Executive Producer
An evil ruler uses witchcraft and evil spirits to keep his subjects in line, but the his reign of terror prompts the people to revolt.
Producer
For eleven months a year, Evaristo, Máximo and Jacinto have only thought of one thing: summer vacations. Each one, in his own way, will try to deal with the forty degrees in the shadow of Madrid. Evaristo is a beach man and this year, as always, he approaches the coast with Filomena, his wife. The agglomerations to get a square meter of sand, the cakes in the chiringuito to eat the tortilla will be about to kill him. But it does not matter, September will come to rest from the summer. Maximum, on the contrary, is of the mountain. And this year he has rented a villa for himself and his family, including mother-in-law. Finally, Jacinto, owner of a gym, has sent his wife and children to Benidorm, while he remains "rodríguez" in the capital,
Producer
Ivanhoe returns from the Crusades to free the Saxons from oppression in 12th century England. He claims the hand of a beautiful lady and fights to rescue her from danger.
Producer
A man and a woman fall in love in the streets of a nocturnal Buenos Aires.
Producer
Se relata la historia de Laura (Elsa Daniel), desde su salida del colegio interno de monjas, pura y virginal (impactante la primera escena de Laura personificando a la Virgen María en un acto de fin de año de la escuela) hasta su regreso a la ciudad (ya como amante de Francisco Rabal). Laura llega a su casa donde viven su madre y su tía, en un ambiente oscuro y riesgoso. Sabe que en el altillo, está el opa de la familia, un ser que avergüenza a todos, pero que se mantiene oculto. Laura, en complicidad con su novio (Leonardo Favio) descubrirá quién habita realmente ese altillo y qué secreto encierran todos. La película fue una coproducción con España y contó además de Elsa Daniel, Francisco Rabal y Leonardo Favio en el elenco, con María Rosa Gallo, Berta Ortegosa, entre otros.
Producer
This routine drama set in Argentina during the 1930s draws parallels between a family patriarch and a political despot who stoops to any corrupt means to increase his power and wealth. The parallels are easy to make because the man is the same in both cases. The grandfather in the family has a rigid, tight-fisted control over his grandchildren, who eventually begin to rebel against his authoritarian and ironically puritanical behavior. At first, there is no real awareness of his opposite, criminal behavior outside the home. But as one of the grandsons begins to mature in his political savvy, the grandfather comes under well-deserved fire at last.
