Pepe Martínez

Confronted with the unfortunate news that their favorite Streetcar, no. 133, is going to be decommissioned, two Municipal Transit workers get drunk and decide to "take 'er for one last spin," as it were. Unfortunately, the "one last spin" ends up being an all-night and all-day scramble to stay out of trouble, as they are confronted with situation after sometimes bizarre situation that prevents them from returning the "borrowed" Streetcar!

Pedro é um homem pobre que está prestes a ter um bebê. O filho de Pedro morre porque não tem dinheiro para sustentá-lo. Um homem chamado Tony oferece um emprego a Pedro e ele aceita, mas ele se torna uma pessoa interessada.

A drifter lands a job as an officer in México City's elite motorcycle police unit and gets home with a mate of this unit. The mate is in love with a girl, but he and she are always making jealous to each other. The drifter and the mate get involved themselves in a fight to become the winner of conquering ladies and performing unit acrobatic tricks, interfering with their friendship and profession.

In the drama, a father, firmly believing that the baby daughter in his arms is not his own, abandons her upon the doorstep of the town drunk. Many years pass, and the man finds himself continually wracked with guilt about deserting her.

Well-intentioned Tin Tan who is always making trouble for other people, sometimes on purpose and sometimes by accident.

Cantinflas works as a porter, who writes letters and speeches in his old writing machine to earn an extra money, despite the fact that he still goes to school. The sentimental issues come when Cantinflas falls in love of his pretty neighborhood (Silvia Pinal), who is handicapped and unable to walk. The thing wont be easy, because a young military man also has feelings for the girl. But the porter wants to see her happy, and he will become a sort of Cyrano De Bergerac, writing love letters to her signed by the young soldier. His plan is simple: to win money in the horse races in order to pay the operation which will make her walk again.

Buñuel's first "comeback" film since "L'Age d'Or" in 1930 (he made only a few musicals in the interim), "El Gran Calavera" concerns a family's attempts to change the patriarch's somewhat indulgent and hedonistic ways by fooling him into thinking his large fortune is gone. They assume a life of poverty in Mexico in an attempt to teach him a lesson. However, he discovers it's a ruse, but continues to perpetuate the facade of ignorance while sneaking off during the day to conduct his thriving business. Why? To teach his family a lesson - they are all lazy, worthless leeches!

A young woman, a thief and a lawyer find themselves in the same hotel room without planning it. Mercedes, the thief, has a brother who, by mistake, kidnaps the lawyer Alberto, which will cause a mess.

Cantinflas, um "teso" mexicano que ganha a vida como ele pode, aceita um trabalho como um mágico, como um adivinho do passado, o presente e o futuro dos outros... mas é incapaz de adivinhar as dificuldades que o aguardam quando aceita substituir um príncipe oriental, posando como seu duplo. Muitos e poderosos inimigos tentarão matar o suposto príncipe. Dardos envenenados, punhais, pistolas, sequestros, todos os meios são bons para destruir o duplo infeliz do príncipe.

A ambiciosa família Montes tem em sua casa o cientista Archimedes Monteagudo e seu assistente Cantinflas, que cuida do bem-estar de ambos. O professor está prestes a fazer uma grande descoberta: extrair da água do mar os componentes de um combustível que substituiria a gasolina carburex. A Cantinflas, por sua vez, quer descobrir um composto que permita prolongar a longevidade das rosas.

Concentration Camp survivor tries to start over with a new identity.

A 1940 film.

Historical drama, French occupation of the 1830s.