forbids her daughter from seeing Iskandar. When Iskandar's company is about to go bankrupt, Suryani comes to help by selling her house and the shop that Iskandar gave. Then the salvaged company is given to Aminah and her child, while Iskandar goes away to repent.

Lono is a thief who steals from the corrupt on behalf of the poor.

This first Indonesian international award winning film is about a story about a woman with her unhappy life who seeks for something.

A hero of revolution returns to civilian life to find the new society very different from the ideals he fought for.

During the time of the confrontation, a group of young men led by Harun broke through the barricades of the Dutch navy patrol and landed at Mentawai Island. Their special mission is to detain Kafedo who is accused of collaborating with the enemy. Both men are romantically involved with Hiya. When the Dutch troops land on the island, Kafedo bravely demonstrates his love for the nation. So in the end, Harun allows Kafedo to marry Hiya.

During the revolution, Jaka takes refuge and entrusts his house to Husin. Husin then rents the house to someone else and Maryam has to face this bitter fact. She is visited by Danu and his wife Ratih, whom Danu likes to spoil, using state funds. He is arrested when his baby’s shower party is being held. Out of shock, his pregnant wife prematurely delivers the baby and loses a lot of blood. While the others are busy panicking, the cool and composed Ridwan donates his blood. This act of compassion attracts Ros’s attention and she falls in love with him.

Iskandar is a talented clarinet player who trains under an old musician named Sobari. He also has moral support from his girlfriend. But when he becomes successful, he forgets about Sobari, his friends and his girlfriend. Only when his career crumbles does Iskandar remember again his girlfriend and friends.

After the revolutionary war, Leman is asked by Barjo to join him in collecting donations from businessmen. Some donate while others do not. But Leman gets into a fight with one particular man who refuses to donate and kills him.

Depicting the celebrated recapture of the town of Yogyakarta from Dutch forces in March 1949, by Indonesian youth of the resistance and members of the Indonesian army. Although it was held only for a few hours, it resulted in a UN resolution calling on the Dutch to leave.

It tells the story of an Indonesian revolutionary who falls in love with one of his Dutch prisoners.