Ersi Malikenzou

It is the early 20th century on a dystopian Greek island. Hadoula, a widow who lost her husband, loannis Fragkos, at a young age, is a woman who has learned how to survive in a male-dominated and extremely patriarchal society. Hadoula carries a difficult burden within her. Like a baton passed on to her from her mother, and the generations before her, she is meant to accept the belittling and degradation of women. Hadoula reacts. Her personal, internal revolution soon comes forth. The victims of her outburst are the little girls of the island, whom she sets free from the social and economic burden that their existence entails by taking their lives. Her actions will bring her face to face with the law. She leaves her home and escapes to her refuge, nature. But as much as her faith and morals dictate that she did the right thing, her trans-generational trauma follows her everywhere. And the end comes as redemption.

Born on 1988 in Athens Zoo and abandoned by his mother, silver-back gorilla Ivo has never been able to mate. Now he needs to be transferred to another zoo. KING KONG is a story about a 50 years old man, working in the Zoo while taking care of his bedridden mother. Unable to form any type of relationship and express his sexuality, he will go down the path of violence and despair.

A woman is trying to forget her traumatic past by living a parallel, fictional life.

A corrupt cop, Andrew, tries to flee the country after accidentally shooting his wife. His last resort for help: his estranged frocked brother, Nick.

Fanis (Markos Osse) é um garoto grego que vive em Istambul, na Turquia. Seu avô, Vassilis (Tassos Bandis), é um filósofo culinário que o ensina que tanto a comida quanto a vida precisam de um pouco de sal para ganhar sabor. Ao crescer Fanis (Georges Corraface) se torna um astrofísico, que usa seus dotes de culinária para temperar as vidas das pessoas que o cercam. Ao completar 35 anos ele decide deixar Atenas e retornar a Istambul, para reencontrar seu avô e também seu primeiro amor.

In 1974, a group of 11-year-old boys spend the last carefree summer of their childhood, unaware that the world of grown-ups, with its loves, passions, prejudices and curses, is about to seal their fate. Aaron, Stelios, Sakis, Galanos and Verios, "the acrobats", are best friends. School has closed for the summer holidays and the children spend their time playing games, running errands, and riding their bikes. Life is a game, into which they channel all their physical energy and imagination. They practice their diving abilities in a big cistern. It is a game through which their special talents and competitive spirit unfold. One is good at balancing acts, another at diving and another at somersaults. It is in this neighborhood that Aaron will spend the most important summer of his life: a rite of passage from childhood to adolescence, a time for learning about love, jealousy and friendship.

A mysterious disappearance takes place during the shooting of a commercial on the beach in the early morning hours. An unknown man suddenly comes into the shot, then walks into the sea holding an umbrella and seizes to exist, before the bewildered eyes of the whole crew. After the police are notified, a confusing array of red tape manoeuvers begins, revealing the close affiliations of the Authorities with the advertising company manager and the whole mechanism of Mass Media, all of which are trying not to investigate the event but to conceal or even exploit it in their own interest. Only the musician involved in that commercial is trying to figure out what really happened.

Four cousins inherit a rich uncle. In order to do this, however, they must first fulfill the terms that each uncle has laid down in his covenant.

In a mountainous Greek village, two brothers passionately fall in love with the same woman. Their great love for them makes them unrelenting rivals, with the consequent tragic conflict between them and their extinction.