Music
Onward, upward, greener [redder] grasstures.
Editor
Onward, upward, greener [redder] grasstures.
Director
Onward, upward, greener [redder] grasstures.
Director of Photography
Onward, upward, greener [redder] grasstures.
Music
Radical recurrences & rancorous requests raze my daze.
Editor
Radical recurrences & rancorous requests raze my daze.
Director
Radical recurrences & rancorous requests raze my daze.
Director of Photography
Radical recurrences & rancorous requests raze my daze.
Editor
I really hope this is well-received. I really hope there's some sort of reprieve.
Still Photographer
I really hope this is well-received. I really hope there's some sort of reprieve.
Director
I really hope this is well-received. I really hope there's some sort of reprieve.
Director of Photography
I really hope this is well-received. I really hope there's some sort of reprieve.
Music
I really hope this is well-received. I really hope there's some sort of reprieve.
Shadows frighten what one oughtn't be gripping (that thing before/hind you).
Still Photographer
Shadows frighten what one oughtn't be gripping (that thing before/hind you).
Music
Shadows frighten what one oughtn't be gripping (that thing before/hind you).
Editor
Shadows frighten what one oughtn't be gripping (that thing before/hind you).
Director
Shadows frighten what one oughtn't be gripping (that thing before/hind you).
Director of Photography
Shadows frighten what one oughtn't be gripping (that thing before/hind you).
Still Photographer
On the Clickity-clack Express it's clear I'm always under duress, unless I forget.
Music
On the Clickity-clack Express it's clear I'm always under duress, unless I forget.
Editor
On the Clickity-clack Express it's clear I'm always under duress, unless I forget.
Director
On the Clickity-clack Express it's clear I'm always under duress, unless I forget.
Director of Photography
On the Clickity-clack Express it's clear I'm always under duress, unless I forget.
Music
Running up that [mountainous-outcropping] because there is none of this that's stopping.
Editor
Running up that [mountainous-outcropping] because there is none of this that's stopping.
Director
Running up that [mountainous-outcropping] because there is none of this that's stopping.
Director of Photography
Running up that [mountainous-outcropping] because there is none of this that's stopping.
Music
Remembrances past, remind me to pass.
Still Photographer
Remembrances past, remind me to pass.
Editor
Remembrances past, remind me to pass.
Director
Remembrances past, remind me to pass.
Director of Photography
Remembrances past, remind me to pass.
Still Photographer
Setting, settling; still seething as I barely breathe.
Editor
Setting, settling; still seething as I barely breathe.
Music
Setting, settling; still seething as I barely breathe.
Director of Photography
Setting, settling; still seething as I barely breathe.
Director
Setting, settling; still seething as I barely breathe.
Music
Rather pointless, rather stilted, fetid; not what we want us going after.
Editor
Rather pointless, rather stilted, fetid; not what we want us going after.
Director
Rather pointless, rather stilted, fetid; not what we want us going after.
Director of Photography
Rather pointless, rather stilted, fetid; not what we want us going after.
Music
Tales of old springing forth underlying dissatisfaction with current states of being.
Editor
Tales of old springing forth underlying dissatisfaction with current states of being.
Director
Tales of old springing forth underlying dissatisfaction with current states of being.
Director of Photography
Tales of old springing forth underlying dissatisfaction with current states of being.
Music
Flitter like tittertatter trying to breathe while working, like a mad hatter; the outofbreath feeling rising from recursive reforgettings (or their resemblances).
Editor
Flitter like tittertatter trying to breathe while working, like a mad hatter; the outofbreath feeling rising from recursive reforgettings (or their resemblances).
Director
Flitter like tittertatter trying to breathe while working, like a mad hatter; the outofbreath feeling rising from recursive reforgettings (or their resemblances).
Director of Photography
Flitter like tittertatter trying to breathe while working, like a mad hatter; the outofbreath feeling rising from recursive reforgettings (or their resemblances).
Director of Photography
It's time the times met each other over & over.
Director of Photography
Don't ask me why, but I feel we're about to cry trying.
Director of Photography
Say Om as you reach home only to realize you never really left/stopped saying Om.
Music
Abandoning the Abaddon-loathed abandoner opens plenty of reclaimed... everything(s).
Editor
Abandoning the Abaddon-loathed abandoner opens plenty of reclaimed... everything(s).
Director of Photography
Abandoning the Abaddon-loathed abandoner opens plenty of reclaimed... everything(s).
Director
Abandoning the Abaddon-loathed abandoner opens plenty of reclaimed... everything(s).
Music
Say Om as you reach home only to realize you never really left/stopped saying Om.
Editor
Say Om as you reach home only to realize you never really left/stopped saying Om.
Director
Say Om as you reach home only to realize you never really left/stopped saying Om.
Music
Don't ask me why, but I feel we're about to cry trying.
Editor
Don't ask me why, but I feel we're about to cry trying.
Director
Don't ask me why, but I feel we're about to cry trying.
Music
It's time the times met each other over & over.
Editor
It's time the times met each other over & over.
Director
It's time the times met each other over & over.
Director of Photography
Still it's really tall. Still it's really floundering/falling/fading.
Director of Photography
Strings together what's strung together (please use yr tether).
Director of Photography
Your raging romp results only in rescinded regret @ the hands of radder cadets.
Still Photographer
Your raging romp results only in rescinded regret @ the hands of radder cadets.
Music
Your raging romp results only in rescinded regret @ the hands of radder cadets.
Editor
Your raging romp results only in rescinded regret @ the hands of radder cadets.
Director
Your raging romp results only in rescinded regret @ the hands of radder cadets.
Still Photographer
Strings together what's strung together (please use yr tether).
Music
Strings together what's strung together (please use yr tether).
Editor
Strings together what's strung together (please use yr tether).
Director
Strings together what's strung together (please use yr tether).
Music
Still it's really tall. Still it's really floundering/falling/fading.
Editor
Still it's really tall. Still it's really floundering/falling/fading.
Director
Still it's really tall. Still it's really floundering/falling/fading.
Director of Photography
Slowed, stowed, achingly retold.
Music
Slowed, stowed, achingly retold.
Editor
Slowed, stowed, achingly retold.
Director
Slowed, stowed, achingly retold.
Director of Photography
Pounding backbeats beaten by [(Don't Get)] warm[welcomes]th.
Music
Pounding backbeats beaten by [(Don't Get)] warm[welcomes]th.
Editor
Pounding backbeats beaten by [(Don't Get)] warm[welcomes]th.
Director
Pounding backbeats beaten by [(Don't Get)] warm[welcomes]th.
Director of Photography
Centrist revelations abound among repetitions & revisitings.
Director of Photography
Something I know or something I was told? When something scalding translates something to behold.
Music
Something I know or something I was told? When something scalding translates something to behold.
Editor
Something I know or something I was told? When something scalding translates something to behold.
Director
Something I know or something I was told? When something scalding translates something to behold.
Music
Centrist revelations abound among repetitions & revisitings.
Editor
Centrist revelations abound among repetitions & revisitings.
Director
Centrist revelations abound among repetitions & revisitings.
Director of Photography
This cacophony runs over me, over everything I see, everything I want to see: it's me.
Music
This cacophony runs over me, over everything I see, everything I want to see: it's me.
Still Photographer
This cacophony runs over me, over everything I see, everything I want to see: it's me.
Editor
This cacophony runs over me, over everything I see, everything I want to see: it's me.
Director
This cacophony runs over me, over everything I see, everything I want to see: it's me.
Director of Photography
Hiding inside&out, writhing about, taken out&in.
Music
Hiding inside&out, writhing about, taken out&in.
Still Photographer
Hiding inside&out, writhing about, taken out&in.
Editor
Hiding inside&out, writhing about, taken out&in.
Director
Hiding inside&out, writhing about, taken out&in.
Director of Photography
Locked away but not away; somewhere nearby but unreachable, a periphery so notfaroff it's always in sight.
Music
Locked away but not away; somewhere nearby but unreachable, a periphery so notfaroff it's always in sight.
Editor
Locked away but not away; somewhere nearby but unreachable, a periphery so notfaroff it's always in sight.
Director
Locked away but not away; somewhere nearby but unreachable, a periphery so notfaroff it's always in sight.
Director of Photography
(Some of us) Still run down the same [mental&emotional] streets we revered/reproached/replaced as children.
Director of Photography
Return to 'burn' only to find out you're already in that urn.
Still Photographer
(Some of us) Still run down the same [mental&emotional] streets we revered/reproached/replaced as children.
Editor
(Some of us) Still run down the same [mental&emotional] streets we revered/reproached/replaced as children.
Director
(Some of us) Still run down the same [mental&emotional] streets we revered/reproached/replaced as children.
Still Photographer
Return to 'burn' only to find out you're already in that urn.
Editor
Return to 'burn' only to find out you're already in that urn.
Director
Return to 'burn' only to find out you're already in that urn.
Beyond all human restraint lies one's lugubrious layers of paint.
Director of Photography
Beyond all human restraint lies one's lugubrious layers of paint.
Editor
Beyond all human restraint lies one's lugubrious layers of paint.
Music
Beyond all human restraint lies one's lugubrious layers of paint.
Director
Beyond all human restraint lies one's lugubrious layers of paint.
Steadily reading while/becomes treading into murky waters.
Director of Photography
There is nothing left to do but complain.
Director of Photography
Steadily reading while/becomes treading into murky waters.
Editor
Steadily reading while/becomes treading into murky waters.
Director
Steadily reading while/becomes treading into murky waters.
Editor
There is nothing left to do but complain.
Music
There is nothing left to do but complain.
Still Photographer
There is nothing left to do but complain.
Director
There is nothing left to do but complain.
Director of Photography
Wax and wane until there is naught but boring pain.
Director of Photography
Lines align during acclimated apexes, shadowy vertices, and bright burrows.
Music
Lines align during acclimated apexes, shadowy vertices, and bright burrows.
Editor
Lines align during acclimated apexes, shadowy vertices, and bright burrows.
Director
Lines align during acclimated apexes, shadowy vertices, and bright burrows.
Wax and wane until there is naught but boring pain.
Music
Wax and wane until there is naught but boring pain.
Editor
Wax and wane until there is naught but boring pain.
Director
Wax and wane until there is naught but boring pain.
Director of Photography
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Music
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Editor
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Director
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Director of Photography
Trite, closed memories flagrantly bleed into profuse openings mixed & held together by retaliatory colorations & obfuscations.
Music
Trite, closed memories flagrantly bleed into profuse openings mixed & held together by retaliatory colorations & obfuscations.
Editor
Trite, closed memories flagrantly bleed into profuse openings mixed & held together by retaliatory colorations & obfuscations.
Director
Trite, closed memories flagrantly bleed into profuse openings mixed & held together by retaliatory colorations & obfuscations.
Director of Photography
Platitudes begin at peaks then rapidly descend and dismantle in order to ascend more acutely until they repeatedly and successively overwhelm.
Music
Platitudes begin at peaks then rapidly descend and dismantle in order to ascend more acutely until they repeatedly and successively overwhelm.
Editor
Platitudes begin at peaks then rapidly descend and dismantle in order to ascend more acutely until they repeatedly and successively overwhelm.
Director
Platitudes begin at peaks then rapidly descend and dismantle in order to ascend more acutely until they repeatedly and successively overwhelm.
Director of Photography
Time plods along in spattered irregularities as anger and depression coalesce in confusing amalgamations.
Music
Time plods along in spattered irregularities as anger and depression coalesce in confusing amalgamations.
Editor
Time plods along in spattered irregularities as anger and depression coalesce in confusing amalgamations.
Director
Time plods along in spattered irregularities as anger and depression coalesce in confusing amalgamations.
Director of Photography
10 minute experimental film. Warning: this video involves frequent strobing.
Music
10 minute experimental film. Warning: this video involves frequent strobing.
Editor
10 minute experimental film. Warning: this video involves frequent strobing.
Director
10 minute experimental film. Warning: this video involves frequent strobing.
Director of Photography
3 minute experimental film.
Editor
3 minute experimental film.
Music
3 minute experimental film.
Still Photographer
3 minute experimental film.
Director
3 minute experimental film.
Director of Photography
Lights flicker & fade as focus shifts from artificial to natural light, ending on a second artificial light speeding through the blackened miasma of the night sky.
Music
Lights flicker & fade as focus shifts from artificial to natural light, ending on a second artificial light speeding through the blackened miasma of the night sky.
Editor
Lights flicker & fade as focus shifts from artificial to natural light, ending on a second artificial light speeding through the blackened miasma of the night sky.
Director
Lights flicker & fade as focus shifts from artificial to natural light, ending on a second artificial light speeding through the blackened miasma of the night sky.
Director of Photography
A 'reversal' of Jean-Léon Gérôme's 1872 painting Pollice Verso.
Music
A 'reversal' of Jean-Léon Gérôme's 1872 painting Pollice Verso.
Editor
A 'reversal' of Jean-Léon Gérôme's 1872 painting Pollice Verso.
Director
A 'reversal' of Jean-Léon Gérôme's 1872 painting Pollice Verso.
Director of Photography
1 minute experimental film.
Music
1 minute experimental film.
Editor
1 minute experimental film.
Director
1 minute experimental film.
Director of Photography
5 minute experimental film.
Music
5 minute experimental film.
Editor
5 minute experimental film.
Director
5 minute experimental film.
Director of Photography
3 minute experimental film.
Director
3 minute experimental film.
Music
3 minute experimental film.
Editor
3 minute experimental film.
Director of Photography
Tones rise and fall as images replicate and reorder, dizzying, nauseating -- vexing.
Music
Tones rise and fall as images replicate and reorder, dizzying, nauseating -- vexing.
Editor
Tones rise and fall as images replicate and reorder, dizzying, nauseating -- vexing.
Director
Tones rise and fall as images replicate and reorder, dizzying, nauseating -- vexing.
Director of Photography
10 minute experimental film.
Music
10 minute experimental film.
Editor
10 minute experimental film.
Director
10 minute experimental film.
Director of Photography
REMIXXX'd is the execution of the director's 8 previous works thru simultaneity.
Music
REMIXXX'd is the execution of the director's 8 previous works thru simultaneity.
Editor
REMIXXX'd is the execution of the director's 8 previous works thru simultaneity.
Director
REMIXXX'd is the execution of the director's 8 previous works thru simultaneity.
Director of Photography
4 minute experimental film.
Music
4 minute experimental film.
Editor
4 minute experimental film.
Director
4 minute experimental film.
Director of Photography
5 minute experimental film.
Music
5 minute experimental film.
Editor
5 minute experimental film.
Director
5 minute experimental film.
Director of Photography
"a feeling of listlessness and dissatisfaction arising from a lack of occupation or excitement."
Music
"a feeling of listlessness and dissatisfaction arising from a lack of occupation or excitement."
Editor
"a feeling of listlessness and dissatisfaction arising from a lack of occupation or excitement."
Director
"a feeling of listlessness and dissatisfaction arising from a lack of occupation or excitement."
Director of Photography
Perception becomes reality, forcing reality to lose perception, crash, and burn.
Music
Perception becomes reality, forcing reality to lose perception, crash, and burn.
Editor
Perception becomes reality, forcing reality to lose perception, crash, and burn.
Director
Perception becomes reality, forcing reality to lose perception, crash, and burn.
Director of Photography
4 minute experimental film.
Music
4 minute experimental film.
Editor
4 minute experimental film.
Director
4 minute experimental film.
Director of Photography
1 minute experimental film.
Music
1 minute experimental film.
Editor
1 minute experimental film.
Director
1 minute experimental film.
Director of Photography
7 minute experimental film.
Music
7 minute experimental film.
Editor
7 minute experimental film.
Director
7 minute experimental film.
Director of Photography
20 minute experimental film.
Music
20 minute experimental film.
Editor
20 minute experimental film.
Director
20 minute experimental film.
Director of Photography
6 minute experimental film.
Still Photographer
6 minute experimental film.
Music
6 minute experimental film.
Editor
6 minute experimental film.
Director
6 minute experimental film.
