Annamária Láng

A young court bailiff's first eviction case turns into a nightmare because of a desperate old lady who is willing to sacrifice everything to keep her home.

In EVOLUTION, acclaimed filmmaking team Kornél Mundruczó and Kata Wéber (PIECES OF A WOMAN) return with a powerful drama tracing three generations of a family, from a surreal memory of World War II to modern day Berlin, unable to process their past in a society still coping with the wounds of its history. Like the water that connects the episodes in this triptych, memory and identity are fluid, and how we relate to it can drown or buoy. The pain and stigma that trickles from Eva, to Lena and then Jonas is inexpressible, yet rendered with striking imagery by Mundruczó and a wrenchingly poignant yet acerbically ironic and personal script by Weber. While generational traumas find new expression in the present, the family in EVOLUTION looks towards a more hopeful future

The love of 34-year-old Dora's life, has broken up with her-or worse: he has remarried. Her only joy, the pastry shop she owns, also appears to be lost. She makes up her mind to get both her ex-boyfriend and her pastry shop back, even if it means she has to lie. Along the way, she meets other families, as well as her ex-boyfriend's new wife. These meetings make her realise the love she is clinging onto has no real basis. Dora stops living in a state of romantic self-pity, puts an end to the lying and opens up to the possibility of a new real relationship.

Story of a fake heart attack which ends with a real heartbreak.

Anna tem 40 anos e está sempre correndo. Ela tem três filhos, um marido, um emprego e questões financeiras. Anna cumpre prazos, faz promessas, cuida das coisas, traz compras para casa e lembra-se de tudo, mas nunca conversa com seu marido. Ela sente que o está perdendo.

Kata lives with her husband and 12 year old son, Peti in a housing estate. One day something terrible happens to Peti. The parents have one night to decide how to handle it.

Set in a large apartment in Hungary during the death throes of communism, obedient Andor lives with his eccentric mother, Rebeka, a once-celebrated stage actress-turned-recluse. After years of coexisting in a love-hate relationship marked by routine and possible incest, Andor brings home Eszter, a beautiful girl his own age. Her advances awaken Andor's repressed desires, the depths of which prove shocking. Opera director Robert Alfoldi renders this bizarre story in a melodramatic style, and veteran Hungarian stage star Dorottya Udvaros rises to the occasion. If you can imagine the intersecting area on a Venn diagram that includes Taxidermia and Sunset Blvd., that's where Where Were You, My Son? was born. The original title, Nyugalom, which translates to Tranquility, is ironic to say the least. ...over the-top...memorable...thunderous...sex and violins (Variety).

Underrated in light of its current (February 4, 2007) IMDb score of 6.4, this film reminded me of what Joseph Heller's 'Something Happened' could look like if a film was to be made out of it. Our middle-aged character's life is in a fragile balance at the start and soon that balance will, of course, be disturbed. Even without much in the way of drama at first, an at times nightmarish reality intermingles with nightmares, and, typically for a movie from this region, state bureaucracy and the absurdities of a semi-legal order play a role in moving developments along. So what is it that awaits our hero down the informal road he is officially sent? Complete deconstruction? Or the 'unbearable lightness of being'? If you give the movie the time to unfold, it will reward you revealing an entertaining concept by the end.