Mojca Partljič

This film is a homage to the life, career and fears of Slovenian actor Peter Musevski. He was always Pero for me, not Peter.

Boris Robič is, as we say, an ordinary kind of bloke. One evening, however, someone tries to shoot him. The investigations reveal nothing. No enemies, no suspects. You could say that Boris is the last person anyone would want to kill. After the police close the investigation, Boris decides to make his own inquiries. As he searches for the suspect, we see the tragi-comedy unfold of a man who discovers that a lot more people hate him than he ever realized and that the way he sees his own life was an illusion.

When the water supply cuts out in a small town, turning the dystopian society into a war zone, three hustlers struggle to find the real enemy before it's too late.

Two brothers are torn apart after finding out they will inherit few millions from their father.

A day in the life of Rudolf Nietsche, a man who has never even been able to secure a seat on the train, let alone his place in life; a man lacking that Z in his surname, a small yet crucial letter.

Ana dá à luz no hospital local e tudo ocorre bem. O único problema é com a papelada —o arquivo dela não está no computador—, mas isso é considerado apenas uma perda temporária de dados, provavelmente causada por uma falha técnica. Em poucos dias, no entanto, Ana se vê em uma teia de burocracia de proporções kafkianas. Ela é forçada a deixar a filha recém-nascida sozinha no hospital, sem o direito de visitá-la até que tudo esteja resolvido. De repente, Ana passa a ser uma estrangeira, apesar de ter vivido na Eslovênia durante a vida toda. Legalmente, ela não existe, então, sua filha é uma órfã. E órfãos são colocados para adoção.

The lives of a wealthy married couple radically change in an instant. While the husband is in critical condition after an accident that occurred under strange circumstances, the wife tries to understand the situation and to salvage what she can… In this constricted, small-scale drama by a renowned Slovenian filmmaker, Pia Zemljič excels in the role of the resourceful wife.

Young teacher Sonja tries to resolve a quarrel between two classmates. Parents intervene, and unexpected consequences begin to develop from school disputes in school offices.

Tanya is 35, with a successful career. Her husband Mare is an architect. One Friday, Tanya comes home late at night. Mare confronts her and they exchange some edgy words; Mare is clearly jealous, he loses control of himself and slaps her in the face. Obviously, it is not the first such incident. Tanya locks herself in the bathroom. They continue their conversation over the locked doors. Mare calms down, but when Tanya comes from the bathroom, he becomes abusive again. The noise wakes up a neighbor who reports them to the police. The police arrive and the couple calms down. When the police leave, the couple resorts to psychological abuse. What follows is the night of hateful and skillful twisting of words that unveils, step by step, all the dark secrets of their relationship. Behind a facade of a successful couple, there are suppressed feelings of inferiority, weaknesses, deceit, frustration and traumas from their youth.

A scandal breaks out in a small town just big enough to have a local newspaper.

These are stories from the urban environment, the main characters are people of different generations and come from different walks of life.