Rose Troche
Nascimento : 1964-01-01, Chicago, Illinois, USA
História
Rose Troche is an American film and television director, television producer, and screenwriter.
Director
Drew vive um relacionamento tóxico e conturbado. Para colocar seu ex de uma vez por todas fora de sua vida e ajudá-lo a seguir em frente, os melhores amigos de Drew, Kelly e Jake, decidem criar um namorado fake para ele. O plano parecia perfeito até que Drew se apaixona por Rafi, mas ainda está preso ao namorado fake.
Director
Over 30 filmmakers and friends of Strand Releasing have come together to honor the company’s indelible contribution to independent cinema over the past thirty years. The participating filmmakers have each created a short film for the project, all shot on iPhones.
Consulting Producer
A young woman in the Army must make tough decisions when her love for an older woman causes her to question just where she is going. Adapted from Deb Shoval's 2011 short film of the same name.
Executive Producer
It's the summer before 6th grade, and Clark is the new-in-town biracial kid in a sea of white. Discovering that to be cool he needs to act 'more black,' he fumbles to meet expectations, while his urban intellectual parents Mack and Gina also strive to adjust to small-town living. Equipped for the many inherent challenges of New York, the tight-knit family are ill prepared for the drastically different set of obstacles that their new community presents, and soon find themselves struggling to understand themselves and each other in this new suburban context.
Writer
Full of self-loathing after a gay hookup, a conflicted Christian carries out a mass shooting. What if his partner had convinced him to face himself? Would it have changed the tragic course of history?
Director
Full of self-loathing after a gay hookup, a conflicted Christian carries out a mass shooting. What if his partner had convinced him to face himself? Would it have changed the tragic course of history?
Self
Explores the hot-button issues around the striking gender gap in Hollywood. Both women and men in the entertainment industry share first-person insights, questions, and anecdotes about the place of women in Hollywood.
Director
Chinatown is an evocative place. It exists in our cities, in our imaginations, on our television screens, and in our memories. It is at once a sprawling, vibrant immigrant community and a forgotten strip mall of buffet restaurants.
Self
Reflexivo e bem-humorado, esse filme faz uma retrospectiva sobre a temática homossexual no cinema (principalmente independente) norte-americano e sobre como, ao longo de seis décadas, o tema foi se liberando no cinema. Desde o início, quando o assunto era mostrado como algo proibido ou uma doença, até os dias de hoje, sendo aceito e premiado.
Co-Producer
In a suburban landscape, the lives of several families interlace with loss, despair and personal crisis. Esther Gold has lost focus on all but caring for her comatose son, Paul, and neglects her daughter and husband. Lawyer Jim Train is devoted to his career, not his family. Helen Christianson wants to find a new spark in life, while Annette Jennings tries to rebuild hers.
Screenplay
In a suburban landscape, the lives of several families interlace with loss, despair and personal crisis. Esther Gold has lost focus on all but caring for her comatose son, Paul, and neglects her daughter and husband. Lawyer Jim Train is devoted to his career, not his family. Helen Christianson wants to find a new spark in life, while Annette Jennings tries to rebuild hers.
Director
In a suburban landscape, the lives of several families interlace with loss, despair and personal crisis. Esther Gold has lost focus on all but caring for her comatose son, Paul, and neglects her daughter and husband. Lawyer Jim Train is devoted to his career, not his family. Helen Christianson wants to find a new spark in life, while Annette Jennings tries to rebuild hers.
Director
Por sugestão de um amigo hétero, o gay Leo se junta a um grupo de homens, onde provoca alguns transtornos ao declarar sua atração por um de seus membros.
Self
From Go Fish to Paris is Burning to The Watermelon Woman, this festival favorite goes behind the scenes to reveal seven successful lesbian directors. These talented movie-makers enlighten and entertain as they explore their sexual identity, growing up gay, inspirations and techniques, Hollywood vs. Indie, and of course, love and sex, onscreen and off. The conversations are intimate, the topics unlimited, and the clips from their work enthralling! Featuring Cheryl Dunye, Rose Troche, Jennie Livingston, Monika Treut, Maria Maggenti, Su Friedrich and Heather MacDonald.
Interviews with women directors working in Hollywood and Europe in the early 1990s, exploring the opportunities and obstacles that face them. A program made to accompany a Channel 4 season of films directed and produced by women.
Additional Camera
Max is a trendy, pretty, young lesbian, who is having trouble finding love. A friend sets her up with Ely, whom Max likes, but Ely is frumpy, homely, and older. Nor do they have much in common. Can Max learn to look past the packaging?
Visual Effects
Max is a trendy, pretty, young lesbian, who is having trouble finding love. A friend sets her up with Ely, whom Max likes, but Ely is frumpy, homely, and older. Nor do they have much in common. Can Max learn to look past the packaging?
Editor
Max is a trendy, pretty, young lesbian, who is having trouble finding love. A friend sets her up with Ely, whom Max likes, but Ely is frumpy, homely, and older. Nor do they have much in common. Can Max learn to look past the packaging?
Producer
Max is a trendy, pretty, young lesbian, who is having trouble finding love. A friend sets her up with Ely, whom Max likes, but Ely is frumpy, homely, and older. Nor do they have much in common. Can Max learn to look past the packaging?
Writer
Max is a trendy, pretty, young lesbian, who is having trouble finding love. A friend sets her up with Ely, whom Max likes, but Ely is frumpy, homely, and older. Nor do they have much in common. Can Max learn to look past the packaging?
Director
Max is a trendy, pretty, young lesbian, who is having trouble finding love. A friend sets her up with Ely, whom Max likes, but Ely is frumpy, homely, and older. Nor do they have much in common. Can Max learn to look past the packaging?