Sylvia Schwarz

Sylvia Schwarz

Perfil

Sylvia Schwarz

Filmes

Immerhin: Die Kunst, die Kunst
Beyond The Visible - Hilma af Klint
Voice of Peggy Kloppers
How can an artist discover abstraction by the beginning of the 20th century and nobody is noticing? A woman, misjudged and concealed, rocks the art world with her mind-blowing oeuvre. Hilma af Klint was a pioneer creating her first abstract painting in 1906, four years before Vassily Kandinsky. But why was she ignored? Why are her paintings not available on the market? This first film on her is about her life and work, the role of women in art history and the discovery of an art scandal. Her quest for meaning in life and a boundless thinking led into a timeless, outstanding oeuvre.
Hotel Lux
Französin
In 1938 Hans Zeisig, an apolitical comedian, impersonator and cabaret actor, flees with a Russian passport (instead of American, which he would have preferred) from Nazi-Berlin, and finds himself in the legendary Hotel Lux, the 'lost paradise' of the Comintern, in Moscow. Everyone believes that Zeisig is a man named Hansen, Hitler's personal astrologer. But Zeisig quickly realizes that he's gone from the frying pan into the fire. In the Hotel Lux he meets his friends Frida and later Meyer again, still passionate communists. For the three idealists an adventure between love and death begins to run his course.
The Other Day in Eden
To take care of his father’s estate, Ulrich Meinert has to go to a trailer park where his father used to live. He finds himself in a camping colony in eastern Germany which stirs up mixed feelings. Although he felt a lot of resentment towards his father, days go by without him taking care of any unsettled business. Instead, he starts to get involved with Anja, takes on one of his father’s old friends and settles into his father’s trailer. Against his own wishes, he starts to fill the void his father left behind ...
Why Men Don't Listen and Women Can't Read Maps
Antonie
Jan is an absolute heartthrob and a diehard Hertha fan. Katrin is attractive, just as successful and an incorrigible romantic. Chance makes the two the ideal couple. At least almost. Everything would be perfect if the two flagship models of their species did not lapse into primeval behavioral patterns. And so Jan sinks a little too deep in the cleavage of his secretary Melanie, and Katrin can not resist the adventurer Jonathan's lead role.