Maria Obretin

Inspired by a true story, the film presents a TV reporter's journalistic investigation into alleged American "flying prisons" in Romania. Through a combination of circumstances, following a mysterious File 631, Dinu (Iosif Paștina) discovers a leak from a NATO base in Romania. The news event stirs, provokes, tempts various media, top politicians, services, both internal and external, causing both hilarious and absurd dramas in a black comedy. The journalistic endeavour of the "newly" turned investigative reporter is a tough, not easy, test to preserve his professional dignity, but also his character, noting the duplicity, the moral volatility, the lack of measure of a world that relentlessly continues its course.

Presa em um convento na Romênia, uma freira comete suicídio. Para investigar o caso, o Vaticano envia um padre assombrado e uma noviça prestes a se tornar freira. Arriscando suas vidas, a fé e até suas almas, os dois descobrem um segredo profano e se confrontam com uma força do mal que toma a forma de uma freira demoníaca e transforma o convento em um campo de batalha.

When an elderly man returns to his family home after decades of absence, the apparition of his childhood sweetheart triggers a rewind to the life-changing events from his youth.

A humble Romanian actor in his 40's, hardly surviving between a complicated part in a musical, a depressed wife, and the obsession of an imminent, devastating earthquake, becomes the victim of his manipulative father.

"Bucharest Non-Stop" is a feature film that tells the story of a neighborhood of Bucharest. More specifically, the film is a night of non-stop life of a store located in a neighborhood blocks. Four drive four different stories linked by a key figure, Achim, known as "the boy from non-stop", played by George Ifrim. The film wants to convey the story of ordinary people in extraordinary situations.

In a small village close to the mountains, Mariana and Puiu are a young family with two children: Carmen and Mircea. One morning, the mother and the ten year-old daughter leave for Bucharest, having a hospital as their destination. One doctor alone, Sitaru, believes that Carmen, who can no longer smile, stands any chances at survival. He believes he can perform a miracle and save Carmen's life. Struggling for her daughter, abandoned by almost everybody she trusted, Mariana discovers she is pregnant. After dr. Sitaru operates on the little girl, in a risky manner, Carmen begins to feel increasingly worse. Without any hope, Mariana leaves the hospital and rushes to take Carmen home: while one life ends, another one begins to flicker.