Director of Photography
Humans use technology to improve their lives, to forge connections, to create time that doesn’t exist, to replace real interactions. When we devise a second version of ourselves on social media, do we lose a piece of our true selves in the process? Do our digital connections threaten our real life relationships? What happens if the filtered characters we’ve imagined take on a life of their own?
Cinematography
Throughout Pai Nosso (“Our Father”), an emotive short documentary directed by Clayton Vomero and produced in collaboration with The FADER, 23-year-old DJ and producer Firmeza grapples with questions of loneliness and faith. He says, unequivocally, he is not religious; but he laughs off the idea that heaven doesn’t exist. For him the truth is something unknowable, something in between. The intimate film follows him not only as he tackles these big topics, but as he eats in his kitchen, creates music in his studio, and walks around his neighborhood, Quinto Do Mocho in Lisbon, shooting the shit with his friends about dating girls. Simmering beneath these domestic scenes, darkly omnipresent, are two intertwined things: the tight, dense percussion of Firmeza’s music, and the subject of his father, who passed away in 2015.
