Leung Hoi-Shan

Hong Kong comedy film.

Lee Jwo Horng is fresh out of jail after doing time for 15 years. By then his fiancée Betty has already become the mistress of triad boss One-Eye Jack. Lee doesn't want his younger brother Chih Shen to look down upon him, so he decides to keep his release a secret from Chih Shen, and finds accommodation with his friend Ah Han instead. Jack forces Lee to team up with him again for more criminal jobs, but, determined to clean up his act and stay out of trouble, Lee doesn't yield to his pressure. Jack then turns his attention to Chih Shen and lures him to the dark side instead...

The agile and cerebral fighter Kong Yin is invited to join the police SWAT team. Kong is soon sent on an undercover mission to investigate the gang operating at the Happiness Rubber Plant to coerce female workers into prostitution. An indignant Kong joins hands with fellow worker Chow Mei-ha and factory head Wong Chi-kong to expel Blackie Kei whose ruthless and blatant exploitation of the workers has been going unpunished. Facing the loss of a lucrative source of income, Blackie and his underworld bigwig boss Wu Tin-hung intercept the love letters exchanged between Wong and the wife of the general manager Ting Yuk-lan and use the correspondence to extort money from the adulterers. The fearless Chow dons a maid disguise and ingratiates herself with the gangster, followed by a police raid masterminded by Kong to crack down on the notorious gang.

A 1967 Cantonese language action film directed by Cheung Wai-Gwong, starring Connie Chan, Adam Cheng and Liu Chia-Liang. Ming-Wai & Ming-Sing, a brother and sister (dual roles played by Connie Chan) who must go undercover in a gang to rescue their uncle.

In protecting a group of children from bullying and gang violence, the gallant 'Lady Bond' Kong Yin stays with the family of driver Lee Pak in order to give classes in self-defence to Pak's younger brother Calf and neighbours Tak, Ah-ling as well as the young woman Sheung, drilling them in the moves and techniques. Startled by her striking resemblance to his kidnapped girlfriend Tong Ching-yee, Tse Tsi-ming pleads with and convinces Kong to pose as the missing girl to visit her bedridden grandfather Chung-sau. The masterminds behind the abduction, Tong's stepmother and her nephew Chan Chi-biu capture also Tse and the children. Tse brilliantly manages to alert Kong. Fighting and apprehending her opponents, Kong frees the hostages and hands the criminals over to the authorities.

The woman thief Pak Siu-yin was discharged from prison and Inspector Chan has set a trap for Bak to lure the head of the gangster Yim Fong, who used to threaten Pak to commit crime for his gang.

Hong Kong was quickly becoming industrialised in the 1960s. The market was hungry for female labourers with a grasp of crafting skills. In addition to being wives and mothers, many women entered the labour market at that time. This ‘streamlined comedy' (as it was advertised) is called Three Love Affairs, but the main action is centred on the lovers played by Ting Ying and Cheung Yee. In order to make themselves more appealing, the factory girl pretends to be the daughter of a successful businessman, while the chauffeur pretends to be from a wealthy family. Their relationship is fraught with worry and anxiety, because they are confused about their own identities, and have not yet come to terms with themselves and their lives. With the support of the Manufacturers' Association, the film was shot on location at an actual factory, evidencing a prosperous period in Hong Kong's industrial history.

Madam Kum is a well-known dance hall girl. She gave birth to her daughter Yin-fan. Kum gave her to some relatives. Nineteen years go by, and Kum accidentally runs into Fan's husband, Man-fai, in Singapore. She tells him everything. Fai is surprised but accepts the truth. They have a talk and agree not to reveal the truth to Fan. However, Fai promises Kum that he will arrange for her to see Fan. Gum starts to see Fan on public occasions. Bing-chiu, who has been chasing after Fan since college, runs into Fai and Kum. He tells Fan about it. Fan goes to Kum to ask her not to destroy her family. Kum is hurt but still does tell her the truth. She decides to returns to Singapore. She goes to Fan's house to see her once more. Fan is having her birthday party. She insults Kum and throws a glass of wine in her face. Fai cannot stand it anymore and tells his wife who Kum really is. Fan feels guilty. All the others are moved by what Kum has suffered and they start to accept her.

Based on a real murder case in 1930s New York Chinatown

Having lost her mother, young girl Bobo (Fung Bo-bo) lives with her honest but incapable father until her stepmother and a wizard conspires to kill her. While escaping, she picks up a magic cup. With the help of the powerful genie in the cup, Bobo embarks on a fantastic adventure featuring giants, magic and treasures. The composited special effects in the film are fascinating: the horizontal ancient well, the giant hand controlled by electricity, the grand palace and the incredible mountain ranges embellish an Aladdin-like story. After its first run in cinemas, this film enjoyed popular second runs, matinees and numerous screenings on television, entertaining many generations of Hongkongers.

The Lok's family disperses when Japanese occupied China. Mrs. Lok's company prospers in Hong Kong. Her son Tin-yam looks after her business. She misses her daughter. Another daughter Chui-yin dates Kuk-tat. Mrs. Lok hopes that Tin-yam will find a good partner. Wan Yuk-yin works in Mrs. Lok's company and meets Tin-yam. They fall in love. Mrs. Lok asks Yuk-yin to leave Tin-yam. Facing his mother's objection, Tin-yam falls ill. Mrs. Lok let them marry. The wedding guests despised the bride, which makes Mrs. Lok uncomfortable. The couple lives happily, but Mrs. Lok and Chui-yin make Yuk-yin embarrassed. Kuk-tat covets the Loks' fortune. He steals their jewels. Mrs. Lok thinks Yuk-yin did it. Yuk-yin is innocent, but she is expelled. Tin-yam returns. Yuk-yin's parents seek justice at the Loks. Mrs. Lok's saw the Yuk-yin's birthmark. She realizes Yuk-yin is her lost daughter. Mrs. Lok decides to be a dutiful mother. Tin-yam is an adopted son of the Loks so the couple lives happily.

The Flying Dragon gang goes on a rampage and the police Inspector is at his wits' end. He then commissions Wong Ngung, Wu Ngar and Heung Nga to help him catch the gang members. Suet-ying, a young woman, is addicted to gambling and owes a huge sum to the gambling den that belongs to the Flying Dragon gang. She has even signed IOUs. When the younger sister of Ying's husband sees that Ying is weighed down by worries, she asks Wu Ngar for help. Wu Ngar sneaks into the gambling den, but her behaviour is suspected by the gang leaders, Tai-kit and Tai-hong. Fortunately, Wong Ngung saves her. To get back the IOUs, Ying falls under the control of Hong and Kit. Master Lung has evil designs on Ying. He first kills Kit and seizes Ying. Hong then shoots and kills Lung. Wong Ngung and her two partners get back the IOUs for Ying. They notify the police Inspector to arrest the members of the Flying Dragon gang. Hong is shot and injured by Wong Ngung. He is arrested with the other gang members.

Adapted from a popular 'three dime novel' the story revolves around two down-and-out buddies, one streetwise and quick-witted the other naïve and kind-hearted. This oddball duo go through up and downs and eventually get their break in life.

Yim Tai-hung stages a diamond heist but one of his men slips away with a diamond necklace. Sustaining a fatal wound, the betrayer gives the necklace to his friend Chow Ping at Rose Apartment before he expires. Chow calls her cousin Wu Nga for help. But Wu, Wong Ang and Heung At come too late. She however manages to reveal the whereabouts of the necklace at her last breath. The trio is framed for the murder but is later acquitted. Striving to crack the case, Wong infiltrates the apartment at night and uncovers the necklace, which is then used to lure the real culprit out. But her plan is foiled by a young and reckless Wu who falls into Yim's trap. Luckily Wong and Heung deliver the hostage to safety while the police arrest Yim's accomplices and kill the ringleader in the ensuing shootout.

Fat Kau (Leung Sing-por) and his wife (Ma Siu-ying) are not on the best terms with their fierce daughter-in-law Tang (Tam Lan-hing). It is their secret wish that their grandson Kim-kwong (Yam Kim-fai) would marry an ill-tempered woman—it would be, Kau and Lee think, poetic justice for Tang to have a taste of her own medicine. But to their disappointment, the granddaughter-in-law Yu-chu (Law Yim-hing) turns out to be meek and understanding. Kau and his wife therefore tricks Yu-chu into starting a quarrel with Tang. Rich in intricate details of everyday life, the film depicts a witty battle between vivid characters, and is a comedic portrayal of the relationship between mother and daughter-in-law through three generations.

The three heroines, Wong Ang, Wu Nga, and Heung At expose a murder case involving three dead bodies found in an old temple. Unbeknown to the trio, they've fallen in a trap laid by gangster Hui Pui-shing, who desires to avenge his brother's death by eliminating the women. With the cooperation of Hui's righteous subordinate, the police arrest Hui for smuggling tobacco and seizes their forged banknotes.

Production company Taoyuan chose for its inaugural film a comedy and Fong Yim-fun gets to take a break from playing long-suffering roles and showcase her talents in making us laugh! She plays the spritely titled character, brandishing a fresh image. The film is an adaptation of the literary classic Romance of the Western Chamber, in which the Prime Minister's daughter (Law Yim-hing), under siege from rebel soldiers, is rescued by a plan formulated by a poor scholar (Law Kim-long), with whom she is in love. But her mother (Poon Yat On) reneges afterwards on her promise to let the rescuer marry the daughter, and the clever Red Maid steps up as go-between, devising a series of sharp-witted tactics to help the lovers.

Wong Fei-Hung Goes to a Birthday Party at Guanshan is a Wong Fei-Hung movie starring Kwan Tak-Hing.

Wong Fei-Hung and the Lantern Festival Disturbance is a 1956 Wong Fei-Hung movie directed by Wu Pang.

The Head of Southern Stone Village, Lee Ba-hung bullies others with his power. Yet he has no knowledge that his niece Lee Chun-hong is actually the Black Heroine who confronts him. It turns out that Chun-hong's father is fearful that Ba-hung would bully the mother and daughter of Chun-hong, hence he has disguised Chun-hong with woman attires. Chun-hong's identity is unveiled when she devotes herself to helping the refugees of a disaster by distributing food and emergency supplies. Ba-hung would like to murder Chung-hong by hanging, yet it ends in him being killed by his followers.

Reporter Yu Mong-yuen is recovering from a leg injury in his fiancee Man-wah's apartment. Bored, he looks out the rear window and observes the life of the neighbouring building. Among the tenants are a sugar-daddy and his mistress, a middle-aged man wants to marry a young girl, but she is in love with his son. Finally, she hatches a plot and makes the man agree to her marrying his son ; a sly fortune-teller ; a lively gym, a rich widow quarrels with the trainer of a gymnasium because his dog has bitten her cat ; and an opera school, a woman signs, leaning on the balcony, and a man tries to strangle her. In fact they are rehearsing an opera…… One evening, Wah is on the night shift, and Yuen watches the opera troupe rehearse to the end. Under the influence of drugs, Yu mistakenly believes that a divorced man has murdered a taxi dancer. He alerts the police, but the whole thing is nothing more than a misunderstanding.

Hak-ming heads the Ko Family, but he and his brothers, Hak-ting and Hak-on, and the second wife of the late Master Ko quarrel. Young Cousin Mui, who has tuberculosis, is forced by to marry an older woman. Kok-sun is guilty of being unable to stop the marriage. Sun and maid Chui-wan are wary of their feelings for each other due to class difference. Cousin Mui dies of illness. Hak-ting has his eyes on Wan. His wife, Wong, complains to their daughter, Shuk-ching, who cannot take it and commits suicide. Wong blames herself for her death. Undergone these tragedies, Cousin Kam's mother let Kam have a modern wedding with Kok-man. When Ming is ill, Ting and On want to sell the ancestral home. Hak-ming dies of angst. When the fifth uncle of Sun forces Wan to be his concubine, Wan tries to kill herself but is intercepted by Sun. Pressurised by people of the house over the issue of inheritance, Sun protests by declaring his love for Wan and leaves the family, with his mother, brother Man and Wan.

Chinese Opera comedy from Hong Kong directed by Fung Chi-Kong.

Drama from Hong Kong directed by Chu Kei.