Producer
Daniela não sabe o que fazer com sua vida ou para onde ir. Sofrendo de insônia, ela tenta encontrar uma saída para o que chama de "fase liminar constante." Ela vagueia pelo seu bairro em Viena e passa o tempo com duas amigas, Mia e Natascha, que foram visitá-la de Berlim.
Producer
Vienna, 2019 – the end of an era. The smoking ban in public places means that a part of Kaffeehaus culture has disappeared. Of all moments, this is the one that Angeliki chooses to buy an apartment with help from her interior designer friend, Carmen. Angeliki seems to have something against all of them: either the parquet floors creak, the tiles are the wrong colour or she is bothered by the proximity to a restaurant. How will she ever find a new home in this environment? Carmen feels like she’s talking to a brick wall. Moreover, she simply cannot understand why Angeliki is refusing to part with her money. A Journey from Vienna to Malaga, via salt flats overcast by mysterious shadows. A homage to the Austrian capital and the bygone splendour in ordinary things.
Uma etnóloga chega a uma ilha no sul da Dinamarca para estudar seus habitantes e registrar suas tradições. Suas casas estão prestes a ser demolidas para que possa ser construído um túnel até a Alemanha. Inesperadamente, ela conhece um atraente homem mais jovem, um operário contratado da Polônia.
Producer
Muitos anos atrás, as cidades pelo rio estavam agarradas por um contágio. As coisas começaram a mudar e não estava claro se a transformação era um sintoma da doença ou uma maneira de escapar dela. O contágio tocou tudo: animais, plantas, pedras, solo, homens, mulheres e crianças, seus pensamentos, sonhos, memórias. Uma velha disse uma vez que todas as memórias se transformaram em árvores; Eu dificilmente consegui explicar o que ela estava dizendo. Ela disse que podia ouvir as árvores cantando: ser um corpo, ser qualquer corpo. Depois que o contágio terminou, as cidades pareciam intactas. Era preciso procurar ver os traços da época anterior. Se alguém pudesse ouvir as árvores, o que eles diriam? Uma saída, uma saída?
Associate Producer
The adventure of Melissa and Gustavo starts aboard a red cargo ship crossing the Atlantic Ocean. It takes them from Brazil to Berlin, a city of perpetual movement, where the old constantly has to give space to the new. The couple finds a home and transforms it into the center of their own universe. As time passes and seasons change, life and cinema become interchangeable and their apartment evolves into an ever-changing stage, where friends are invited to play their own roles and reality and fiction merge. Until one day a cosmic portal appears in their home, opening connections between the past, the present and the future.
Producer
A character study as well as a meditation on communication, creativity, and physical space, Take What You Can Carry is a picture of a young woman seen through the interiors she occupies and the company she keeps. A North American living abroad, Lilly aspires to shape an intimate and private place of her own while connecting to the world around her. When she receives a letter from home, it provides the conduit she needs to fuse her transient self with the person she's always known herself to be.
Co-Producer
On January 21, 1975, in a village in the north of Portugal, a child writes to his parents who are in Angola to tell them how sad Portugal is. On July 13, 2011, in Milan, an old man remembers his first love. On May 6, 2012, in Paris, a man tells his baby daughter that he will never be a real father. During a wedding ceremony on September 3, 1977 in Leipzig, the bride battles against a Wagner opera that she can’t get out of her head. But where and when have these four poor devils begun searching for redemption?
