Hitoshi Tsurumaki

As they travel around the country, a singer-songwriter duo's love triangle with their roadie jeopardizes their unannounced farewell tour.

‘My dad saw a monster here. When he was a kid.’ · ‘A monster?’ · ‘Yeah, a monster. It moves between this world and the next.’ Ao lives with his mother and little sister Kii on Sado Island in Japan. He misses his father, who recently disappeared without a trace – although not much is spoken about it. While their mother tries to deal with the loss in her own way, Ao and Kii run across the island and scream at the ocean. In the mysterious Sayoko, who inconspicuously swipes books from the school library, Ao finds a confidant. Few words are needed between the two reticent, dreamy children: together, they at once feel less alone. Against the striking backdrop of an industrialised coastal town, Tetsuya Tomina's poetic film tells a tale of dreams, loss and monsters.

Ryoro Kurojima (Sadao Abe) is the director of a Tokyo apology center. His job is to teach others how to apologize. Ryoro Kurojima solves problems by using his apology techniques on anything from simple arbitration to a national crisis.

The mayor of Oita wants to improve the image of his city, so he instructs Chiaki - a young woman working for the city's PR department - to form a female tug of war team. Nobuo MIZUTA mixes comedy, drama and a pinch of social criticism to tell a tale of eight women, their everyday struggles and their support for each other.

The Tokyo Olympics are about to open, and Rynosuke Chagawa is excited to receive a new TV set to watch the upcoming events. His wife Hiromi is pregnant and he has built a second level on his shop to provide his adopted son Junnosuke with a private space to study for entrance to Tokyo University to set up a career with a major company. He dreams of sparing Junnosuke the struggles that he has faced as a writer. The family continues to rely upon Hiromi's income from her bar. Meanwhile a rival story, The Virus, by a new writer has appeared in the periodical that has been publishing his stories "Boy's Adventure Book" and he fears the new competition. Norifumi Suzuki also receives a new TV, but more of a deluxe model. Mutsuko Hoshino (Roku) is still the principal mechanic in the Suzuki family's auto repair shop, but she dresses up some mornings to go to a nearby street with the hope of a "chance" meeting with Dr...

O filme começa em 2220, vinte anos depois do desenho original. Na trama do animê, o planeta Terra está à beira da extinção devido à radição das bombas planetárias dos Gamilions. A esperança chega na forma de uma mensagem da Rainha Starsha, do planeta Iscandar. Ela dá aos terráqueos os planos para construir um motor superluminal, que pode levar os humanos a Iscandar, onde uma máquina - o Cosmo DNA - os espera. O artefato pode limpar a radiação na Terra. Mas será que a Patrulha Estelar conseguirá viajar 148 mil anos-luz e voltar em apenas um ano terrestre? Não se os Gamilions puderem impedi-los.

Filme que retrata o cenário de Tóquio da era Showa, enriquecido com a afetuosidade dos personagens. Nesta sequência, a familia Suzuki assume a responsabilidade por Mika, filha de um fracassado empreendedor, enquanto que Chagawa decide ganhar o Prêmio Akutagawa de Literatura para não perder a guarda de Junnosuke.

Menina do interior emprega-se numa oficina de carros, acreditando que iria trabalhar numa grande empresa de automóveis. Mesmo desapontada, vai descobrindo a vida e o romantismo de uma Tokyo que se modernizava. O filme se passa em 1958, ano em que é construída a Torre de Tóquio, símbolo da cidade ainda hoje.

After his daughter Mai is killed in an auto accident, a genius programmer recreates her in the form of a computer program called AI. His jealous brother-in-law, wanting to get his hands on the technology for profit, sends his client to steal it and Mai’s father is killed in the process. Learning of her capture, Mai’s old friends race to free AI from her captors so that she won’t fall into the corporate clutches that threaten to erase her soul.

about a Japanese lady that gets abducted on her way back to her apartment, and endures hours of rape and mind-fiuck games at the hands of some of Emperor Hirohito's cruelest motherfuckers. And, it being Japanese, of course the heroine comes to be defined by this horrifying event.