Claudio Isaac

Filmes

Sin Dios y sin Diablo, Jaime Sabines y sus Lectores
Director
Polvora En La Piel
Director
Compilation tape of Hora Marcada episodes. Roxana Chavez is a young girl who's flirting with death, trapped in a dangerous liaison with boss Fernando Balzaretti. She has the power to seduce him but her life will shortly turn into a nightmare when she discovers a stranger waiting in her apartment. What does he have to do with her lover, and how can she escape this assassin's trap?
Mariana Mariana
Post Production Supervisor
The story runs in the 1940s Mexico City. A schoolboy (Carlos) falls in love with his best friend's mother (Mariana). Carlos is impressed because this family is not like the ordinary mexican families of the time, because they have many expensive American things, although they are not rich. The drama begins when Carlos gets out of school to go to declare his love to Mariana, and is discovered by his teachers.
The Language of Trees
Writer
An exploration on Paz's poetry by Paz himself, his childhood, his ideas about love and the nature of art
The Language of Trees
Director
An exploration on Paz's poetry by Paz himself, his childhood, his ideas about love and the nature of art
El día que murió Pedro Infante
Director
Mexican feature film
El día que murió Pedro Infante
Mexican feature film
Algo sobre Jaime Sabines
Writer
Algo sobre Jaime Sabines
Director
Guadalupe Amor, un ensayo  mitológico
Director
Crónica íntima
Writer
Mexican feature film
Crónica íntima
Director
Mexican feature film
The Devil's Visitations
A young architect returns from Europe to live in the house of his uncles and cousins, where someone pretends to be the Devil.
Tempo de Morrer
Claudio Sampedro
Juan Sayago é condenado a dezoito anos de prisão após matar um homem em um duelo. Juan cumpre sua pena e assim que sai da cadeia, traça um plano para sua vida: viver tranquilamente em sua cidade natal ao lado de Mariana Sampedro. No entanto, os filhos do homem que Juan matou não pretendem deixar que ele viva tão tranquilamente assim.