Benjamin Dewey

Filmes

Harvey's Last Night on the Avenue
Colorist
Harvey's Last Night on the Avenue concerns a sensitive young man who joins a group of his friends on a bar crawl the night before he moves from New York back to his hometown in Texas. An obsessive and socially awkward person, Harvey ruminates over many of his minor social faux pas that he perceives as huge errors. As the night goes on, he accrues more and more faults in his mind, and becomes increasingly unable to connect with the people around him.
Jack and Lucas Go To A Wedding
Director of Photography
Jack and Lucas travel to the Midwest to attend their high school friend's wedding. Confined in a hotel room together, they're consumed by their own insecurities, as Jack tries to write the perfect wedding speech, while Lucas grapples with his romantic devastation. As the wedding approaches, the question arises: can they get to a place where they understand each other?
L.I.P.S.
Director of Photography
The bravest adventurer at The League of Interplanetary Process Servers attempts to deliver 30 subpoenas throughout the universe in only ten minutes.
You Can't Put Your Arms Around A Memory
Cinematography
Charlie, a socially inept young man, compulsively confesses every detail of his anti-social behavior to his mother, Hazel, with whom he still lives in Harlem. When his mother asks him to finally move out of her apartment, Charlie is forced to confront his greatest fears - losing his only life witness and living in a world without his only friend and confidante.
Jake the Cinephile
Cinematography
Jake the Cinephile is the story of a young film fanatic who, fed up with the rowdy behavior and disrespectful etiquette of movie theater audiences, decides to abandon the cinema and take a stab at an actual relationship with a young woman.
Limbos
Cinematography
Katie and Jake want to keep things platonic, too bad the teenage ghost haunting their new apartment has other plans!
The Sandman
Cinematography
An altruistic dream salesman writes his own dreams for the first time.
Purple
Cinematography
An actress plays lover to a face-blind man, and loses track of her audience.
The Wheels
Title Graphics
The Wheels is a portrait of the relationship between an alcoholic father, John, and his seventeen year-old son, Harry.
The Wheels
Colorist
The Wheels is a portrait of the relationship between an alcoholic father, John, and his seventeen year-old son, Harry.
The Wheels
Director of Photography
The Wheels is a portrait of the relationship between an alcoholic father, John, and his seventeen year-old son, Harry.
The Fool
Cinematography
Officer Thurmon Bell calls in a fake 911 report so that his ex-girlfriend (also a police officer) will show up, and he can win her back. Armed with flowers and a romantic song, he awaits her arrival eagerly. However, two male officers show up instead, and his plan soon falls to pieces; Thurmon must deal with the consequences of his love.
With Love, Marty
Director of Photography
Marty, a lovelorn student at New York University, uncomfortably mingles with fellow members of his debate team at a college party, before breaking away from them entirely.
Heart of Gold
Assistant Camera
Heart of Gold is Jack Kyser's fourth film for Sight and Sound: Film, taught by Professor Laszlo Santha.
Proper Behavior For Your Date
Assistant Camera
Proper Behavior For Your Date is Jack Kyser's third film for Sight and Sound: Film, taught by Professor Laszlo Santha.
Relapse
Relapse is Jack Kyser's second film for Sight and Sound: Film, taught by Professor Laszlo Santha.
Relapse
Assistant Camera
Relapse is Jack Kyser's second film for Sight and Sound: Film, taught by Professor Laszlo Santha.
The Hand Job
Assistant Camera
Jack Kyser's first film for Sight and Sound: Film, taught by Professor Laszlo Santha.