Wolfgang Schacht

Filmes

Nackt und heiß auf Mykonos
Editor
Tobias and Ginster are newly married and want to go on vacation together for the first time. Shortly before they leave, they have a fight and they decide to spend their vacation separately. Without knowing it, both end up in Mykonos in the same hotel. Due to lack of space, Gorse has to share her room with the pretty tour guide Jasmin. The two women become intimate spending tender hours on the beach and in bed – until Tobias falls in love with Jasmin too.
The Devil's Bed
Editor
A young engineer is supposed to do surveyings for a projected nuclear power station in an economically under-developed region and encounters strong opposition by the population. He realizes that the inhabitants are influenced by strange parapsychological occurences released by an elderly man, who also seems to dominate Walpurga, a young woman the engineer falls in love with.
I Want to Live
Editor
I Want to Live (German: Ich will leben) is a 1976 Austrian drama film directed by Jörg A. Eggers. The film was selected as the Austrian entry for the Best Foreign Language Film at the 50th Academy Awards, but was not nominated.
Glücksachen
Editor
For thirty years Anna sat at the checkout in the supermarket; now she is retired and doesn't know what to do with her life. She drifts through Viennese museums and cafés until one day in the park she gets into a conversation with a group of bikers. And suddenly the old lady reveals quite unexpected talents ...
Shattered Dreams
Editor
A young Viennese policeman can not free himself from his mistress and is also extorted over his illegal arms business.
Parapsycho: Spectrum of Fear
Editor
Split into three episodes, this film examines extrasensory perception, reincarnation and telepathy.
The Cat Has Nine Lives
Editor
Katharina and Anne go on trips, visit cafés, acquaintances and parties. In doing so, they explore the chances of female emancipation in a male-dominated society. Katharina strives for a life without sentimental compulsion. She believes that she has succeeded, and therefore looks at the beloved friend Anne compassionate, as it can be good. Anne is learning the left jargon. But it is sheer helplessness. She says it's political commitment that she does not trust her friend Katharina, so Anne smiles as well.