Screenplay
In conversations with his friends and colleagues, among them Bernd Upnmoor, Helmut Herbst, Alexander Kluge, Klaus Wyborny, Daniel Kothenschulte and Helge Schneider, Ulrike Pfeiffer takes us on a journey into the broad expanse of Nekes' cabinet of wonder and his cinematic works. At the same time, this documentary provides an insight into the history of experimental film in Germany.
Director
In conversations with his friends and colleagues, among them Bernd Upnmoor, Helmut Herbst, Alexander Kluge, Klaus Wyborny, Daniel Kothenschulte and Helge Schneider, Ulrike Pfeiffer takes us on a journey into the broad expanse of Nekes' cabinet of wonder and his cinematic works. At the same time, this documentary provides an insight into the history of experimental film in Germany.
Cinematography
Cinematography
Director
Director
Aurand and Pfeiffer filmed each other at four famous sites in Europe: walking in a summer dress through the snow in front of the Reichstag in Berlin, spinning a young boy again and again through the air in Red Square in Moscow, climbing on a hot day into the waterfall at the Place de la Concorde in Paris, and, as two angels in London, walking through the night of the City. The film begins with a text about improvisation by Jonas Mekas read by himself.
Writer
An imaginary journey on a ship. We turned the building of the Film Academy into a ship. Claire and Solange from a Jean Genet piece, a polish woman with her Madonna, screaming sailors are a few of the passengers on this artifical journey.
Director
An imaginary journey on a ship. We turned the building of the Film Academy into a ship. Claire and Solange from a Jean Genet piece, a polish woman with her Madonna, screaming sailors are a few of the passengers on this artifical journey.
Writer
Experimental short partly in colour.
Director
Experimental short partly in colour.
Writer
Experimental film about a train ride. The carriage window becomes a screen, the landscape a mood, the mood a landscape.
Director
Experimental film about a train ride. The carriage window becomes a screen, the landscape a mood, the mood a landscape.
Director
In Gascony, a sparsely populated region in the southwest of France, lives Dr. Jean Cadéot, a ninety-year-old veterinarian who continues to work tirelessly and still enjoys doing so. Although his eyesight is getting worse and worse, he treats his animal patients with all his senses and all his love.
