Stanisław Manturzewski

Piotr (Paweł Królikowski) jest psychiatrą. Siedzi na nocnym dyżurze, gdy na jego oddział przywożą chłopaka. To Kamil (Lesław Żurek), syn którego nie widział całe lata. Chłopak znika ze szpitala równie szybko, jak się pojawił. Jednak Piotr postanawia nawiązać z nim kontakt. Zaprasza go do siebie i poznaje ze swoją piękną, młodą narzeczoną (Anna Geislerová). Po wizycie Kamila kobieta uświadamia sobie, że Piotr jest dla niej zagadką i naprawdę nic o nim nie wie. A Piotr rzeczywiście skrywa mroczną tajemnicę…

A grotesque Shakespearean tale of Ubu who comes to power in a bloody way. When his absurd reforms fail and the treasury gets empty, Ubu and his flatterers start implementing terror across the country.

The protagonist of the film is Stanisław Niedbalski, a legend of Polish cinematography, cinematographer of several dozen documentary films. Usually, he is hidden behind the camera. However, in this film, we could look at him from a different perspective – a witty and emotional film set star.

The protagonist of the film is Stanisław Niedbalski, a legend of Polish cinematography, cinematographer of several dozen documentary films. Usually, he is hidden behind the camera. However, in this film, we could look at him from a different perspective – a witty and emotional film set star.

In the 21st century, prisoners aboard penitentiary space ships explore unknown worlds. Scope, one of the prisoners is sent on a planet though to be lifeless, until he found "Humans" on it.

Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart.

Film opens on December 18, 1999, just a few days before the dawn of the new century. A local reporter, Iron Idem, announces that the Martians have landed. Shortly after that his program loses its independence: he is given the script telling the crowds how to welcome the invaders.

A young factory worker takes up on boxing as a way to find himself and advance his chances for the future. But the difficulties of sorting himself out in the crooked boxing environment hold him back in the beginning, until he arrives for tournament in Chicago, where he can prove himself. In the end, he wins over his Yank opponent, an amateur below his ranking, and is back in the factory.

A portrait of the inhabitants of Jastrzębie (a mining town in Silesia) – young men and women who came there to begin their adult lives. Jastrzębie received municipal rights in 1963, but it is still a huge construction site. Children slide down the heaps of coal, located between the blocks of flats. Young women, dressed in worker jackets, look for their husbands. The life of the inhabitants is subordinated to communicates released by the council of the mine. Working days are about queues and listening to the radio, and days off are about festivals and performances of the mining band. Boxing in the ring and fights in the streets. The directorial debut of Stanisław Manturzewski, a sociologist, journalist, and documentary filmmaker, made in collaboration with Stanisław Niedbalski, a cameraman.

A portrait of the inhabitants of Jastrzębie (a mining town in Silesia) – young men and women who came there to begin their adult lives. Jastrzębie received municipal rights in 1963, but it is still a huge construction site. Children slide down the heaps of coal, located between the blocks of flats. Young women, dressed in worker jackets, look for their husbands. The life of the inhabitants is subordinated to communicates released by the council of the mine. Working days are about queues and listening to the radio, and days off are about festivals and performances of the mining band. Boxing in the ring and fights in the streets. The directorial debut of Stanisław Manturzewski, a sociologist, journalist, and documentary filmmaker, made in collaboration with Stanisław Niedbalski, a cameraman.

A document about a religious sect founded in Silesia in the 1950s - the Holy See of God and the Lamb of the Apostles in Spirit and Truth, Alpha and Omega, The Beginning and the End, an informal Christian denomination whose members consider themselves to be advocates of peace and universal union.

Polish drama from 1960 directed by Bohdan Poreba.