Luis Moglia Barth
Nascimento : 1903-04-10, Buenos Aires, Argentina
Morte : 1984-06-18
História
Luis José Moglia Barth (1903–1984) was a film director and screenwriter who directed numerous films in the early stages of Argentine cinema, including ¡Tango! (1933), considered the first Argentine sound feature film.
Director
Two carnival workers are being chased by the police and stumble across Aladdin's magical lamp and two political factions from Eastern Europe that are fighting over it.
Director
Performer is murdered onnstage during a show at a vaudeville theatre.
Director
Writer
Love will reveal the double life of a woman who is a scientist by day and a singer by night.
Director
Love will reveal the double life of a woman who is a scientist by day and a singer by night.
Writer
A shipyard owner rapes the daughter of a blind worker, unaware that she is his own son's girlfriend.
Director
A shipyard owner rapes the daughter of a blind worker, unaware that she is his own son's girlfriend.
Director
Musical argentino-brasileiro rodado em Petrópolis (RJ), com roteiro de Joracy Camargo.
Director
The struggle of two rural teachers to rebuild a school destroyed by a tornado.
Director
Tabloid journalists muddy the waters during the investigation of the murder of an Argentine senator.
Director
Director
An impostor pretends to be the mother of a blind man so he can manage his assets. But things are changing because of the arrival of the person who takes care of the blind.
Director
Director
A love story in the midst of historical accidents in Chile, through the revolution of 1891, the Valparaiso earthquake of 1906, the centenary celebrations of 1910 to the present, in 1944.
Editor
Director
Director
The young daughter of a murdered rancher takes possession of her lands in Patagonia and must fight criminals alongside a teacher.
Writer
The young daughter of a murdered rancher takes possession of her lands in Patagonia and must fight criminals alongside a teacher.
Writer
The film narrates events of the Revolution of the Park, carried out by radical sympathizers on July 26, 1890. There is a secondary plot with the romance of a girl who, despite being in love with her father's godson, must contract a marriage with a banker that fails.
Director
The film narrates events of the Revolution of the Park, carried out by radical sympathizers on July 26, 1890. There is a secondary plot with the romance of a girl who, despite being in love with her father's godson, must contract a marriage with a banker that fails.
Director
Writer
A capricious lady resigns herself to work as the host of a female radio program where she sings jingles and gives advice on cooking and gardening, putting aside her love of police novels, but she will find herself involved in a murder.
Director
A capricious lady resigns herself to work as the host of a female radio program where she sings jingles and gives advice on cooking and gardening, putting aside her love of police novels, but she will find herself involved in a murder.
Director
Writer
Group of tango musicians picks up an aspiring young chanteuse at one of their whistle stop engagements; film focuses on their collective path to stardom, romantic conflicts between the woman and two guys in the band and some peripheral crime-drama stuff.
Director
Group of tango musicians picks up an aspiring young chanteuse at one of their whistle stop engagements; film focuses on their collective path to stardom, romantic conflicts between the woman and two guys in the band and some peripheral crime-drama stuff.
Director
In 1840, a caravan of carts headed from Buenos Aires to Córdoba carrying merchandise, ammunition and prisoners, against the background of the struggles between the Unitarians and the Federalists.
Director
This is the story of a woman who returns to her neighborhood after a long absence and leaving behind dubious company. Her arrival causes misfortunes and revives dark forgotten feelings.
Director
Writer
Director
Director
Writer
Director
Writer
Director
Writer
An adultery-induced woman is helped by her driver who discovers the villains.
Director
An adultery-induced woman is helped by her driver who discovers the villains.
Director
Director
A 1936 film.
Writer
The romance between Amalia Sáenz de Olabarrieta –a widow living in Buenos Aires– and the young Unitarian Eduardo Belgrano. Based on the novel by José Mármol.
Director
The romance between Amalia Sáenz de Olabarrieta –a widow living in Buenos Aires– and the young Unitarian Eduardo Belgrano. Based on the novel by José Mármol.
Writer
An habitant of the Paraná Delta is tempted to engage in smuggling but abandons it for the love of a teacher.
Director
An habitant of the Paraná Delta is tempted to engage in smuggling but abandons it for the love of a teacher.
Writer
Director
Writer
The film's plot, which largely takes place in a cabaret, revolves around a worldly guy who had abandoned a mature lover for a younger and more beautiful one. It is very elementary and is just a pretext for a parade of popular songs. Currently considered lost.
Director
The film's plot, which largely takes place in a cabaret, revolves around a worldly guy who had abandoned a mature lover for a younger and more beautiful one. It is very elementary and is just a pretext for a parade of popular songs. Currently considered lost.
Writer
¡Tango! follows a formula established by Carlos Gardel with films such as Luces de Buenos Aires (The Lights of Buenos Aires, 1931) in which a melodramatic story is interspersed with tango songs. However, the film had less dialog and more music, making it more like a musical revue. This format would be copied by many subsequent films. The plot is derived from tango songs. Many of these songs tell of the seduction of an innocent slum girl by a rich man who promises her a glamorous life, but who abandons her when her looks fade. The stylized and sentimental plot of ¡Tango! revolves around a young man who is abandoned by his girlfriend for an older rich man and is heartbroken. The film follows his misfortunes.
Director
¡Tango! follows a formula established by Carlos Gardel with films such as Luces de Buenos Aires (The Lights of Buenos Aires, 1931) in which a melodramatic story is interspersed with tango songs. However, the film had less dialog and more music, making it more like a musical revue. This format would be copied by many subsequent films. The plot is derived from tango songs. Many of these songs tell of the seduction of an innocent slum girl by a rich man who promises her a glamorous life, but who abandons her when her looks fade. The stylized and sentimental plot of ¡Tango! revolves around a young man who is abandoned by his girlfriend for an older rich man and is heartbroken. The film follows his misfortunes.
Director
A 1932 Argentinian film by Luis Moglia Barth.
Writer
According to historian Fernando Martín Peña, this film was produced by Julio Tello's Argentine Cinematographic Union distributor and premiered at the San Martín Theater as if it were French "presumably for reasons of respectability." After the campaign against him by the Catholic newspaper El Pueblo, San Martín took it down from the billboard. On November 4 it was announced that the film would be shown again in a downtown theater and finally on November 7 the interim mayor Adrián Fernández Castro resolved the ban for "amoral".
Director
According to historian Fernando Martín Peña, this film was produced by Julio Tello's Argentine Cinematographic Union distributor and premiered at the San Martín Theater as if it were French "presumably for reasons of respectability." After the campaign against him by the Catholic newspaper El Pueblo, San Martín took it down from the billboard. On November 4 it was announced that the film would be shown again in a downtown theater and finally on November 7 the interim mayor Adrián Fernández Castro resolved the ban for "amoral".
Director
Through a succession of flashbacks, a grandfather tells his grandson about the outstanding episodes of the 1890 revolution, known as the "Revolution of the Park", against the government of Juárez Celman. Between the armed confrontations and the exaltation of the figure of Leandro N. Alem, the evocation includes a synthetic love story and culminates with the celebration of the second presidency of Hipólito Yrigoyen.
Director
A 1927 Argentinian film by Luis Moglia Barth.
