Davide Magara

Uma promotora determinada é consumida pelo caso de uma menina de 13 anos desaparecida e faz de tudo para descobrir a verdade. Baseado em um caso real.

O documentário mergulha nos anos em que o cineasta Glauber Rocha (1939-1981) esteve exilado na Itália, entre 1970 e 1976. Por meio de memórias de amigos, parentes, colegas e colaboradores, o filme retrata a vida e a obra de Glauber na época, além de revisitar seu penúltimo longa-metragem, Claro (1975), gravado em Roma. A produção investiga a experiência do cineasta e de outros artistas na Itália da década de 70 e aborda diversos temas, como o Cinema Novo, o cinema underground, o neorrealismo e a militância política.

Pontedera, 1945. Enrico Piaggio's factory is in rubble. Piaggio feels the enormous responsibility that rests on his shoulders: the life of many families depends on his ability to create a new job. A project is beginning to form in his mind, a dream: to create a means of transport that is small, agile and economical, but capable of reviving mobility and boosting recovery. The road to affirmation, for Piaggio and its creature, is fraught with obstacles. An avid financier, Rocchi Battaglia, uses every means to take possession of the factory. Piaggio understands that his scooter, the Vespa, can and must become "the icon of rebirth" and so, when he learns that the American director William Wyler will shoot the film Roman Holiday (1953) in Italy, he sends Suso, a young and talented employee of the public office, to make contact with him to convince him to make the Vespa the "carriage of Cinderella" on which to make the two young and in love protagonists travel.

In this fact-based drama, an ecology-minded fisherman is elected mayor of his corrupt seaside town and begins crusading against drugs and crime.

The rise and fall of sicilian most important mafia bosses after WWII: Luciano Liggio, Totò Riina and Bernardo Provenzano, all from Corleone. Their friendship and struggle against italian state.

A mysterious tomb is unearthed in the catacombs under Rome, the contents of which contain evidence of an ageless evil that may once have preyed on man.

Pietro Marchetti, a mature Roman taxi driver, has countless and interesting meetings while he is on duty with his car "Zara 87".

Commissario Paolo Ferro (Maurizio Merli) stars as a (typical) tough cop again. This time he returns to the city of Milan to go after a murder corporation. Acampora (Mario Merola) is believed to be the prime suspect although he later proves to be one of the mafia's targets. As if all that wasn't enough, Paolo has to face his own nephew who seems to be involved in all sorts of dirty business.

Uma gigantesca criatura marinha emerge do abismo oceânico trazendo terror e morte por onde passa, ameaçando turistas e moradores da praia de Solana Beach, Califórnia. Enquanto muitos pensam tratar-se de um tubarão, outros sabem a verdadeira e macabra história sobre o monstro marinho.

The strand that opposes the bourgeois morality of the solar facade freedom of sexual behavior is an additional coarse exemplary in this film where the most excessive declarations of honesty of a family hiding intrigues and debauchery. Father, mother and son are all entangled. Only daughter, Anna, seems to be out. "He studied and preserved virgin" is the recommendation that the father, truffle hardened, the repeats. But when she discovers her father with his secretary, starts for her, more than a drama, a confused search morbid. Approaches, waste, leaks, adventurous experiences until, almost by breaking it with an equivocal situation, ask an occasional companion to deprive her of her virginity, as a cumbersome burden. Then haughtily refuses the marriage with a young friend, that his father would want to impose "the good name of the family" and flees with the father of his friend, to a free tomorrow.

In the words of the director, a movie about 'the colonizers in the view of the colonized', the movie presents a series of disconnected happenings throughout Europe and Brazil emphasizing the perception of human life as trance-like experiences and thus offering a view of the human history as a connection of symbolic behavior.